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The Mirror of Time, 1628. Creator: Cornelis Cornelisz van Haarlem

The Mirror of Time, 1628. Creator: Cornelis Cornelisz van Haarlem


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The Mirror of Time, 1628. Creator: Cornelis Cornelisz van Haarlem

The Mirror of Time, 1628

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Media ID 36367693

© Heritage Art/Heritage Images

Allegorical Cornelis Cornelisz Van Haarlem Cornelis Van Haarlem Cornelisz Van Haarlem Cornelis Cornelius Van Haarlem Dutch Golden Age Haarlem Cornelis Cornelisz Van Looking Glass Lying Lying Down Mirror Oil On Copper Reclining Recumbent Time Van Haarlem Cornelis Cornelisz Allegorical Figure Golden Age Nakedness National Museum Sweden Nationalmuseum Sweden Stockholm National Museum


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> Animals > Mammals > Cricetidae > Golden Mouse

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> Arts > Artists > C > Cornelis Cornelisz. van Haarlem

> Arts > Artists > H > Cornelisz van Haarlem

> Europe > Netherlands > Haarlem

> Europe > Netherlands > Paintings

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> Europe > Sweden > Paintings

> Europe > Sweden > Posters


EDITORS COMMENTS
The Mirror of Time," painted by Cornelis Cornelisz van Haarlem in 1628, is an intriguing and thought-provoking allegorical masterpiece from the Dutch Golden Age. This oil on copper painting, now housed in the Nationalmuseum in Stockholm, Sweden, invites viewers to ponder the passage of time and the fleeting nature of life. At the center of the composition, two figures, a man and a woman, lie naked and recumbent on a grand, ornate building's exterior. The man, represented by the figure of Time, gazes intently at a large, ornate mirror, reflecting the image of a decaying building and the woman, personifying the figure of Youth. The woman, in contrast, looks away from the mirror, lying in a state of innocent oblivion. The allegorical significance of the painting is multi-layered. The mirror, a symbol of introspection and self-reflection, represents the human desire to understand the past and present, as well as the inevitability of aging and the passage of time. The man's gaze into the mirror underscores the importance of contemplating the past and learning from it, while the woman's aversion to the mirror symbolizes the human tendency to avoid confronting the realities of aging and the passage of time. The painting's Baroque style, characterized by its dramatic use of color and contrast, adds to the overall impact of the composition. The rich, vibrant colors and intricate details of the building's exterior, as well as the figures' nakedness, add to the painting's sensual and provocative nature. This painting, a testament to the artistic prowess of Cornelis Cornelisz van Haarlem, continues to captivate and intrigue viewers with its timeless themes and stunning visual appeal. The Mirror of Time is a must-see for anyone interested in the artistic heritage of the Dutch Golden Age and the Baroque era.

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