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Divorce the lesser evil
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Divorce the lesser evil
Divorce the lesser evil. Illustration shows, on the left, a husband and wife, wrapped in chains with a large padlock labeled Unhappy Marriage, fighting in front of Justice who holds the ends of the chains; opposite the couple is a member of the clergy who is arguing with Justice that divorce is an awful immorality and must be stopped. Date 1900 February 7. Divorce the lesser evil. Illustration shows, on the left, a husband and wife, wrapped in chains with a large padlock labeled Unhappy Marriage, fighting in front of Justice who holds the ends of the chains; opposite the couple is a member of the clergy who is arguing with Justice that divorce is an awful immorality and must be stopped. Date 1900 February 7
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EDITORS COMMENTS
Divorce: The Lesser Evil" - This powerful illustration from the February 7, 1900 issue of Puck magazine presents a thought-provoking commentary on the contentious issue of divorce during the late 19th century. The image depicts a husband and wife, shackled together with a large padlock labeled "Unhappy Marriage," engaged in a heated argument in front of the blindfolded figure of Lady Justice. Justice, holding the ends of the chains, appears to be considering the couple's pleas. On the opposite side, a member of the clergy, dressed in religious attire, passionately argues against the granting of a divorce. He implores Justice, "Divorce is an awful immorality! It must be stopped!" His stern demeanor and the ominous clouds above him emphasize the moral condemnation of divorce during this era. This illustration reflects the societal norms and values of the time, when divorce was considered a last resort and a deeply shameful act. The debate between the couple and the clergy represents the ongoing struggle between personal happiness and religious and societal expectations. The title, "Divorce: The Lesser Evil," suggests that, despite the moral stigma, divorce may be a preferable alternative to an unhappy, unhealthy marriage. This evocative cartoon, with its intricate details and strong contrasts, offers a captivating glimpse into the complexities of divorce during the late 19th century and the ongoing debate surrounding its moral implications.
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