Visentini Collection

VENICE: MONUMENT, 1735. Campo Santi Giovanni e Paolo in Venice, Italy, and the Monument to Bartolommeo Colleoni. Canal Rio dei Mendicanti is in the foreground

VENICE: GRAND CANAL, 1735. Riva degli Schiavoni in Venice, Italy, looking east. Engraving, 1735, by Antonio Visentini after Canaletto

Isolario veneto, XII. Isola del Lazzaretto Vecchio, 1777. Private Collection

Portraits of Canaletto and Visentini, 1735. 1735. Creator: Antonio Visentini
Portraits of Canaletto and Visentini, 1735

An angel leading a young boy and gesturing to the clouds, ca. 1708-82. [L Angelo Custode in Santa Croce di Padova]

VENICE: PIAZZA SAN MARCO. Piazza San Marco in Venice, Italy, looking towards the church of S. Geminiano, since demolished. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: CAMPO SAN POLO. Campo San Polo in Venice, Italy, with Palazzo Corner Mocenigo in the left background. Engraving, 1735, by Antonio Visentini after Canaletto

Drawings Prints, Print, Angel, leading, young, boy, gesturing, clouds, Artist, Engraved
Drawings and Prints, Print, Angel leading a young boy and gesturing to the clouds, Artist, After, Engraved by, Guido Reni, Antonio Maria Visentini, Italian, Bologna 1575-1642 Bologna, Italian

Antonio Visentini (author), Italian (1688-1782), Urbis Venetiarum Prospectus Celebriores, Ex Antonii Canal Tabulis XXXVIII. Aere Expressi ab Antonio Visentini in Partes Tres Distributi

VENICE: SANTI APOSTOLI. Campo Santi Apostoli in Venice, Italy, with the canal Rio dei SS. Apostoli in the foreground. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: CAMPO DEI GESUITI. Campo dei Gesuiti in Venice, Italy, with Ponte dei Gesuiti in the foreground. To the right is the Jesuits church. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: MARIA FORMOSA. Campo Sta. Maria Formosa in Venice, Italy, with Palazzo Malipiero-Trevisan in the background. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: STEFANO, 1735. Campo San Stefano in Venice, Italy, (formerly named after Francesco Morosini) with Palazzo Morosini left of center and Palazzo Loredan on the right

VENICE: CHURCH, 1735. Santa Maria Zobenigo in Venice, Italy, also known as Santa Maria del Giglio. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: SAN ROCCO, 1735. Scuola di San Rocco in Venice, Italy, one of the great Guilds of Venice. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: THE MOLO, 1735. The Molo in Venice, Italy, looking west, Column of St. Theodore on the right. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: CHURCH, 1735. Church of San Nicolo di Castello in Venice, Italy, with canal Rio di San Giuseppe in foreground and church San Giuseppe di Castello to left-center

VENICE: GRAND CANAL, 1735. The Grand Canal in Venice, Italy, looking east from the Palazzo Flangini to the Church of San Marcuola. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: BUCINTORO, 1735. The Bucintoro (state barge) returning to the Molo on Ascension Day. On the Pool of St. Mark facing the Molo, in Venice, Italy

VENICE: CHIARA CANAL, 1735. The Canale di Santa Chiara in Venice, Italy, looking southeast along the Fondamenta della Croce. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: GRAND CANAL, 1735. A regatta on the Grand Canal in Venice, Italy. Engraving, 1735, by Antonio Visentini after Canaletto

CANALETTO & VISENTINI. Italian artists Giovanni Antonio Canaletto (1697-1768) and Antonio Visentini (1688-1782). Engraving by Visentini after a monochrome by Giovanni Battista Piazzetta, 18th century

VENICE: GRAND CANAL, 1742. View of the Grand Canal and the entrance to the Cannaregio in Venice, Italy. Line engraving, 1742, by Antonio Visentini afer Canletto

VENICE: GRAND CANAL, 1742. Entrance to the Grand Canal in Venice, Italy, looking west. Line engraving, 1742, by Antonio Visentini after Canaletto

VENICE: GRAND CANAL, 1742. The Grand Canal in Venice, Italy: S. Geremia and the entrance to the Cannaregio. Line engraving, 1742, by Antonio Visentini after Canaletto

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"Visentini: Capturing the Essence of Venice through Art and Architecture" Step into the enchanting world of Visentini, an Italian artist whose works beautifully depict the timeless allure of Venice. From the grandeur of the Grand Canal to the intricate details of Venetian monuments, Visentini's art transports us to a bygone era. In his masterpiece "Venice: Grand Canal, 1735, " we are greeted with a mesmerizing view of Riva degli Schiavoni. The painting captures the essence of this iconic waterway as it stretches out before us, inviting us to explore its hidden treasures. Another notable work is "Venice: Monument, 1735, " which showcases Campo Santi Giovanni e Paolo in all its glory. This bustling square comes alive under Visentini's skilled brushstrokes, revealing a vibrant tapestry woven with history and culture. But Visentini's talent extends beyond paintings alone. In his Isolario veneto from 1777, he presents Isola del Lazzaretto Vecchio in meticulous detail. Through his intricate engravings and illustrations, we can almost feel ourselves stepping onto this island steeped in stories waiting to be discovered. Not only did Visentini capture landscapes and architecture; he also immortalized individuals through portraiture. His portraits of Canaletto and himself from 1735 showcase his ability to bring characters to life on canvas – their expressions conveying emotions that transcend time. One particular artwork that stands out is "An Angel Leading a Young Boy and Gesturing to the Clouds. " Created between ca. 1708-82, this piece exudes ethereal beauty as an angel guides a young boy towards heavenly realms - a testament to Visentini's mastery over capturing celestial scenes. From Piazza San Marco bathed in golden sunlight to Campo San Polo adorned with Palazzo Corner Mocenigo, Visentini's drawings and prints transport us to the heart of Venice.