Victorian Age Collection

Queen Victoria of England and her family, 19th century (print)
3794062 Queen Victoria of England and her family, 19th century (print) by Winterhalter, Franz Xaver (1806-73) (after); (add.info)

Farewell to the Exhibition - Air with variations for the piano-forte, 1851 (lithograph on paper)
8836219 Farewell to the Exhibition - Air with variations for the piano-forte, 1851 (lithograph on paper) by Coventry, James Wallace (1819-1894) ; 38 x 28 cm; Ironbridge Gorge Museum Trust, Telford

Express Galop, c1850 (chromolithograph on paper)
8836229 Express Galop, c1850 (chromolithograph on paper) by Brandard, John (1812-63); 34 x 26 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

On the Railway, c1870 (chromolithograph on paper)
8836228 On the Railway, c1870 (chromolithograph on paper) by Stannard, William Thomas (1815-1895) ; 35 x 26 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Quadrilles for the Piano Forte, c1840 (lithograph on paper)
8836224 Quadrilles for the Piano Forte, c1840 (lithograph on paper) by Cheffins, Charles Frederick (1807-1861) ; 34 x 25 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Scotch Express Quadrille, c1870 (hand tinted lithograph on paper)
8836217 Scotch Express Quadrille, c1870 (hand tinted lithograph on paper) by Emery, George (b.1821); 36 x 26 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

The Great Exhibition, 1851 (hand coloured litho on paper)
7485255 The Great Exhibition, 1851 (hand coloured litho on paper) by Butler, Augustus (1817-63); 34x48 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Castle Treryn, near the Land's End with a distant view of the Logan Rock, 1824 (hand coloured litho on paper)
7483138 Castle Treryn, near the Land's End with a distant view of the Logan Rock, 1824 (hand coloured litho on paper) by Tonkin, James (1757-1846); 27x41 cm; Ironbridge Gorge Museum Trust

Conway c.1830 (litho on paper)
7483115 Conway c.1830 (litho on paper) by Pickering, George (c.1794-1857); 17x24 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Mr. William Armstrong's design for a chain bridge across the River Avon, from St
7483092 Mr. William Armstrong's design for a chain bridge across the River Avon, from St. Vincents Rock to Leigh Down, 1830 (hand coloured litho on paper) by West

Celebrated Logan Rock near the Land's End in Cornwall, 1824 (hand coloured litho on paper)
7483088 Celebrated Logan Rock near the Land's End in Cornwall, 1824 (hand coloured litho on paper) by Tonkin, James (1757-1846); 28x40 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Angelica Van Buren, 1844 (print)
8735820 Angelica Van Buren, 1844 (print) by Duval, Peter S. (1804/5-86); 46.6 x 36.5 cm; Library of Congress, Washington D.C., USA; (add.info.: From life on stone by Chs. Fenderich 1844 ; P.S)

Chepstow Bridge. Over the River Wye, 1851 (hand coloured lithograph on paper)
7426824 Chepstow Bridge. Over the River Wye, 1851 (hand coloured lithograph on paper); 21x38 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Viaduct at Slade, Devon, c.1850 (hand coloured lithograph on paper)
7426818 Viaduct at Slade, Devon, c.1850 (hand coloured lithograph on paper); 20x30 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Train Engine of the London and South Western Railway No 8A (lithograph on paper)
7426795 Train Engine of the London and South Western Railway No 8A (lithograph on paper); 51x51 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

This bird's eye view of the London Grand Junction Railway, from Skinner Street to Camden Town
7426791 This bird's eye view of the London Grand Junction Railway, from Skinner Street to Camden Town, is respectfully dedicated to the Chairman, Directors and Proprietors

Jointed clod crusher, 1862
7125123 Jointed clod crusher, 1862; (add.info.: Jointed clod crusher. From A Concise History of The International Exhibition of 1862, published 1862.); Photo © Ken Welsh

B.D. Taplin and Co's Lincoln Traction Engine, 1862
7125121 B.D. Taplin and Co's Lincoln Traction Engine, 1862; (add.info.: B.D. Taplin and Co's Lincoln Traction Engine, 1862)

Goods locomotive, 1862
7125202 Goods locomotive, 1862; (add.info.: Goods locomotive built for the Midland Railway Company by William Fairbairn & Sons)

Angelica Singleton Van Buren, 1842 (oil on canvas)
8735819 Angelica Singleton Van Buren, 1842 (oil on canvas) by Inman, Henry (1801-46); 107.32 x 85.42 cm; White House, Washington D.C

Portrait of the Artist Edwin Edwards, 1892 (litho in black on ivory wove paper)
5859424 Portrait of the Artist Edwin Edwards, 1892 (litho in black on ivory wove paper) by Fantin-Latour, Henri (1836-1904) ; The Art Institute of Chicago, IL

The High, looking West (litho)
8621979 The High, looking West (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: The High, looking West)

The High, with All Saints' Church and the Mitre Hotel (litho)
8621977 The High, with All Saints' Church and the Mitre Hotel (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: The High, with All Saints' Church and the Mitre Hotel)

The Clarendon Building (litho)
8621997 The Clarendon Building (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: The Clarendon Building)

Wadham College and Gardens (litho)
8621994 Wadham College and Gardens (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: Wadham College and Gardens)

St John's College (litho)
8621992 St John's College (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: St John's College)

