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Oxford in the Future, or the New Freshman, 1865. Artist: John Tenniel
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Oxford in the Future, or the New Freshman, 1865. Artist: John Tenniel
Oxford in the Future, or the New Freshman, 1865. The Navvy says Gallon O Audit Ale, Guv nor, Please. Is got I Blunt to Pay Vor n The Liberal MP, Lord Palmerston, is here dressed as a navvy approaching a startled Oxford University. This cartoon relates to the proposal of the Great Western Railway to establish their factory and working base in Oxford. Suddenly, it appears, Oxford is faced with being overrun by the working classes with all their vices, a terrible thought even if the navvies have cash in their pockets. From Punch, or the London Charivari, September 9, 1865
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Media ID 14830734
© The Print Collector / Heritage-Images
Academic Henry John Henry John Temple Heritage Image Partnership John Tenniel Labourer Lord Lord Palmerston Mortar Board Mortarboard Navvy Oxford University Palmerston Pick Axe Prime Minister Shocked Sir John Tenniel Social Class Spade Tenniel University Viscount Palmerston Working Class
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EDITORS COMMENTS
In this print titled "Oxford in the Future, or the New Freshman, 1865" artist John Tenniel masterfully captures a moment of social upheaval and class tension. The image depicts Lord Palmerston, a prominent Liberal MP and Prime Minister of that time, disguised as a navvy approaching Oxford University. Dressed in working-class attire and wielding a spade, he startles the academic institution. This cartoon serves as commentary on the proposal by the Great Western Railway to establish their factory and working base in Oxford. Suddenly, Oxford finds itself confronted with an influx of working-class individuals bringing along their vices. Even though these navvies may have money to spend, it is still seen as a dreadful prospect for the prestigious university. Tenniel's caricature brilliantly highlights the stark contrast between social classes during this era. The shocked expressions on the faces of those within academia reflect their unease at being overrun by laborers from lower social strata. The monochrome engraving adds depth to this satirical portrayal while emphasizing its historical significance. It serves as a reminder of how societal changes can disrupt established norms and challenge traditional hierarchies. Through his artistry, Tenniel invites viewers to contemplate issues surrounding education, occupation, politics, and social class prevalent in 19th-century Britain. This thought-provoking image continues to resonate today as we consider how societies grapple with change amidst shifting power dynamics
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