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Stab Collection

"Stab: A Symphony of Violence and Passion" In the depths of human emotion, where love intertwines with tragedy, lies the essence of "Stab

Background imageStab Collection: Bedlam Patient Nicholson

Bedlam Patient Nicholson
ASSASSINATION ATTEMPT on KING GEORGE III Mrs Margaret Nicholson who, after stabbing attempt, was sent to Bedlam for life

Background imageStab Collection: The death of Earl Simon de Montfort

The death of Earl Simon de Montfort
The death of Simon de Montfort, Earl of Leicester at the Battle of Evesham on 4 August 1265 during the Second Barons War. 1265

Background imageStab Collection: Suerte X: A torero prepares to stab the bull, ca. 1850-80. ca. 1850-80. Creator: Anon

Suerte X: A torero prepares to stab the bull, ca. 1850-80. ca. 1850-80. Creator: Anon
Suerte X: A torero prepares to stab the bull, ca. 1850-80

Background imageStab Collection: Suerte II: Picador on horseback about to stab a bull with a pique; two toreros behi... ca

Suerte II: Picador on horseback about to stab a bull with a pique; two toreros behi... ca. 1850-80. Creator: Anon
Suerte II: Picador on horseback about to stab a bull with a pique; two toreros behind him to left (two impressions on the same sheet), ca. 1850-80

Background imageStab Collection: The Second of May, 1808 or The Charge of the Mamelukes, 1814 (oil on canvas) (post-restoration)

The Second of May, 1808 or The Charge of the Mamelukes, 1814 (oil on canvas) (post-restoration)
2920870 The Second of May, 1808 or The Charge of the Mamelukes, 1814 (oil on canvas) (post-restoration) by Goya y Lucientes, Francisco Jose de (1746-1828); 266x345 cm; Prado, Madrid

Background imageStab Collection: Aftermath of the Battle of Ivry (1590), engraved by Jean Baptiste Morret (fl)

Aftermath of the Battle of Ivry (1590), engraved by Jean Baptiste Morret (fl. 1790-1820), 1788 (coloured litho)
STC169721 Aftermath of the Battle of Ivry (1590), engraved by Jean Baptiste Morret (fl.1790-1820), 1788 (coloured litho) by Sergent-Marceau

Background imageStab Collection: The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger

The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger, 1814 (oil on canvas)
XIR194741 The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger, 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageStab Collection: Savage Warrior, c. 1800 (pen and w / c on paper)

Savage Warrior, c. 1800 (pen and w / c on paper)
MGS149816 Savage Warrior, c.1800 (pen and w/c on paper) by English School, (19th century); 24.6x21.5 cm; Private Collection; © Michael Graham-Stewart

Background imageStab Collection: Brook Trout Fishing, pub. 1862, Currier & Ives (colour litho)

Brook Trout Fishing, pub. 1862, Currier & Ives (colour litho)
3471060 Brook Trout Fishing, pub. 1862, Currier & Ives (colour litho) by American School, (19th century); Private Collection; The Stapleton Collection; American, out of copyright

Background imageStab Collection: Bulgaria preparing to stab its neighbour, Serbia, fighting against Austria and Germany

Bulgaria preparing to stab its neighbour, Serbia, fighting against Austria and Germany, in the back, World War I
6000356 Bulgaria preparing to stab its neighbour, Serbia, fighting against Austria and Germany, in the back, World War I, 1915 (colour litho) by Bombled

Background imageStab Collection: The Beast (Capitalism): It is only when one has killed this beast that Real Social Truth

The Beast (Capitalism): It is only when one has killed this beast that Real Social Truth
CSM75319 The Beast (Capitalism): It is only when one has killed this beast that Real Social Truth comes to light, engraved by the artist from L Assiette Au Beurre, pub

Background imageStab Collection: Men in Heavy Armour Attack Bears by Stabbing them in the Vitals

Men in Heavy Armour Attack Bears by Stabbing them in the Vitals
STC161110 Men in Heavy Armour Attack Bears by Stabbing them in the Vitals, plate 26 from Venationes Ferarum, Avium, Piscium (Of Hunting: Wild Beasts, Birds)

Background imageStab Collection: Men in heavy armour attack bears by stabbing them in the vitals

Men in heavy armour attack bears by stabbing them in the vitals
746975 Men in heavy armour attack bears by stabbing them in the vitals, illustration from Venationes, Ferarum, Avium, Piscium (Of Hunting: Wild Beasts, Birds, Fish)

Background imageStab Collection: Picador on horseback stabbing a charging bull with a lance

Picador on horseback stabbing a charging bull with a lance while a matador with cloak runs beside them. Chromolithograph by J

Background imageStab Collection: Gentleman fencer in guard of sword and lantern

Gentleman fencer in guard of sword and lantern
Gentleman fencer in the guard of the sword and lantern run through by a thrust from an opponent using sword and cloak. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageStab Collection: Gentleman fencer running through an opponent

Gentleman fencer running through an opponent
Gentleman fencer stabbing his opponent after an Evasion, by moving his left leg back when his opponent makes a pass on the outside of the sword

