Zuccaro Collection

Taddeo Zuccari, Italian painter
5893194 Taddeo Zuccari, Italian painter.; (add.info.: Portrait of Taddeo Zuccari, Italian painter, Roman mannerist school 1529-1566. Taddee Zuchero)

Federico Zuccari, Italian Mannerist painter
5893195 Federico Zuccari, Italian Mannerist painter.; (add.info.: Portrait of Federico Zuccari, Italian Mannerist painter and architect, 1540-1609. Frederic Zucchero)

The Dispute of the Church Fathers over the Holy Sacrament, 1575. Creator: Cornelis Cort
The Dispute of the Church Fathers over the Holy Sacrament, 1575

The Battle of Cosa, (black chalk, pen and brown ink. )
990023 The Battle of Cosa, (black chalk, pen and brown ink.) by Zuccari, Taddeo (1529-66); 42.9x32 cm; Private Collection; (add.info.: The Battle of Cosa. Taddeo Zuccaro (1529-1566)

Portrait of Andrea Doria in profile to the left, wearing the order of the Golden Fleece
1197619 Portrait of Andrea Doria in profile to the left, wearing the order of the Golden Fleece, (red and black chalk) by Zuccaro

Assumption of the Virgin, 1574-99. Creator: Aliprando Caprioli
Assumption of the Virgin, 1574-99

The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus, 1576

Lament of the Art of Painting (Upper Half), 1579. Creator: Cornelis Cort
Lament of the Art of Painting (Upper Half), 1579

The Calumny of Apelles, 1602. Creator: Cornelis Cort
The Calumny of Apelles, 1602

Standing Nude Man (recto); Three Studies of Soldiers (verso), 1550

Saint Paul Restoring Eutychus to Life, 1529-66. Creator: Taddeo Zuccaro
Saint Paul Restoring Eutychus to Life, 1529-66

Study for The Allegory of Spring, 1579. Creator: Federico Zuccaro
Study for The Allegory of Spring, 1579

The Sea Battle in the Gulf of Morbihan, 16th century. Creator: Workshop of Taddeo Zuccaro
The Sea Battle in the Gulf of Morbihan, 16th century

Thomas Howard, Earl of Suffolk, c1600, (early-mid 19th century). Creator: John Henry Robinson
Thomas Howard, Earl of Suffolk, c1600, (early-mid 19th century). Portrait of Admiral Thomas Howard, 1st Earl of Suffolk (1561-1626). Howard built the stately home of Audley End in Essex

Philip Howard, Earl of Arundel, (mid 19th century). Creator: Henry Thomas Ryall
Philip Howard, Earl of Arundel, (mid 19th century). Portrait of English nobleman Saint Philip Howard, 20th Earl of Arundel (1557-1595) who became a Catholic during the reign of Queen Elizabeth I

A Portrait of Queen Elizabeth, (1931). Artist: Charles Henry Bourne Quennell
A Portrait of Queen Elizabeth, (1931). The last Tudor monarch, Elizabeth I (1533-1603) ruled from 1558 until 1603. She is referred to as The Virgin Queen, as she never married

Queen Elizabeth I, c1580. (1941). The last Tudor monarch, Elizabeth I (1533-1603) ruled from 1558 until 1603. She is referred to as The Virgin Queen, as she never married

Queen Elizabeth. An Emblematic Portrait by Zucchero, c1602, (1903). Artist: Federico Zuccaro
Queen Elizabeth. An Emblematic Portrait by Zucchero, c1602, (1903). From the collection of the Hatfield House, Hertfordshire. From Social England, Volume III, edited by H.D. Traill, D.C.L. and J. S

Edward Somerset (1776-1842), 4th Earl of Worcester, 1825. Artist: J Parker
Edward Somerset (1776-1842), 4th Earl of Worcester, 1825. General Lord Robert Edward Henry Somerset was a British soldier

Elizabeth I, Queen of England, (1832). Artist: William Thomas Fry
Elizabeth I, Queen of England, (1832). The last Tudor monarch, Elizabeth I (1533-1603) ruled from 1558 until 1603. She is referred to as The Virgin Queen, as she never married

Elizabeth I of England, (19th century). Artist: William Thomas Fry
Elizabeth I of England, (19th century). Portrait of Queen Elizabeth I (1533-1603), who reigned from 1558-1603

Elizabeth I of England, (mid-19th century). Artist: Thomas Phillibrown
Elizabeth I of England, (mid-19th century). Portrait of Queen Elizabeth I (1533-1603), who reigned from 1558-1603

Queen Elizabeth I, c1580, (1910). A 19th-century rendition from the Penshurst portrait, presented to her by Sir Henry Sidney, painted by Zucchero

Sir Nicholas Bacon, English politician, (1826). Artist: R Cooper
Sir Nicholas Bacon, English politician, (1826). A staunch Protestant, Bacon (1509-1579) fell out of favour during the reign of Mary I

Saint Philip Howard, 20th Earl of Arundel, English nobleman, (1826). Artist: T Wright
Saint Philip Howard, 20th Earl of Arundel, English nobleman, 1826. Howard (1557-1595) became Catholic during the reign of Queen Elizabeth I

The Fighters, 16th century. Artist: Taddeo Zuccaro
The Fighters, 16th century

Elizabeth I, Queen of England and Ireland, 1575. Artist: Federico Zuccaro
Elizabeth I, Queen of England and Ireland, 1575. Crayon drawing of Elizabeth (1533-1603) attributed to Fredrigo Zuccaro

