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Exterior View of Fort Sumpter, 1860s. Creator: George N. Barnard
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Exterior View of Fort Sumpter, 1860s. Creator: George N. Barnard
Exterior View of Fort Sumpter, 1860s
Heritage Images features heritage image collections
Media ID 20171546
© Heritage Art/Heritage Images
Album Armaments Atlantic Ocean Barnard Barnard George Barnard George N Barnard George Norman Cannon Cannons Charleston Fort Fort Sumter George Barnard George N George N Barnard George Norman George Norman Barnard Island Ocean Photograph Album South Carolina Albumen Silver Print Charleston Harbour Fortifications
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EDITORS COMMENTS
This black and white albumen print, titled "Exterior View of Fort Sumpter, 1860s" takes us back to a defining moment in American history. Created by the talented photographer George N. Barnard, this image captures the imposing fortification situated on an island in Charleston Harbor, South Carolina. The photograph showcases the intricate details of Fort Sumter's architecture and armaments. The cannons positioned along its walls stand as silent witnesses to the turbulent times that unfolded during the 19th century. Beyond its military significance, this image also highlights the fort's stunning location against a backdrop of rocky shores and the vast Atlantic Ocean. Barnard's masterful composition allows us to appreciate both the grandeur of this historical landmark and its natural surroundings. As we gaze upon this scene frozen in time, we are transported back to an era when our country was divided by conflict. Preserved within this albumen silver print from a glass negative is not just a visual record but also a testament to our nation's heritage. This photograph serves as a reminder of how far we have come since those tumultuous days while honoring those who fought for their beliefs. Now housed at The Metropolitan Museum of Art, this remarkable piece invites viewers to reflect on America's past struggles and triumphs. It stands as an enduring symbol of resilience and unity amidst adversity—a powerful representation captured through George N. Barnard's lens.
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