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Sketch for the salle des prévôts in the Hôtel de Ville, Paris: Allegory...c.1852. Creator: Léon Riesener
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Sketch for the salle des prévôts in the Hôtel de Ville, Paris: Allegory...c.1852. Creator: Léon Riesener
Sketch for the salle des prevots (provosts hall) in the Hotel de Ville, Paris: Allegory of the 2 December 1852, c.1852. The official declaration of the Second Empire was made at the Hotel de Ville on 2 December 1852. (Esquisse pour la salle des prevots de l'Hotel de Ville de Paris : Allegorie du 2 decembre 1852)
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Media ID 36261233
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Abundance Allegorical Allegorical Figures Amorini Canvas Material Ceiling Cherubim Garland Garlands Hotel De Ville Mercury Mural Muse Muses Oak Leaf Oak Leaves Olive Branch Peace Personification Personifying Plenty River Seine Seine Town Hall Victory Wall Painting Allegorical Figure Angelic Cherubs Paris Museums Petit Palais Putti Winged Victory
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EDITORS COMMENTS
This sketch by Léon Riesener, titled "Sketch for the salle des prévots (Provosts' Hall) in the Hôtel de Ville, Paris: Allegory of the 2 December 1852," offers a glimpse into the rich artistic and historical heritage of Paris in the 19th century. The painting, created around 1852, depicts an allegorical scene that commemorates the official declaration of the Second Empire at the Hôtel de Ville on 2 December 1852. The central focus of the composition is a grand, indoor space, filled with architectural features that exude a sense of abundance and opulence. The ceiling is adorned with intricate murals, including cherubs, amorini, and other allegorical figures, surrounded by clouds and flowers. The walls are decorated with garlands and oak leaves, symbolizing strength and endurance. The allegorical figures personify various concepts, including peace, abundance, and the country. Mercury, the god of commerce, and the Muses, the goddesses of the arts, are also present, emphasizing the importance of both economic prosperity and cultural achievement. The painting is further enhanced by the presence of men and women, dressed in the fashion of the time, adding a sense of realism to the mythological scene. The color palette is rich and varied, with warm hues of red, gold, and brown, contrasting against cooler tones of blue and green. The artist's skillful use of oil painting techniques brings the scene to life, making it a true masterpiece of 19th-century art. This sketch, now housed in the Musée du Petit Palais in Paris, is a testament to the artistic talent and historical significance of Léon Riesener and the city of Paris.
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