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At A Stepmothers Mercy, by Ward Bailey

At A Stepmothers Mercy, by Ward Bailey


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At A Stepmothers Mercy, by Ward Bailey

At A Stepmothers Mercy, by Ward Bailey, first produced at the Metropolitan Theatre, Manchester, March 1916. In the mill at Dead Mans Pool, Barbara Holcroft attacks her stepdaughter, watched by Barbaras paramour Felix Marston and Burly Bill a burglar (Act 2, Scene 3). Fred Osmonds Company touring to the Grand Theatre, Halifax, November 1916. Date: 1916

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Media ID 14403508

© The Michael Diamond Collection / Mary Evans Picture Library

Actors Actresses Bailey Manchester Mercy Metropolitan Mill Performance Performer Pool Violence Violent Ward


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> Europe > United Kingdom > England > London > Art > Entertainment

> Europe > United Kingdom > England > London > Art > Theatre

> Europe > United Kingdom > England > Manchester > Manchester


At A Stepmother's Mercy,

EDITORS COMMENTS
a compelling play by Ward Bailey, is depicted in this photograph from the 1916 production at the Metropolitan Theatre in Manchester. In this dramatic scene from Act 2, Scene 3, the tension between Barbara Holcroft (played by an unidentified actress) and her stepdaughter reaches a boiling point at the mill located at Dead Man's Pool. Barbara, dressed in a dark, form-fitting dress, viciously attacks her stepdaughter, her face contorted with rage. Her paramour, Felix Marston (portrayed by actor Fred Osmond), watches in horror from the side, his expression a mixture of fear and concern. The burglar, Burly Bill (played by an unknown male actor), lurks in the background, adding an extra layer of danger to the situation. The costumes, sets, and staging of the production were meticulously designed to transport the audience to the gritty world of the play. The mill setting, with its dimly lit interiors and rough textures, creates an atmosphere of danger and unease. The actors' intense performances further heightened the sense of tension and drama, making for a riveting theatrical experience. This photograph offers a glimpse into the world of English theater in the 1910s, a time when live performances were a popular form of entertainment. The play's themes of violence, mercy, and family dynamics resonated with audiences, making "At A Stepmother's Mercy" a standout production during Fred Osmond's touring company's stop at the Grand Theatre in Halifax. Overall, this photograph captures the raw emotion and intensity of a live performance, offering a captivating glimpse into the past and the world of British theater during the early 20th century.

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