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The Head of Saint John the Baptist Brought before Herod, 1455-1460. Artist: Giovanni di Paolo (ca 1403-1482)
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The Head of Saint John the Baptist Brought before Herod, 1455-1460. Artist: Giovanni di Paolo (ca 1403-1482)
The Head of Saint John the Baptist Brought before Herod, 1455-1460. Found in the collection of the Art Institute of Chicago
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Media ID 14857861
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Assyrians Beheaded Daughter Of Herodias Defence Giovanni Di Paolo Ca 1403 1482 Head Of John The Baptist Herod Herod Antipas Herodias Heroine Holofernes Holophernes Israel Israelite John The Baptist Judith Judith Of Bethulia Legend Saint John The Baptist Salome School Of Siena Tempera On Panel Widow Judith Of Bethulia Old Testament
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EDITORS COMMENTS
The Head of Saint John the Baptist Brought before Herod, a captivating masterpiece by Giovanni di Paolo, takes us back to the Renaissance era in Italy. This exquisite painting, dating from 1455-1460 and currently housed in the prestigious Art Institute of Chicago, tells a powerful biblical tale. The scene unfolds with dramatic intensity as we witness Saint John the Baptist's severed head being presented to King Herod. The artist skillfully captures the tension between dance and defense as Salome, daughter of Herodias, performs her infamous dance for her stepfather's pleasure. Legend and mythology intertwine here as this event echoes both Old Testament stories involving Judith beheading Holofernes and New Testament narratives surrounding John's martyrdom. Di Paolo's fine art technique shines through his use of tempera on panel, creating vibrant colors that bring life to every brushstroke. The composition showcases intricate details that transport viewers into this historical moment: from the elaborate costumes worn by dancers to the expressions on each character's face. This artwork not only pays homage to religious themes but also highlights women who played significant roles within these narratives. From Judith of Bethulia defending her people against Assyrians to Salome executing an act driven by revenge or manipulation - these heroines challenge traditional gender expectations. As we gaze upon this remarkable piece from the School of Siena, it serves as a testament to Giovanni di Paolo's artistic brilliance while reminding us of timeless tales that continue to resonate today.
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