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The general out-generalled, or, first come, first served

The general out-generalled, or, first come, first served


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The general out-generalled, or, first come, first served

The general out-generalled, or, first come, first served. Wellington demands attention outside a house, while Duke of Argyll, inside with Harriette Wilson, pretends not to recognize him. Date 1808

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 7325216

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10594265


EDITORS COMMENTS
This intriguing print, titled "The General Out-Generalled, or, First Come, First Served," offers a humorous and scandalous glimpse into the social circles of Regency-era Britain. The image, created in 1808, depicts the Duke of Wellington standing boldly outside a house, demanding attention from within. However, the Duke of Argyll, who is inside the house with Harriette Wilson, feigns ignorance of Wellington's presence. Harriette Wilson was a notorious courtesan, known for her beauty and her ability to attract and seduce high-ranking men. In this print, she is shown in the arms of the Duke of Argyll, who was married at the time and should have been above such behavior. The caption "First Come, First Served" suggests that Wellington may have arrived at Harriette's home earlier than Argyll, leading to the latter's embarrassing predicament. The print satirizes the double standards of the time, highlighting the hypocrisy and infidelity of the aristocracy. Wellington's unwavering presence outside the house contrasts sharply with Argyll's attempt to hide his indiscretions. The print also underscores the power dynamics at play in Regency society, with the military hero Wellington demanding attention from a woman of questionable reputation, while the married Duke of Argyll tries to maintain his social standing by denying any involvement. This print is a fascinating window into the scandalous world of Regency-era Britain, offering a glimpse into the complex social dynamics and moral hypocrisy of the time. The bold use of satire and humor in the image adds to its enduring appeal and makes it a valuable addition to any collection of Regency-era cartoons.

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