Background imageStab Collection: U. S. Troops Storm Chapultepec

U. S. Troops Storm Chapultepec
The battle of Chapultepec was key in the larger battle over Mexico City, and was a quick victory for the Americans. A soldier holding an American flag stands on a rock in the middle of

Background imageStab Collection: The Wicked Queen Elfrida

The Wicked Queen Elfrida
LLM338122 The Wicked Queen Elfrida by English School, (20th century); Private Collection; (add.info.: The Wicked Queen Elfrida)

Background imageStab Collection: Treachery of Elfrida (engraving)

Treachery of Elfrida (engraving)
665118 Treachery of Elfrida (engraving) by Smirke, Robert (1752-1845) (after); Private Collection; (add.info.: Treachery of Elfrida. Illustration from unidentified 19th century history of England)

Background imageStab Collection: Illuminated initial R depicting St. Catherine of Alexandria

Illuminated initial R depicting St. Catherine of Alexandria
MMT188846 Illuminated initial R depicting St. Catherine of Alexandria, Lombardy School (vellum) by Belbello, Luchino (fl.1434-62); 20x17 cm; Musee Marmottan Monet, Paris, France; Italian

Background imageStab Collection: The Death of Lucretia (oil on canvas)

The Death of Lucretia (oil on canvas)
XIR70899 The Death of Lucretia (oil on canvas) by Zanchi, Antonio (1631-1722); Musee Antoine Lecuyer, Saint-Quentin, France; Italian, out of copyright

Background imageStab Collection: Marriage a la Mode, Plate V, The Bagnio, illustration from Hogarth Restored

Marriage a la Mode, Plate V, The Bagnio, illustration from Hogarth Restored
STC451155 Marriage a la Mode, Plate V, The Bagnio, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

Background imageStab Collection: Acts of cruelty

Acts of cruelty
Ludmila Shumilova

Background imageStab Collection: Der Ritter. Creator: Hans Holbein the Younger

Der Ritter. Creator: Hans Holbein the Younger
Der Ritter

Background imageStab Collection: BEDLAM PATIENT NICHOLSON

BEDLAM PATIENT NICHOLSON
Mrs Margaret Nicholson who, after attempting to stab King George III, was sent to Bedlam for life. (profile, in hat) Date: 1786

Background imageStab Collection: EyeUbiquitous_20107908

EyeUbiquitous_20107908
England, London, Detail of Police stab proof vest with various accessories

Background imageStab Collection: Brook Trout Fishing, pub. 1862, Currier & Ives (Colour Lithograph)

Brook Trout Fishing, pub. 1862, Currier & Ives (Colour Lithograph)

Background imageStab Collection: Calvary, detail from centre panel, 1545-1550. Artist: Maerten van Heemskerck

Calvary, detail from centre panel, 1545-1550. Artist: Maerten van Heemskerck
Calvary, detail from centre panel, 1545-1550. The blind Longinus on a horse pierces the crucified Christs side with his spear. From the collection of the Hermitage, St. Petersburg, Russia

Background imageStab Collection: Portrait Louis Napoleon King Holland 1778-1846

Portrait Louis Napoleon King Holland 1778-1846
Portrait of Louis Napoleon, King of Holland, Louis Napoleon (1778-1846), King of Holland from 1806 to 1810, in the uniform of the life guards on foot

Background imageStab Collection: Portrait Inspector-General A. F Goudriaan A. F

Portrait Inspector-General A. F Goudriaan A. F
Portrait of Inspector-General A.F. Goudriaan, Portrait of A.F. Goudriaan (1768-1829), Inspector-General of Waterstaat. Standing, half-length, with the stab in his right hand, historical persons

Background imageStab Collection: Johannes Benedictus van Heutsz 1851-1924 Governor General

Johannes Benedictus van Heutsz 1851-1924 Governor General
Johannes Benedictus van Heutsz (1851-1924). Governor General (1904-09), Portrait of Johannes Benedictus van Heutsz (1851-1924). Governor General (1905-1909)

Background imageStab Collection: Willem Rooseboom 1843-1920 Governor General 1899-1904

Willem Rooseboom 1843-1920 Governor General 1899-1904
Willem Rooseboom (1843-1920). Governor General (1899-1904), Portrait of Willem Rooseboom (1843-1920). Governor General (1899-1904). Knee, standing to the left, the face turned to the viewer

Background imageStab Collection: James Loudon 1824-1900 Governor General 1871-75

James Loudon 1824-1900 Governor General 1871-75
James Loudon (1824-1900). Governor General (1871-75), Portrait of James Loudon (1824-1900). Governor General (1871-75). Knee, standing to the left, face and face

Background imageStab Collection: Charles Ferdinand Pahud 1803-73 Governor General

Charles Ferdinand Pahud 1803-73 Governor General
Charles Ferdinand Pahud (1803-73). Governor General (1855-61), Portrait of Charles Ferdinand Pahud de Mortanges (1803-73). Governor General (1855-61)

