Vintage Photography Collection

American Civil War: The Horrors Of War, Confederate Soldier Killed By A Shell At The Battle Of Gettysburg, July 3, 1863. Photo, Albumen Print, By Alexander Gardner, 1821 1882

Portrait of a Japanese Artist 1897 (photo)
675341 Portrait of a Japanese Artist 1897 (photo); (add.info.: Japanese artist kneels by bench with his materials spread out, Meiji-Period); Universal History Archive/UIG.

Glitter Sandwich
Vertigo Artography

Meehaw Rodio Cat
Vertigo Artography

It starts in the woods
Delphine Margau

New York Labor Day 1909 1909 (photo)
676114 New York Labor Day 1909 1909 (photo) by Bain, George Grantham - Bain News Service (1865-1944); Universal History Archive/UIG

Cowboys, Roping A Buffalo On The Plains, John C. H. Grabill Was An American Photographer. In 1886 He Opened His First Photographic Studio

Devils Tower. From Little Missouri Buttes 4 miles distant, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

The last large bull train on its way from the railroad to the Black Hills, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

Freighting in the Black Hills, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

Freighting in The Black Hills. Photographed between Sturgis and Deadwood, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

Villa of Brule, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

At the Dance. Part of the 8th U. S. Cavalry and 3rd Infantry at the great Indian Grass
At the Dance. Part of the 8th U.S. Cavalry and 3rd Infantry at the great Indian Grass Dance on Reservation, John C. H. Grabill was an american photographer

Villa of Brule the great hostile Indian camp on River Brule near Pine Ridge, S. D, John C
Villa of Brule the great hostile Indian camp on River Brule near Pine Ridge, S.D, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

Hostile Indian camp, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

U. S. School for Indians at Pine Ridge, S
U.S. School for Indians at Pine Ridge, S.D. John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

Indian chiefs who counciled with Gen. Miles and setteled [sic] the Indian War -- Standing Bull, Bear Who Looks Back Running [Stands and Looks Back], Has the Big White Horse, White Tail

A young Oglala girl sitting in front of a tipi, with a puppy beside her, probably on or near Pine Ridge Reservation, John C. H. Grabill was an american photographer

Whats left of Big Foots band, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

Indian Council in Hostile Camp, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

Indian Warriors. Mr. Bear-that-Runs-and-Growls, Mr. Warrior, Mr. One-Tooth-Gone, Mr. Sole (bottom of foot), Mr. Make-it-Long, John C. H. Grabill was an american photographer

A pretty group at an Indian tent, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

Home of Mrs. American Horse. Visiting squaws at Mrs. As home in hostile camp, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

Red Cloud and American Horse. The two most noted chiefs now living, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

Tasunka, Ota (alias Plenty Horse[s]), the slayer of Lieut. Casey, near Pine Ridge, S.D. John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

The Indian Girls Home. A group of Indian girls and Indian police at Big Foot s
The Indian Girls Home. A group of Indian girls and Indian police at Big Foots village on reservation, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

Chief Rocky Bears home, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

The Great Hostile Camp, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

Three of Uncle Sams Pets. We get rations every 29 days. Our pulse is good. Expressive medium. We put in 60 minutes each hour in our present attitude, John C. H. Grabill was an american photographer

Deadwood Central R. R. Engineer Corps, John C. H. Grabill was an american photographer
Deadwood Central R.R. Engineer Corps, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

A pretty view. At picnic grounds on Homestake Road, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

Little, instigator of Indian Revolt at Pine Ridge, 1890, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

Harney Range. Horseshoe Curve on the B[urlington] and M[issouri River] Ry. near Custer City, S.D. John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

All Professionally Made to Order for Quick Shipping

Step back in time and immerse yourself in the enchanting world of vintage photography. This captivating collection takes us on a journey through history, starting deep within the woods of New York on Labor Day 1909. The sepia-toned image transports us to a simpler era, where nature's beauty was captured with an artistic eye. Moving further afield, we find ourselves gazing at Devils Tower from Little Missouri Buttes, four miles away. John C's lens skillfully captures the majesty of this natural wonder, leaving us awe-inspired by its grandeur. Our next stop is Algiers, where the Neurdein brothers' photographs offer glimpses into life during the late 19th century. We step inside Mosque el-Djedid and are immediately struck by its intricate architecture and serene ambiance. The Neurdein photographs allow us to witness moments frozen in time - worshippers finding solace within these hallowed walls. As we explore further into Algiers, we stumble upon an Arab Court nestled amidst bustling streets. Here, the Neurdein brothers' lens reveals vibrant colors and ornate designs that transport us to another world entirely – one filled with exotic charm and cultural richness. The Algiers Gallery beckons us next – a Moorish house exuding elegance and sophistication. Its arched doorways invite our imagination to wander through rooms adorned with exquisite artwork and opulent furnishings; it is as if time has stood still within these walls. We then find ourselves standing before the Court Moorish Palace Archbishop – an architectural marvel that showcases Algeria's rich heritage. Through their lenses, the Neurdein brothers capture every intricate detail: from delicate carvings to majestic arches that seem to touch the sky above. Inside el-Djedid Mosque once again, we are captivated by its interior splendor - light filtering through stained glass windows casts colorful patterns across marble floors, and is a sight that fills us with a sense of tranquility and reverence.