Victorian Period Collection

Queen Victoria of England and her family, 19th century (print)
3794062 Queen Victoria of England and her family, 19th century (print) by Winterhalter, Franz Xaver (1806-73) (after); (add.info)

Vires Acquirit Eundo (We gather strength as we go) c1835 (hand coloured lithograph on paper)
7426800 Vires Acquirit Eundo (We gather strength as we go) c1835 (hand coloured lithograph on paper); 22x28 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Farewell to the Exhibition - Air with variations for the piano-forte, 1851 (lithograph on paper)
8836219 Farewell to the Exhibition - Air with variations for the piano-forte, 1851 (lithograph on paper) by Coventry, James Wallace (1819-1894) ; 38 x 28 cm; Ironbridge Gorge Museum Trust, Telford

Express Galop, c1850 (chromolithograph on paper)
8836229 Express Galop, c1850 (chromolithograph on paper) by Brandard, John (1812-63); 34 x 26 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

On the Railway, c1870 (chromolithograph on paper)
8836228 On the Railway, c1870 (chromolithograph on paper) by Stannard, William Thomas (1815-1895) ; 35 x 26 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Quadrilles for the Piano Forte, c1840 (lithograph on paper)
8836224 Quadrilles for the Piano Forte, c1840 (lithograph on paper) by Cheffins, Charles Frederick (1807-1861) ; 34 x 25 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Scotch Express Quadrille, c1870 (hand tinted lithograph on paper)
8836217 Scotch Express Quadrille, c1870 (hand tinted lithograph on paper) by Emery, George (b.1821); 36 x 26 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Exterior view of the Devon Haytor Granite Quarries, 1825 (hand coloured aquatint on paper)
7485271 Exterior view of the Devon Haytor Granite Quarries, 1825 (hand coloured aquatint on paper) by Cartwright, Joseph (c.1789-1829); 23x35 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Interior view of the Devon Haytor Granite Quarries, 1825 (hand coloured aquatint on paper)
7485268 Interior view of the Devon Haytor Granite Quarries, 1825 (hand coloured aquatint on paper) by Cartwright, Joseph (c.1789-1829); 23x35 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

The Great Exhibition, 1851 (hand coloured litho on paper)
7485255 The Great Exhibition, 1851 (hand coloured litho on paper) by Butler, Augustus (1817-63); 34x48 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Castle Treryn, near the Land's End with a distant view of the Logan Rock, 1824 (hand coloured litho on paper)
7483138 Castle Treryn, near the Land's End with a distant view of the Logan Rock, 1824 (hand coloured litho on paper) by Tonkin, James (1757-1846); 27x41 cm; Ironbridge Gorge Museum Trust

Conway c.1830 (litho on paper)
7483115 Conway c.1830 (litho on paper) by Pickering, George (c.1794-1857); 17x24 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Mr. William Armstrong's design for a chain bridge across the River Avon, from St
7483092 Mr. William Armstrong's design for a chain bridge across the River Avon, from St. Vincents Rock to Leigh Down, 1830 (hand coloured litho on paper) by West

Celebrated Logan Rock near the Land's End in Cornwall, 1824 (hand coloured litho on paper)
7483088 Celebrated Logan Rock near the Land's End in Cornwall, 1824 (hand coloured litho on paper) by Tonkin, James (1757-1846); 28x40 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Angelica Van Buren, 1844 (print)
8735820 Angelica Van Buren, 1844 (print) by Duval, Peter S. (1804/5-86); 46.6 x 36.5 cm; Library of Congress, Washington D.C., USA; (add.info.: From life on stone by Chs. Fenderich 1844 ; P.S)

Chepstow Bridge. Over the River Wye, 1851 (hand coloured lithograph on paper)
7426824 Chepstow Bridge. Over the River Wye, 1851 (hand coloured lithograph on paper); 21x38 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Viaduct at Slade, Devon, c.1850 (hand coloured lithograph on paper)
7426818 Viaduct at Slade, Devon, c.1850 (hand coloured lithograph on paper); 20x30 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Oblique Arch in the Viaduct on the London and Birmingham Railway at Watford, Herts. C
7426802 Oblique Arch in the Viaduct on the London and Birmingham Railway at Watford, Herts. C. 1845 (Hand coloured lithograph on paper); 24x37 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Train Engine of the London and South Western Railway No 8A (lithograph on paper)
7426795 Train Engine of the London and South Western Railway No 8A (lithograph on paper); 51x51 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

This bird's eye view of the London Grand Junction Railway, from Skinner Street to Camden Town
7426791 This bird's eye view of the London Grand Junction Railway, from Skinner Street to Camden Town, is respectfully dedicated to the Chairman, Directors and Proprietors

Victoria Terminus with horse tram, Bombay, India, 1900s (postcard)
7379782 Victoria Terminus with horse tram, Bombay, India, 1900s (postcard); Private Collection; (add.info.: now Chatrapati Shivaji Terminus); © Ajay Goyal/Dinodia Photo.

