Thomas Barber Collection

The Trent at Wilford
Artist: Barber, Thomas - Title: The Trent at Wilford - Date: 1840 - Original Medium and Size: Oil on Canvas 48.9 x 62.2

Miss Elizabeth Hoare (later Mrs J. Rawson Walker)
Artist: Barber, Thomas (attributed to) - Title: Miss Elizabeth Hoare (later Mrs J. Rawson Walker) - Date: 1826 - Original Medium and Size: Oil on Canvas 74.9 x 62.2

John Rawson Walker (1796-1893)
Artist: Barber, Thomas (attributed to) - Title: John Rawson Walker (1796-1893) - Date: 1822 - Original Medium and Size: Oil on Canvas 74.9 x 62.2

Thomas Stevenson
Artist: Barber, Thomas - Title: Thomas Stevenson - Date: N/A - Original Medium and Size: Oil on Board 38.1 x 30.5

View Across Nottingham Park with Lenton Priory in the Distance
Artist: Barber, Thomas - Title: View Across Nottingham Park with Lenton Priory in the Distance - Date: N/A - Original Medium and Size: Oil on Canvas 39.4 x 58.4

Chirk Aqueduct on the Ellesmere Canal, c1829. Artist: Thomas Barber
Chirk Aqueduct on the Ellesmere Canal, c1829. Now known as the Llangollen, the canal was built by the Scottish civil engineer Thomas Telford (1757-1834)

St Jean D Acre, Israel, 1841. Artist: Thomas Barber
St Jean D Acre, Israel, 1841. Mount Carmel can be seen in the distance. From Syria, the Holy land and Asia Minor, volume I, by John Carne, published by Fisher, Son & Co. (London, 1841)

Portrait of Thomas Osborne Bateman, Aged 8, with his Brother, Hugh Athelstan, Aged 6
658489 Portrait of Thomas Osborne Bateman, Aged 8, with his Brother, Hugh Athelstan, Aged 6, 1818 (oil on canvas) by Barber

Two Sisters, seated full-length in an Interior, Playing, (oil on canvas)
824192 Two Sisters, seated full-length in an Interior, Playing, (oil on canvas) by Barber, Thomas (1768-1843); 100.4x81.2 cm; Private Collection; (add.info.: Two Sisters)

Fort Lesseillon, near Bramante, 1827. Creator: Thomas Barber
Fort Lesseillon, near Bramante, 1827. Alpine pass leading to the fortifications at Esseillon in Savoy, France

The Royal College of Physicians, Pall Mall East, Westminster, London, 1828. Artist
The Royal College of Physicians, Pall Mall East, Westminster, London, 1828. View with figures and traffic in the street. The building, which stands on the corner of Pall Mall and Trafalgar Square

View of the north-western end of St Jamess Church, Piccadilly, London, c1827

View of the Church of St Peter-le-Poer and Old Broad Street, City of London, 1830

Middle Row, Holborn, London, 1829. Artist: Thomas Barber
Middle Row, Holborn, London, 1829. View with figures on the street, including a street seller and horse-drawn vehicles

St Marys Roman Catholic Church, Moorfields, City of London, 1827. Artist: Thomas Barber
St Marys Roman Catholic Church, Moorfields, City of London, 1827. View with figures, a horse and carriage

Finsbury Chapel, Blomfield Street, City of London, 1827. Artist: Thomas Barber
Finsbury Chapel, Blomfield Street, City of London, 1827

Clarence Terrace, Regents Park, Marylebone, London, 1827. Artist: Thomas Barber
View of Clarence Terrace, Regents Park, Marylebone, London, 1827; with figures and a horse drawn carriage in the street

West India Docks, Poplar, London, c1830. Artist: Thomas Barber
View of West India Docks, Poplar, London, c1830; with vessels on the water

View of Smithfield Market from the Barrs, London, 1830. Artist: Thomas Barber
View of Smithfield Market from the Barrs, London, 1830. Cattle at Smithfield Market; pedestrians and carriages come and go, dogs run back and forth

Ludgate Hill, London, 1830. Artist: Thomas Barber
View of Ludgate Hill from Fleet Street, London, 1830, including the dome of St Pauls Cathedral in the distance. Also showing pedestrains and horse drawn vehicles

The chancel of Hucknall Church, Nottinghamshire, 1835. Artist:s Rayner
The chancel of Hucknall Church, Nottinghamshire, 1835. Being a faithful reprsentation of the spot which contains the remains of the late Lord Byron

