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Vorticism Collection

Vorticism, an avant-garde movement that emerged in the early 20th century, was a force to be reckoned with in the art world

Background imageVorticism Collection: First issue of Blast magazine, 1914

First issue of Blast magazine, 1914
The front cover of the first issue of Blast: Review Of The Great English Vortex, dated 20th June 1914. Edited by Wyndham Lewis

Background imageVorticism Collection: First issue of Blast magazine, 1914

First issue of Blast magazine, 1914
The title page of the first issue of Blast: Review Of The Great English Vortex, dated 20th June 1914. Edited by Wyndham Lewis

Background imageVorticism Collection: Fortune's Well, Portland, Co. Clare, Ireland, 1921 (gouache on paper)

Fortune's Well, Portland, Co. Clare, Ireland, 1921 (gouache on paper)
1762941 Fortune's Well, Portland, Co. Clare, Ireland, 1921 (gouache on paper) by Wadsworth, Edward Alexander (1889-1949); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageVorticism Collection: German poster for an exhibition of English Graphics for the Board of Trade and the British Museum

German poster for an exhibition of English Graphics for the Board of Trade and the British Museum, 1923
1770027 German poster for an exhibition of English Graphics for the Board of Trade and the British Museum, 1923, 1923 (colour lithograph) by Wadsworth

Background imageVorticism Collection: North Sea, 1928 (tempera on panel)

North Sea, 1928 (tempera on panel)
657834 North Sea, 1928 (tempera on panel) by Wadsworth, Edward Alexander (1889-1949); Private Collection; (add.info.: North Sea. Edward Wadsworth (1889-1949). Tempera on panel. Painted in 1928

Background imageVorticism Collection: La Rochelle, 1923 (tempera on gesso prepared linen laid on panel)

La Rochelle, 1923 (tempera on gesso prepared linen laid on panel)
657368 La Rochelle, 1923 (tempera on gesso prepared linen laid on panel) by Wadsworth, Edward Alexander (1889-1949); 63.4x88.8 cm; Private Collection; (add.info.: La Rochelle)

Background imageVorticism Collection: Ouistreham, Normandy, 1939 (tempera on gesso prepared panel)

Ouistreham, Normandy, 1939 (tempera on gesso prepared panel)
657369 Ouistreham, Normandy, 1939 (tempera on gesso prepared panel) by Wadsworth, Edward Alexander (1889-1949); 38x53 cm; Private Collection; (add.info.: Ouistreham, Normandy)

Background imageVorticism Collection: Biot, c. 1925 (oil on canvas)

Biot, c. 1925 (oil on canvas)
BAL23987 Biot, c.1925 (oil on canvas) by Wadsworth, Edward Alexander (1889-1949); Mayor Gallery, London, UK

Background imageVorticism Collection: A Sienese Village (oil on panel)

A Sienese Village (oil on panel)
5895263 A Sienese Village (oil on panel) by Dismorr, Jessica Stewart (1885-1939); 40.6x33 cm; Private Collection; (add.info.: Dismorr, Jessica Stewart (1885-1939))

Background imageVorticism Collection: Superposed Forms, (oil on gesso prepared board)

Superposed Forms, (oil on gesso prepared board)
657549 Superposed Forms, (oil on gesso prepared board) by Dismorr, Jessica Stewart (1885-1939); 46x61 cm; Private Collection; (add.info.: Superposed Forms. Jessica Dismorr (1885-1939)

Background imageVorticism Collection: Conversation at Cagnes, c. 1931 (oil on gessoboard)

Conversation at Cagnes, c. 1931 (oil on gessoboard)
657465 Conversation at Cagnes, c. 1931 (oil on gessoboard) by Dismorr, Jessica Stewart (1885-1939); Private Collection; (add.info.: Conversation at Cagnes. Jessica Dismorr (1885-1939)

Background imageVorticism Collection: Interior, (oil on gessoed board)

Interior, (oil on gessoed board)
657946 Interior, (oil on gessoed board) by Dismorr, Jessica Stewart (1885-1939); 61x47 cm; Private Collection; (add.info.: Interior. Jessica Dismorr (1885-1939). Oil on gessoed board