All Souls College (litho)
8621985 All Souls College (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: All Souls College. Illustration for Oxford by John Fulleylove)

New College Cloisters (litho)
8621980 New College Cloisters (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: New College Cloisters)

Oriel College (litho)
8621978 Oriel College (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: Oriel College. Illustration for Oxford by John Fulleylove)

Merton College (litho)
8621975 Merton College (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: Merton College. Illustration for Oxford by John Fulleylove)

Balliol (litho)
8621973 Balliol (litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: Balliol. Illustration for Oxford by John Fulleylove, with notes by T Humphry Ward (Fine Art Society)

West Window, Tintern Abbey (b/w photo)
8651911 West Window, Tintern Abbey (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: West Window, Tintern Abbey)

Raglan Castle, South Front (b/w photo)
8651904 Raglan Castle, South Front (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: Raglan Castle, South Front)

Golf Club-House, St Andrews (b/w photo)
8655033 Golf Club-House, St Andrews (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: Golf Club-House, St Andrews)

St Andrews Castle (b/w photo)
8655025 St Andrews Castle (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: St Andrews Castle)

Nottingham Views (litho)
8654510 Nottingham Views (litho) by English School, (19th century); Private Collection; (add.info.: Illustration for The Royal Album of Nottingham Views (E&S, c.1890).); © Look and Learn.

Nottingham Views (litho)
8654509 Nottingham Views (litho) by English School, (19th century); Private Collection; (add.info.: Illustration for The Royal Album of Nottingham Views (E&S, c.1890).); © Look and Learn.

Kenilworth Castle, Exterior of the Banqueting Hall (litho)
8654393 Kenilworth Castle, Exterior of the Banqueting Hall (litho) by English School, (19th century); Private Collection; (add.info.: Kenilworth Castle, Exterior of the Banqueting Hall)

Hawarden Castle, south-west view (b/w photo)
8654290 Hawarden Castle, south-west view (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: Hawarden Castle, south-west view)

Hawarden Castle, north-east View (b/w photo)
8654289 Hawarden Castle, north-east View (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: Hawarden Castle, north-east View. Showing Principal Entrance)

Another View of the Library, showing the Fireplace (b/w photo)
8654285 Another View of the Library, showing the Fireplace (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: Another View of the Library)

Seaford: The Seaside Convalescent Home (b/w photo)
8655006 Seaford: The Seaside Convalescent Home (b/w photo) by Wynter, Walter Robert (1868-1938); Private Collection; (add.info.: The Seaside Convalescent Home)

Seaford: Church Street (b/w photo)
8655004 Seaford: Church Street (b/w photo) by Wynter, Walter Robert (1868-1938); Private Collection; (add.info.: Church Street)

Seaford from Cricket Field (b/w photo)
8655000 Seaford from Cricket Field (b/w photo) by Wynter, Walter Robert (1868-1938); Private Collection; (add.info.: Seaford from Cricket Field)

"Seagulls Haunt", Seaford Cliffs (b/w photo)
8654999 "Seagulls Haunt", Seaford Cliffs (b/w photo) by Wynter, Walter Robert (1868-1938); Private Collection; (add.info.: "Seagulls Haunt", Seaford Cliffs)

Grand International Lancers, 1862 (chromolithograph on paper)
8836225 Grand International Lancers, 1862 (chromolithograph on paper) by Packer, Thomas (1824-1896); 37 x 27 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Great Exhibition Quadrille, 1851 (chromolithograph on paper)
8836218 Great Exhibition Quadrille, 1851 (chromolithograph on paper) by Brandard, John (1812-63); 35 x 25 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Mr. Dredge's design for the Bath Bridge, c.1836 (hand coloured litho on paper)
7485322 Mr. Dredge's design for the Bath Bridge, c.1836 (hand coloured litho on paper) by Dredge, James (1794-1863) ; 34x51 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

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Step back in time to the enchanting Victorian Age, a period defined by elegance and refinement. This era, spanning from the early 1800s to the mid-1850s, witnessed significant historical events such as the marriage of Queen Victoria herself. The influence of French fabrics was undeniable during this time, shaping fashion trends and adding an air of sophistication to every garment. In the early 1800s, fashion took inspiration from classical Greek and Roman styles with high waistlines and flowing silhouettes. As we moved into the 1810s and 1820s, dresses became more structured with fitted bodices and fuller skirts adorned with delicate embroidery. The emphasis on modesty remained paramount throughout these years. By the 1830s, women's fashion underwent a dramatic transformation. Sleeves grew larger while waists became cinched tightly using corsets for that coveted hourglass figure. Skirts expanded dramatically thanks to layers upon layers of petticoats creating a bell-shaped silhouette that demanded attention wherever it went. The year 1840 marked a milestone in history as Queen Victoria married Prince Albert in a grand ceremony that captured hearts worldwide. Her choice of wedding gown set new standards for bridal attire - an exquisite white satin dress embellished with lace made by English artisans. As we approached the mid-1850s, crinolines replaced multiple petticoats as they provided structure while allowing freedom of movement underneath voluminous skirts. Women embraced this new trend wholeheartedly as it allowed them to showcase their fashionable taste without sacrificing comfort. The Victorian Age was not only about fashion but also saw advancements in technology and social reforms that shaped society as we know it today. It was an era where tradition met innovation; where intricate craftsmanship merged seamlessly with progress.