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Nature Morte par Chardin, 1728, (1939). Creator: Jean-Simeon Chardin

Nature Morte par Chardin, 1728, (1939). Creator: Jean-Simeon Chardin


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Nature Morte par Chardin, 1728, (1939). Creator: Jean-Simeon Chardin

Nature Morte par Chardin, 1728, (1939). The Buffet, still life of fruit with dog, painting in the Louvre, Paris. From " Verve" - No. 8, Vol. II. [Verve, France, 1939]

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Media ID 19062414

© The Print Collector/Heritage Images

Buffet Centrepiece Chardin Folio Jean Baptiste Simeon Chardin Jean Simeon Jean Siméon Chardin Orange Oranges Ornament Peach Peaches Tablecloth Tables Verve


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> Arts > Artists > C > Jean-Baptiste Simeon Chardin

> Europe > France > Paintings

> Europe > France > Paris > Museums > The Louvre

> Europe > France > Paris > Sights > Louvre


EDITORS COMMENTS
This print showcases Jean-Simeon Chardin's masterpiece, "Nature Morte par Chardin" painted in 1728 but captured on film in 1939. The painting, known as "The Buffet" is a stunning still life composition of fruit with a charming canine companion. Currently housed at the Louvre Museum in Paris, this artwork exudes the timeless beauty and elegance that has made Chardin one of the most celebrated artists of his time. In this image, we see an exquisite centrepiece featuring an array of vibrant fruits such as oranges and peaches meticulously arranged on a table covered with a delicate tablecloth. The attention to detail is remarkable; each piece of fruit appears so lifelike that you can almost taste their succulent sweetness. What adds an extra touch of charm to this scene is the presence of a loyal dog sitting by the buffet, seemingly guarding these delicious treats. This unexpected element brings warmth and playfulness to an otherwise serene composition. The color palette chosen by Chardin enhances the natural beauty found within nature itself. The warm hues create a sense of harmony while highlighting each individual object's unique characteristics. This print from Verve magazine allows us to appreciate not only Chardin's artistic genius but also transports us back in time to experience both the 18th-century opulence and early 20th-century fascination with classical art forms. It serves as a testament to how art transcends centuries, leaving an indelible mark on our collective cultural heritage

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