Background imageVorticism Collection: Mrs Ody, (oil and crayon on card)

Mrs Ody, (oil and crayon on card)
657401 Mrs Ody, (oil and crayon on card) by Dismorr, Jessica Stewart (1885-1939); Private Collection; (add.info.: Mrs Ody. Jessica Dismorr (1885-1939). Oil and crayon on card

Background imageVorticism Collection: Cat, c. 1913 (moulded earthenware with ceramic glaze)

Cat, c. 1913 (moulded earthenware with ceramic glaze)
3273813 Cat, c.1913 (moulded earthenware with ceramic glaze) by Gaudier-Brzeska, Henri (1891-1915); length: 13.5 cm; Private Collection; (add.info)

Background imageVorticism Collection: Brass Toy, 1914 (bronze)

Brass Toy, 1914 (bronze)
3273812 Brass Toy, 1914 (bronze) by Gaudier-Brzeska, Henri (1891-1915); length: 3.8 cm; Private Collection; (add.info.: numbered 2/3 (on the underside)

Background imageVorticism Collection: On the Way to the Trenches, illustration from Blast magazine, June 1914 (litho)

On the Way to the Trenches, illustration from Blast magazine, June 1914 (litho)
661010 On the Way to the Trenches, illustration from Blast magazine, June 1914 (litho) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info)

Background imageVorticism Collection: Portrait of Mrs Ody holding a Book, (oil on board)

Portrait of Mrs Ody holding a Book, (oil on board)
656868 Portrait of Mrs Ody holding a Book, (oil on board) by Dismorr, Jessica Stewart (1885-1939); 62.2x47 cm; Private Collection; (add.info.: Portrait of Mrs Ody holding a Book)

Background imageVorticism Collection: Vortex Gaudier-Brzeska (Written from the Trenches)

Vortex Gaudier-Brzeska (Written from the Trenches)
The vorticist sculptor Henri Gaudier-Brzeska s(1891-1915) contribution to the second issue of Blast, written from the trenches of France during World War I

Background imageVorticism Collection: EZRA LOOMIS POUND (1885-1972). American poet

EZRA LOOMIS POUND (1885-1972). American poet. Photographed in 1916 by Alvin Langdon Coburn

Background imageVorticism Collection: Four women - Cubist Style

Four women - Cubist Style
A cubist-style painting of four women by Raymond Sheppard


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Vorticism, an avant-garde movement that emerged in the early 20th century, was a force to be reckoned with in the art world. The movement sought to break away from traditional artistic conventions and embrace a new form of expression. One of the most significant moments in Vorticism's history was the publication of Blast magazine's first issue in 1914. This groundbreaking publication served as a platform for artists like Wyndham Lewis and Ezra Pound to showcase their radical ideas and artworks. Fortune's Well, Portland, Co. Clare, Ireland (1921) by an unknown artist exemplifies Vorticism's fascination with geometric shapes and bold colors. This gouache on paper piece captures the essence of this dynamic movement. In 1923, a German poster promoting an exhibition of English Graphics for the Board of Trade and the British Museum showcased Vorticist artwork through vibrant color lithography. It demonstrated how this movement had gained international recognition. The North Sea (1928) is another notable work within Vorticism. Painted using tempera on panel, it portrays the power and energy found within nature while incorporating abstract elements that were characteristic of this artistic style. La Rochelle (1923), Ouistreham, Normandy (1939), Biot (c. 1925), A Sienese Village - all these paintings demonstrate Vorticist artists' ability to capture various landscapes using different techniques such as oil on canvas or panel. Superposed Forms depicts overlapping shapes painted with oil on gesso prepared board—a technique commonly used by Vorticists to create depth and complexity within their compositions. Conversation at Cagnes (c. 1931) showcases figures engaged in dialogue against a backdrop filled with angular forms—an exploration into human interaction through abstract imagery. Interior presents viewers with an intimate glimpse into domestic spaces transformed by Vorticist aesthetics—bold lines intersecting each other creating tension between the objects and the environment.