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The Double Janus Guard, for Clapham Junction, 1865. Artist: Charles Henry Bennett
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The Double Janus Guard, for Clapham Junction, 1865. Artist: Charles Henry Bennett
The Double Janus Guard, for Clapham Junction, 1865. A Double Janus, with four faces, stands guard at the new Clapham Junction, a complex arrangement of railway lines. All four faces will be needed if the trains are to be safely guided onto the right tracks. Janus in Roman mythology was the god of passageways and doorways. He is usually depicted as having two faces. From Punch, or the London Charivari, August 19, 1865
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Media ID 14830728
© The Print Collector / Heritage-Images
Bennett Charles Henry Charles Henry Bennett Charles Herny Clapham Heritage Image Partnership Janus Railway Station Railway Track Station Train Station Wandsworth Clapham Junction Railway Signal
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The Double Janus Guard, for Clapham Junction, 1865
EDITORS COMMENTS
is a captivating print by Charles Henry Bennett that captures the intricate railway system of Clapham Junction in the 19th century. In this artwork, a Double Janus guard with four faces stands tall and vigilant at the bustling junction. The artist skillfully portrays the importance of these multiple faces as they are essential for safely guiding trains onto the correct tracks. The presence of Janus in this piece adds an intriguing mythological element to the scene. In Roman mythology, Janus was revered as the god of passageways and doorways, making him a fitting symbol for a railway station like Clapham Junction - a hub connecting various destinations. By depicting Janus with four faces instead of two, Bennett emphasizes how crucial it is to have all aspects covered when managing such complex transportation networks. This engraving from "Punch, or the London Charivari" not only showcases Bennett's artistic talent but also serves as a historical document capturing an important moment in London's transport history. It offers us a glimpse into what life was like during that era - where railways were rapidly expanding and becoming integral to daily life. As we admire this heritage image partnership print today, we can appreciate both its aesthetic appeal and its significance in preserving our understanding of transportation development in 19th-century England.
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