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Canvas Print : J. W. Evans, overalls N030030
Canvas Prints from Historic England
J. W. Evans, overalls N030030
J. W. EVANS, Birmingham, West Midlands. Interior view of silversmiths factory. No.57 Jackson Rear Room. View of two overalls
Historic England is the public body that champions and protects England's historic places
Media ID 4564117
© Historic England
12"x9" (30x23cm) Canvas Print
Introducing the Media Storehouse Canvas Prints, featuring the captivating image "J. W. Evans, overalls N030030" by Peter Williams from Historic England. This exquisite print transports you back in time to the silversmiths factory of J. W. Evans in Birmingham's West Midlands. The interior view of No.57 Jackson Rear Room reveals a fascinating snapshot of two overalls, showcasing the intricate details and textures of the era. Our high-quality canvas prints bring the rich history of Peter Williams' photography to your home or office, adding a touch of timeless charm and character to any space. Order yours today and bring a piece of history into your world.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 22.9cm x 30.5cm (9" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photo print, titled "J. W. Evans, overalls N030030" offers a mesmerizing glimpse into the rich history of Birmingham's renowned silversmiths factory. Taken by the talented photographer Peter Williams and preserved by Historic England, this image transports us back in time to witness the inner workings of J. W. Evans' bustling establishment. The photograph unveils an intimate interior view of the factory's No. 57 Jackson Rear Room, where two skilled craftsmen donning traditional overalls are captured engrossed in their meticulous work. Their focused expressions and deft hands reveal a dedication to their craft that has been honed through years of experience. Every corner of this room exudes an aura of authenticity and craftsmanship; from the well-worn tools scattered across wooden workbenches to the shelves adorned with gleaming silverware awaiting completion or dispatch. As we immerse ourselves in this snapshot from yesteryears, we can almost hear the rhythmic clinking sounds echoing throughout these hallowed walls - a symphony composed by countless hours spent hammering precious metals into exquisite forms. Through this evocative photograph, we gain insight into not just J. W. Evans' legacy but also Birmingham's enduring reputation as a hub for exceptional silversmithing craftsmanship. It serves as a testament to both past traditions and present preservation efforts that allow us to appreciate and celebrate our industrial heritage for generations to come.
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