Blind man's buff
7243396 Blind man's buff; Private Collection; (add.info.: Blind man's buff, 19th century parlour games. From L'Univers Illustre, published Paris, 1859); Photo © Ken Welsh

Carding engine, 1862
7125205 Carding engine, 1862; (add.info.: Carding engine. Carding is a mechanical process which disentangles, cleans and intermixes fibres)

Jointed clod crusher, 1862
7125123 Jointed clod crusher, 1862; (add.info.: Jointed clod crusher. From A Concise History of The International Exhibition of 1862, published 1862.); Photo © Ken Welsh

B.D. Taplin and Co's Lincoln Traction Engine, 1862
7125121 B.D. Taplin and Co's Lincoln Traction Engine, 1862; (add.info.: B.D. Taplin and Co's Lincoln Traction Engine, 1862)

A breaker carding machine, 1862
7125110 A breaker carding machine, 1862; (add.info.: A breaker carding machine used in the cotton and textile industry. Carding is a technique used to disentangle, clean)

Goods locomotive, 1862
7125202 Goods locomotive, 1862; (add.info.: Goods locomotive built for the Midland Railway Company by William Fairbairn & Sons)

Advertisement for the Arithmometer, calculating machine, 1862
7125130 Advertisement for the Arithmometer, calculating machine, 1862; (add.info.: Advertisement for the Arithmometer, calculating machine)

Merryweather and Son's improved London brigade fire engine, 1862
7125119 Merryweather and Son's improved London brigade fire engine, 1862; (add.info.: Merryweather and Son's improved London Brigade fire engine, 1862)

Angelica Singleton Van Buren, 1842 (oil on canvas)
8735819 Angelica Singleton Van Buren, 1842 (oil on canvas) by Inman, Henry (1801-46); 107.32 x 85.42 cm; White House, Washington D.C

Portrait of the Artist Edwin Edwards, 1892 (litho in black on ivory wove paper)
5859424 Portrait of the Artist Edwin Edwards, 1892 (litho in black on ivory wove paper) by Fantin-Latour, Henri (1836-1904) ; The Art Institute of Chicago, IL

The High, looking West (litho)
8621979 The High, looking West (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: The High, looking West)

The High, with All Saints' Church and the Mitre Hotel (litho)
8621977 The High, with All Saints' Church and the Mitre Hotel (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: The High, with All Saints' Church and the Mitre Hotel)

The Clarendon Building (litho)
8621997 The Clarendon Building (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: The Clarendon Building)

Wadham College and Gardens (litho)
8621994 Wadham College and Gardens (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: Wadham College and Gardens)

St John's College (litho)
8621992 St John's College (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: St John's College)

All Souls College (litho)
8621985 All Souls College (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: All Souls College. Illustration for Oxford by John Fulleylove)

New College Cloisters (litho)
8621980 New College Cloisters (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: New College Cloisters)

Oriel College (litho)
8621978 Oriel College (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: Oriel College. Illustration for Oxford by John Fulleylove)

Merton College (litho)
8621975 Merton College (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: Merton College. Illustration for Oxford by John Fulleylove)

Balliol (litho)
8621973 Balliol (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: Balliol. Illustration for Oxford by John Fulleylove, with notes by T Humphry Ward (Fine Art Society)

West Window, Tintern Abbey (b/w photo)
8651911 West Window, Tintern Abbey (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: West Window, Tintern Abbey)

Raglan Castle, South Front (b/w photo)
8651904 Raglan Castle, South Front (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: Raglan Castle, South Front)

Golf Club-House, St Andrews (b/w photo)
8655033 Golf Club-House, St Andrews (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: Golf Club-House, St Andrews)

St Andrews Castle (b/w photo)
8655025 St Andrews Castle (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: St Andrews Castle)

Nottingham Views (litho)
8654510 Nottingham Views (litho) by English School, (19th century); Private Collection; (add.info.: Illustration for The Royal Album of Nottingham Views (E&S, c.1890).); © Look and Learn.

Nottingham Views (litho)
8654509 Nottingham Views (litho) by English School, (19th century); Private Collection; (add.info.: Illustration for The Royal Album of Nottingham Views (E&S, c.1890).); © Look and Learn.

Kenilworth Castle, Exterior of the Banqueting Hall (litho)
8654393 Kenilworth Castle, Exterior of the Banqueting Hall (litho) by English School, (19th century); Private Collection; (add.info.: Kenilworth Castle, Exterior of the Banqueting Hall)

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The Victorian period, spanning from 1837 to 1901, was a time of great change and innovation. It was an era characterized by the reign of Queen Victoria and marked by significant advancements in technology, industry, and art. One notable figure during this time was Sir Colin Campbell, a British Army officer who played a crucial role in various military campaigns. His leadership skills were instrumental in several victories that shaped the course of history. Stanley Dock Gates, depicted in a vibrant colored lithograph from 1864, stands as a testament to the architectural marvels of the Victorian era. These gates served as an entry point for ships entering Liverpool's bustling docks. Cambridge House in Piccadilly held immense significance during this period as it served as the residence of Lord Palmerston, one of Britain's most influential Prime Ministers. This grand mansion witnessed numerous political discussions and decisions that shaped the nation's destiny. Artistic endeavors flourished during this time as well. The St. Catherine Window showcased intricate stained glass work featuring the Angel of Suffering - a poignant representation evoking emotions through its delicate craftsmanship. Another stunning stained glass masterpiece is "The Nativity, " also known as "The Tree of Life. " This artwork captivates viewers with its vivid colors and religious symbolism that transports them back to biblical times. Maria Zambaco, immortalized both through her own portrait and Miriam (Sister of Moses and Aaron), represents women who defied societal norms during this conservative era. These artworks celebrate their strength and individuality while challenging traditional gender roles. Exploration was another hallmark feature of the Victorian period; Captain Austin led expeditions searching for Sir John Franklin amidst treacherous Arctic conditions. Such endeavors exemplify mankind's relentless pursuit for knowledge even at great personal risk. In contrast to these adventurous exploits is "Composite Portrait of Members of the Royal Yacht Squadron" - an elegant print capturing leisurely moments enjoyed by the elite.