Federico Zuccaro
FEDERICO ZUCCARO Italian artist best known for his portraits of Elizabeth I and other celebrities of the day. Date: 1543 - 1609

Taddeo Zuccaro
TADDEO ZUCCARO Italian artist Date: 1529 - 1566

Drawings Prints, Print, Birth, Christ, held, Virgin, penumbra, light, adoring angels
Drawings and Prints, Print, The Birth of Christ, who is held by the Virgin against a penumbra of light, adoring angels, and Joseph leading a donkey at left, Artist, After

Drawings Prints, Drawing, Bust-length, Portrait, Torquato Tasso, Artist, Former attribution
Drawings and Prints, Drawing, Bust-length Portrait of Torquato Tasso, Artist, Former attribution:, Attributed to, Anonymous, French, 17th century, Federico Zuccaro (Zuccari), Italian

Drawings Prints, Print, Conversion, Saint Paul, God, Father, Angels, Artist, Publisher
Drawings and Prints, Print, The Conversion of Saint Paul with God the Father and Angels above, Artist, Publisher, After, Cherubino Alberti (Zaccaria Mattia), Taddeo Zuccaro, Carlo Losi, Italian

Taddeo Zuccaro, Italian (1529-1566), Mythological Figures, c. 1561, pen and brown ink and brown wash over red chalk, heightened with white, on laid paper; laid down

Federico Zuccaro (Italian, 1542-1543 - 1609), Angels and Putti in the Clouds, 1566, red and black chalk, incised with stylus, on laid paper squared with red chalk

View of Saint Peters (recto), Study of a Young Man (verso); Federico Zuccaro, Italian, about 1541 - 1609; Italy, Europe; 1603; Red chalk (recto); Red and black chalk (verso)

Cardinal Albornoz Gives the Farnese the Keys to Valentino; Taddeo Zuccaro, Italian, 1529 - 1566; about 1565; Pen and brown ink, brush with brown wash

The Conversion of Saint Paul; Taddeo Zuccaro, Italian, 1529 - 1566; Italy, Europe; 1558 / 1559 - 1566; Pen and brown ink, brush with brown wash, black chalk

Design for a Circular Dish (recto), Figure Studies (verso); Taddeo Zuccaro, Italian, 1529 - 1566; Italy, Europe; about 1553 - 1556; Pen and brown ink

Cupid and Pan; Attributed to Federico Zuccaro, Italian, about 1541 - 1609; about 1600; Oil on canvas; Unframed: 73.7 x 99.7 cm (29 x 39 1/4 in.)

Soldiers Carrying a Model of a City; Taddeo Zuccaro, Italian, 1529 - 1566; about 1548; Pen and brown ink, brush with brown wash, over black chalk, white heightening

Taddeo Copying Raphaels Frescoes in the Loggia of the Villa Farnesina, Where He is Also Represented Asleep; Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink

Taddeo Rebuffed by Francesco Il Sant Angelo; Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink, brush with brown wash, over black chalk; 17.9 x 41.5 cm (7 1/16 x 16 5/16 in.)

Pallas Athena Shows Taddeo the Prospect of Rome; Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink, brush with brown wash, over red chalk; 42 x 16.2 cm (16 9/16 x 6 3/8 in.)

Taddeo at the Entrance to Rome Greeted by Toil, Servitude, and Hardship, and by Obedience and Patience (the Ass and Ox); Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink

Allegories of Faith and Hope, Flanking the Zuccaro Emblem; Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink, brush with brown wash

Taddeo Leaving Home Escorted by Two Guardian Angels; Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink, brush with brown wash

Taddeo Drawing after the Antique, In the Background Copying a Facade by Polidoro; Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink, brush with brown wash

Allegories of Study and Intelligence Flanking the Zuccaro Emblem; Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink, brush with brown wash

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"Exploring the Artistic Legacy of Zuccaro: A Journey through History and Imagination" Step into the world of Federico Zuccaro, an Italian artist who left an indelible mark on the art scene during the Renaissance. His works span a wide range of subjects and styles, showcasing his versatility and creativity. One notable masterpiece is "The Dispute of the Church Fathers over the Holy Sacrament, " a captivating depiction that delves into theological debates with intricate details. Created by Cornelis Cort, this artwork showcases Zuccaro's influence as a subject matter expert. In contrast to religious themes, it also ventured into historical events like "The Battle of Cosa. " With black chalk, pen, and brown ink, he skillfully captures the intensity and chaos of war. This piece demonstrates his ability to bring life to epic moments in history. Zuccaro's talent for portraiture shines through in "Portrait of Andrea Doria. " The meticulous rendering highlights every detail from Doria's profile to his prestigious order – the Golden Fleece. It reflects both Zuccaro's technical prowess and his ability to capture personality. Religious narratives were another area where Zuccaro excelled. In "Assumption of the Virgin, " created by Aliprando Caprioli, we witness divine ascension depicted with ethereal beauty. Similarly, "The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus" portrays heavenly glory combined with earthly figures. "The Lamentation of Painting (Upper Half)" offers a glimpse into Zuccaro's introspective side as it explores themes related to artistic expression itself. Through Cornelis Cort's interpretation, we see how deeply he pondered upon painting as an art form. Another fascinating work is "The Calumny of Apelles, " which showcases mythological elements intertwined with human emotions.