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Entrance to the Valley of Petra. c1880. Artist: John Douglas Woodward
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Entrance to the Valley of Petra. c1880. Artist: John Douglas Woodward
Entrance to the Valley of Petra. c1880. Arch marking the way into the Nabataean city of Petra, now in Jordan. Nabataea was conquered by the Roman emperor Trajan in 106 AD, and annexed to the Roman Empire. This view is possibly of a Roman triumphal arch, spanning the Siq (main entrance to the site), which collapsed in 1896 following an earthquake
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Media ID 15466223
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1st Century Ad Archaeological Bertrand John Douglas Woodward Jordan Petra Ravine Woodward Archway
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This print, titled "Entrance to the Valley of Petra" captures the timeless beauty of one of Jordan's most iconic archaeological sites. Created by artist John Douglas Woodward in the late 19th century, this image transports viewers back in time to witness a momentous architectural feature that no longer exists. The arch depicted in this print is believed to be a Roman triumphal arch, which once spanned the Siq - the main entrance into Petra. This monumental structure marked the gateway into Nabataea, an ancient city conquered by Roman Emperor Trajan in 106 AD. Annexed to the Roman Empire thereafter, Nabataea thrived as a center of trade and culture. However, nature took its toll on this magnificent arch when it collapsed due to an earthquake in 1896. Woodward's print serves as a poignant reminder of its former grandeur and significance within Petra's landscape. The monochromatic composition adds depth and drama to the scene while emphasizing intricate details etched into rock formations surrounding the ravine. The print showcases Woodward's skillful engraving technique, capturing both architectural precision and natural splendor with remarkable accuracy. As we gaze upon this historic artwork today, we are transported not only through time but also across continents – from Italy where Woodward created his masterpiece all those years ago to present-day Jordan where Petra continues to captivate visitors from around the world.
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