Transfigured Collection

The Raven of Ill-omen, illustration from Cuchulain, The Hound of Ulster, by Eleanor Hull (1860-1935)
STC323913 The Raven of Ill-omen, illustration from Cuchulain, The Hound of Ulster, by Eleanor Hull (1860-1935), 1904 (colour litho) by Reid

Dark Cavern, 1906 (colour litho)
STC323694 Dark Cavern, 1906 (colour litho) by Hendrich, Hermann (1854-1931) (after); Private Collection; (add.info.: Alberich turns in to a serpent to prove the powers of the ring to Wotan and Loge;)

The Transfiguration of Christ (red chalk on paper)
739695 The Transfiguration of Christ (red chalk on paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

The Transfiguration (coloured engraving)
2801120 The Transfiguration (coloured engraving) by English School, (19th century); Private Collection; (add.info.: The Transfiguration)

Circe sends the Swine (The Companions of Ulysses) to the Styes
STC323724 Circe sends the Swine (The Companions of Ulysses) to the Styes, frontispiece from Tales of the Greek Seas by Andrew Lang, 1926 (ink on paper) by Ford

The Transfiguration of Christ, depicting Elijah, Jesus, and Moses with the apostles James, John and Peter. Psalter. Miniature. 15th century. Chantilly Castle. France

Transfiguration of Jesus in the presence of James, Peter and John. Codex of Predis (1476). Royal Library. Turin. Italy

The Transfiguration of Christ - Matthew 17. circa 1688

Jesus is Transfigured
He is transfigured, to the amazement of his companions

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Amidst the enigmatic interplay of light and shadow, the transfigured figure of Christ emerges, as depicted in various artistic masterpieces. From the ominous raven in Eleanor Hull's "The Raven of Ill-omen," to the dark cavern of the unknown in her "Dark Cavern," the divine presence shines through. In the hallowed halls of religious art, the Transfiguration of Christ is a recurring theme, as seen in red chalk on paper, coloured engravings, and more. The presence of Elijah and other witnesses, such as James and Peter, only adds to the awe-inspiring moment. Yet, even in the midst of transformation, the memory of Ulysses' companions being sent to the Styes by Circe serves as a reminder of the contrasting realms of the divine and the mundane. Through these artistic renderings, the transfiguration of Christ continues to captivate and inspire, offering a glimpse into the transcendent realm of the divine.