Background imageStab Collection: Cornelis Pijnacker Hordijk 1847-1908 Governor General

Cornelis Pijnacker Hordijk 1847-1908 Governor General
Cornelis Pijnacker Hordijk (1847-1908). Governor General (1888-93), Portrait of Cornelis Pijnacker Hordijk (1847-1908). Governor General (1888-93). Knee, standing, slightly to the right

Background imageStab Collection: Portrait Dominique Jacques de Eerens Governor General

Portrait Dominique Jacques de Eerens Governor General
Portrait of Dominique Jacques de Eerens, Governor General of the Dutch East Indies, Portrait of Dominique Jacques de Eerens (1781-1840) Governor General (1835-40). Knee, standing, and face

Background imageStab Collection: Failed suicide altar Olimpia title object View

Failed suicide altar Olimpia title object View
Failed suicide on altar Olimpia (title on object), View of an altar where a woman wants to stab herself with a knife. A rushed priest intervenes

Background imageStab Collection: Gilbert Du Motier, Marquis De Lafayette Thwarting An Assassination Attempt By Honor

Gilbert Du Motier, Marquis De Lafayette Thwarting An Assassination Attempt By Honor

Background imageStab Collection: Fantastic Adventures - The Return of Jongor

Fantastic Adventures - The Return of Jongor
Cover of Fantastic Adventures, April 1944, featuring the story The Return of Jongor by Robert Moore Williams. A warrior attacks a club-wielding centaur with a spear. Date: 1944

Background imageStab Collection: Babeuf in Prison

Babeuf in Prison
FRANCOIS EMILE BABEUF French revolutionary depicted in prison for conspiring to overthrow the Directoire. But he will stab himself before they get him to the scaffold. Date: 1760 - 1797

Background imageStab Collection: Servants Absalom Killing Amnon 1540 Engraving

Servants Absalom Killing Amnon 1540 Engraving
Artokoloro

Background imageStab Collection: CHARLES GEORGE GORDON (1833-1885). British soldier

CHARLES GEORGE GORDON (1833-1885). British soldier. The death of General Charles George Gordon during the fall of Khartoum, January 1885. After the painting, 1895, by J.L.G. Ferris

Background imageStab Collection: Death of St. Peter the Martyr

Death of St. Peter the Martyr
XJL38665 Death of St. Peter the Martyr by Berruguete, Pedro (c.1450-1504); Prado, Madrid, Spain; Italian, out of copyright

Background imageStab Collection: Design for the new gallery of busts and pictures, and so far will I trust thee gentle

Design for the new gallery of busts and pictures, and so far will I trust thee gentle Kate, Henry 4th, part 1st, Gillray, James, 1756-1815, engraving 1792

Background imageStab Collection: Brook Trout Fishing - An Anxious Moment, 1862 (colour litho)

Brook Trout Fishing - An Anxious Moment, 1862 (colour litho)
BAL32919 Brook Trout Fishing - An Anxious Moment, 1862 (colour litho) by Currier, N. (1813-88) and Ives, J.M. (1824-95); Private Collection; American, out of copyright

Background imageStab Collection: Scenes from Tebaldeos Eclogues, c. 1505 (oil on wood)

Scenes from Tebaldeos Eclogues, c. 1505 (oil on wood)
XCF285196 Scenes from Tebaldeos Eclogues, c.1505 (oil on wood) by Previtali, Andrea (c.1470-1528); 45.2x19.9 cm; National Gallery, London

Background imageStab Collection: Portrait of Aalbert John Koen, George Kockers, 1794

Portrait of Aalbert John Koen, George Kockers, 1794



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"Stab: A Symphony of Violence and Passion" In the depths of human emotion, where love intertwines with tragedy, lies the essence of "Stab. " This captivating caption takes you on a journey through various forms of stabbing, both literal and metaphorical. As Tosca's haunting opera music fills the air, Puccini's masterpiece sets the stage for an intense exploration. The poster for Tosca in 1900 hints at the dark tale that unfolds within its notes. From Bedlam Patient Nicholson's troubled mind to an illegal weapon seized by Cumbria Police UK, we delve into the sinister side of society. These glimpses remind us that violence can lurk just beneath the surface. Traveling back in time to ca. 1850-80, we witness Suerte X—a torero preparing to stab a bull—an act both thrilling and dangerous. In Suerte II, a picador on horseback readies his pique while two toreros stand behind him; bravery hangs in the balance. The etchings Rabble and They don't like it from Disasters of War depict scenes filled with chaos and despair. These powerful images serve as reminders of humanity's capacity for destruction. Moving forward to 1500-04, The Story of Virginia reveals a tragic end as she is killed by her own father Virginius—a heart-wrenching depiction captured in tempera on panel. Amidst all this darkness emerges The fight of a hunter with an eagle—where strength meets grace amidst Florence's outskirts. Here we find beauty even within conflict—a reminder that not all they are meant to harm but rather challenge one another towards growth. Finally, Assassination of Jean-Paul Marat brings forth political intrigue entwined with betrayal—an event forever etched into history books as revolutionaries sought change through violent means.