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Georgy Porgy the First going out for a ride in his State Coachy Poachy, 1850. Artist: John Leech
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Georgy Porgy the First going out for a ride in his State Coachy Poachy, 1850. Artist: John Leech
Georgy Porgy the First going out for a ride in his State Coachy Poachy, 1850. A satirical illustration of George IV (1762?1830). George VI was unpopular with his subjects. Taxpayers were angered at his wasteful spending in time of war. From The Comic History of England by Gilbert Abbott A. Beckett, illustrated by John Leech [Bradbury, Agnew & Co. London, 1850.]
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Media ID 14928320
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A Beckett Attendant Beckett Carriage Coach Comic History Of England Conceited Departure Footman G A Gilbert Abbott Ga Gilbert Abbott George Iv Gilbert Abbott Gilbert Abbott A Gilbert Abbott A Beckett Grotesque Illness John Leech King George Iv King Of Great Britain Lavish Lavishness Leech Obesity Prince Of Wales Prince Regent Prinnie Prinny Privilege Red Carpet Unpopular Wealth Wealthy Satirical
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EDITORS COMMENTS
Georgy Porgy the First, a satirical depiction of George IV, is captured in this 1850 print by artist John Leech. The illustration humorously portrays the unpopular monarch as he sets off for a ride in his extravagant State Coachy Poachy. Known for his excessive spending during wartime, George IV faced public outrage and taxpayer anger. In this colorful image, we see the grotesque figure of Georgy Porgy seated comfortably inside his lavish carriage. Attended by footmen and surrounded by wealth and privilege, he epitomizes the excesses of royalty in the 19th century. The scene is set on a moonlit night with a red carpet rolled out before him. As Georgy Porgy departs on his journey, one cannot help but notice his obesity and conceited demeanor. This satirical portrayal highlights not only the physical attributes of the king but also mocks his self-indulgence and lack of concern for his subjects' welfare. John Leech's illustration is part of 'The Comic History of England, ' written by Gilbert Abbott A. Beckett. Through their collaboration, they shed light on historical events with biting satire and wit. This print serves as both an artistic commentary on George IV's reign and a reminder that even those in positions of power can be subject to ridicule when their actions fail to align with public expectations.
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