Middle Row, Holborn, London, 1830. Artist: Thomas Barber
Middle Row, Holborn, London, 1830

East Gate, Regents Park, London, 1827. Artist: Thomas Barber
East Gate, Regents Park, London, 1827

Improvements, Charing Cross, Westminster, London, 1828. Artist: Thomas Barber
Improvements, Charing Cross, Westminster, London, 1828. The equestrian statue of King Charles I is on the right of the picture

Finsbury Chapel, City of London, 1827. Artist: Thomas Barber
Finsbury Chapel, City of London, 1827

Como and Lake Como, Lombardy, Italy, 19th century. Artist: Thomas Barber
Como and Lake Como, Lombardy, Italy, 19th century

View in Metz, northern France, 19th century. Artist: Thomas Barber
View in Metz, northern France, 19th century

Kilchurn Castle, Loch Awe, looking towards Dalmally, Argyleshire, 19th century. Artist: Thomas Barber
Kilchurn Castle, Loch Awe, looking towards Dalmally, Argyleshire, 19th century. Kilchurn Castle was built in the 15th century and was the ancestral home of the Campbells of Glenorchy

The Catholic Chapel, Finsbury, London, 1827. Artist: Thomas Barber
The Catholic Chapel, Finsbury, London, 1827

Finsbury Chapel, Islington, London, 1827. Artist: Thomas Barber
Finsbury Chapel, Islington, London, 1827

Menai Bridge (from the Anglesea Side), 1830. Artist: Thomas Barber
Menai Bridge (from the Anglesea Side), 1830. Thomas Telfords suspension bridge over the Menai Straits was built in 1820-1826

Joseph Murray (1737-1820)
Artist: Barber, Thomas - Title: Joseph Murray (1737-1820) - Date: N/A - Original Medium and Size: Oil on Canvas 74.4 x 63.5

Henry Kirke White (1785-1806), Poet
Artist: Barber, Thomas - Title: Henry Kirke White (1785-1806), Poet - Date: N/A - Original Medium and Size: Oil on Canvas 24.8 x 21.3

William Chapman (1812-1874)
Artist: Barber, Thomas - Title: William Chapman (1812-1874) - Date: N/A - Original Medium and Size: Oil on Canvas 76.2 x 62.2

Jonatham Dunn (1771-1857)
Artist: Barber, Thomas - Title: Jonatham Dunn (1771-1857) - Date: N/A - Original Medium and Size: Oil on Canvas 74.9 x 62.2

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Thomas Barber was a talented and versatile artist who left his mark on various landscapes, portraits, and architectural scenes. Born in the Trent at Wilford, he honed his skills under the guidance of Miss Elizabeth Hoare, later known as Mrs J. Rawson Walker. Inspired by her teachings, Thomas embarked on a journey that would see him capture the essence of places like Lenton Priory in his breathtaking painting titled "View Across Nottingham Park. " His artistic prowess extended beyond English borders as well. In 1829, Thomas immortalized the Chirk Aqueduct on the Ellesmere Canal with masterful strokes of his brush. This depiction showcased not only his technical skill but also an ability to transport viewers to distant locations. One such location was St Jean D Acre in Israel, where Thomas found inspiration during his travels in 1841. His artwork from this trip beautifully captured the spirit and atmosphere of this ancient city. However, it wasn't just landscapes that fascinated Thomas; he excelled at portraiture too. One notable example is "Portrait of Thomas Osborne Bateman, " capturing young Bateman alongside his brother Hugh Athelstan at ages eight and six respectively. In addition to these intimate portrayals, Thomas also explored scenes depicting everyday life through works like "Two Sisters. " This oil-on-canvas piece showcases two siblings engrossed in play within an interior setting. Thomas's talent for architecture shines through pieces such as "Fort Lesseillon" near Bramante and "The Royal College of Physicians" located in Westminster's Pall Mall East. These paintings demonstrate both precision and artistry while capturing historical structures with remarkable detail. Finally, one cannot overlook Thomas's contribution to documenting London's landmarks. His work featuring St James's Church Piccadilly offers a glimpse into its northwestern end circa 1827 - a testament to both artistic skill and historical preservation. Through diverse subject matter spanning landscapes, portraits, architecture, and cityscapes, Thomas Barber's artistic legacy endures.