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Tatler front cover, 1958
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Tatler front cover, 1958
Front cover of The Tatler for April 1958 featuring a model wearing a hat, or Easter bonnet, by French designer Pierre Cardin, using yards of wide-mesh net, swathed on a white, wired foundation and embellished here and there with dark green camellia leaves. Date: 1958
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Media ID 14123785
© Illustrated London News Ltd/Mary Evans
1958 Bonnet Camellia Covers Designer Easter Headwear Magazines Mesh Millinery Pierre Tatler Veil Cardin
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This striking front cover of The Tatler magazine from April 1958 showcases a fashionable model wearing an elegant Easter bonnet designed by the renowned French fashion designer Pierre Cardin. The hat, made primarily of wide-mesh net, is swathed on a white, wired foundation, creating a voluminous and airy silhouette. The netting is artfully embellished with dark green camellia leaves, adding a touch of natural beauty and sophistication to the design. The 1950s were a golden era for millinery, and this hat is a prime example of the innovative and intricate headpieces that defined the decade. The use of netting and veiling was particularly popular during this time, as it allowed for both functionality and style. The profile view of the model on the cover perfectly showcases the intricate details of the hat, from the delicate camellia leaves to the subtle curves of the netting. Pierre Cardin was a pioneering figure in the fashion industry, known for his avant-garde designs and his ability to blur the lines between haute couture and ready-to-wear clothing. This Easter bonnet is a testament to his creativity and his ability to elevate simple materials into something truly extraordinary. The image on the cover of The Tatler magazine captures the essence of the 1950s fashion scene, with its focus on elegance, innovation, and the art of hat-making. This photograph is a valuable historical document, offering a glimpse into the world of fashion during a time when hats were an essential accessory for women, and designers like Pierre Cardin were pushing the boundaries of what was possible with fabric and form.
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