Saris Collection

Krishna with Gopis on a Riverbank, 1750-1775. Creator: Unknown
Krishna with Gopis on a Riverbank, 1750-1775. The god Krishna places a water pot on the head of Radha, his beloved. Radha is probably also depicted among the other milkmaids at an earlier moment

Two Hindu Women in Elaborate Jewelry, Before Studio Backdrop with Palm Trees, 1860s-70s

Women in bright saris in front of the Hawa Mahal (Palace of the Winds), built in 1799, Jaipur, Rajasthan, India, Asia

India, Rajasthan, Jaipur, Hawa Mahal, Palace of the Winds, built in 1799 the Palace of the Winds is one of Jaipurs landmarks

Devotees waiting to do puja at Diwali, Jagdish temple, Udaipur, Rajasthan, India, Asia

Mother is teacher series - pic - 1
Srikanth Gumma

The Royal Visit to India: waiting for the Shahzadah, Gwalior...1876. Creator: Unknown
The Royal Visit to India: waiting for the Shahzadah, Gwalior, from a sketch by one of our special artists, 1876....his Royal Highness went to visit Scindia at Gwalior...The townspeople of Lushkur

Krishna Dancing with Gopis, 1775-1800. Creator: Unknown
Krishna Dancing with Gopis, 1775-1800. The Hindu god Krishna dances between two groups of admiring gopis. Those on the right form an orchestra

Ruth St. Denis dancers, between 1910 and 1935. Creator: Arnold Genthe
Ruth St. Denis dancers, between 1910 and 1935

India, Punjab, Amritsar, Pilgrims at The Harmandir Sahib, known as The Golden Temple

India, Uttar Pradesh, Agra, locals drying brilliant red and pink sarees in the sun

India, Rajasthan, Pushkar

Women of the Coast of Concan; Bombay and the Malabar Coast, 1875. Creator: C. B. Low
Women of the Coast of Concan; Bombay and the Malabar Coast, 1875. [Indian women at the entrance to a building]. From, Illustrated Travels by H.W. Bates

Christian Converts, Bombay; Notes on Bombay and the Malabar Coast, 1875. Creator: C. B. Low
Christian Converts, Bombay; Notes on Bombay and the Malabar Coast, 1875. [Indian women in what is now Mumbai]. From, Illustrated Travels by H.W. Bates

Part of a Skirt, India, Late 19th century. Creator: Unknown
Part of a Skirt, India, Late 19th century. Detail from a larger artwork

Lalila, To the Ferengi Lover
3780075 Lalila, To the Ferengi Lover by Shaw, Byam (1872-1919); (add.info.: Lalila, To the Ferengi Lover, poem from The Garden of Kama and other love lyrics from India)

Three Songs of Zahir-U-Din
3780071 Three Songs of Zahir-U-Din by Shaw, Byam (1872-1919); (add.info.: Three Songs of Zahir-U-Din, poem from The Garden of Kama and other love lyrics from India)

Fancy
3780078 Fancy by Shaw, Byam (1872-1919); (add.info.: Fancy, poem from The Garden of Kama and other love lyrics from India, by Laurence Hope (pseudonym for Adela Florence Nicolson, b April 9)

The Regret of the Ranee, from The Garden of Kama
3780074 The Regret of the Ranee, from The Garden of Kama by Shaw, Byam (1872-1919); (add.info.: The Regret of the Ranee in the Hall of Peacocks)

There is no breeze to cool the heat of love
3780076 There is no breeze to cool the heat of love by Shaw, Byam (1872-1919); (add.info.: There is no breeze to cool the heat of love, poem from The Garden of Kama and other love lyrics from India)

Sampan Song
3780079 Sampan Song by Shaw, Byam (1872-1919); (add.info.: Sampan Song, poem from The Garden of Kama and other love lyrics from India, by Laurence Hope (pseudonym for Adela Florence Nicolson)

Reminiscence of Mahomed Akram
3780064 Reminiscence of Mahomed Akram by Shaw, Byam (1872-1919); (add.info.: Reminiscence of Mahomed Akram, poem from The Garden of Kama and other love lyrics from India)

Deserted Gipsys Song, from The Garden of Kama
3780065 Deserted Gipsys Song, from The Garden of Kama. by Shaw, Byam (1872-1919); (add.info.: Deserted Gipsys Song: Hillside camp, poem from The Garden of Kama and other love lyrics from India)

To the Unattainable, from The Garden of Kama
3780061 To the Unattainable, from The Garden of Kama. by Shaw, Byam (1872-1919); (add.info.: To the Unattainable: Lament of Mahomed Akram)

The Garden of Kama
3780000 The Garden of Kama by Shaw, Byam (1872-1919); (add.info.: The Garden of Kama and other love lyrics from India by Laurence Hope)

Zira: in Captivity, poem from The Garden of Kama
3780001 Zira: in Captivity, poem from The Garden of Kama by Shaw, Byam (1872-1919); (add.info.: Zira: in captivity, poem from The Garden of Kama and other love lyrics from India)

Less than the Dust, poem from The Garden of Kama
3779997 Less than the Dust, poem from The Garden of Kama by Shaw, Byam (1872-1919); (add.info.: Less than the Dust, poem from The Garden of Kama and other love lyrics from India)

Ojira, To Her Lover, from The Garden of Kama
3780063 Ojira, To Her Lover, from The Garden of Kama by Shaw, Byam (1872-1919); (add.info.: Ojira, To Her Lover, poem from The Garden of Kama and other love lyrics from India)

Two Panels (Joined), India, 19th century. Creator: Unknown
Two Panels (Joined), India, 19th century

Untitled (Ceylon), 1875 / 79. Creator: Julia Margaret Cameron
Untitled (Ceylon), 1875/79. A work made of albumen print

Women Grinding Corn, from India Ancient and Modern, 1867 (colour litho)
STC418232 Women Grinding Corn, from India Ancient and Modern, 1867 (colour litho) by Simpson, William Crimea (1823-99); Private Collection; The Stapleton Collection; Scottish, out of copyright

c. 1880s India Ceylon Sri Lanka - two young women

An old woman of high caste, 1827-35 (colour litho)
478570 An old woman of high caste, 1827-35 (colour litho) by Burnouf, M.E. (fl.1827-35); Private Collection; (add.info.: Vielle femme, illustration from L Inde Francaise, Paris: Chabrelle)

Shepherds, 1827-35 (colour litho)
478561 Shepherds, 1827-35 (colour litho) by Burnouf, M.E. (fl.1827-35); Private Collection; (add.info.: Bergers, illustration from L Inde Francaise, Paris: Chabrelle)

Mason or Builder, 1827-35 (colour litho)
478542 Mason or Builder, 1827-35 (colour litho) by Burnouf, M.E. (fl.1827-35); Private Collection; (add.info.: KollattoukkAren ou MaAzon, illustration from L Inde Francaise, Paris: Chabrelle)

Pallis, the wood-carrier, 1827-35 (colour litho)
478562 Pallis, the wood-carrier, 1827-35 (colour litho) by Burnouf, M.E. (fl.1827-35); Private Collection; (add.info.: Pallis, Porteurs de bois, illustration from L Inde Francaise, Paris: Chabrelle)

Najar picture of a woman holding a fan and looking backwards over her shoulder
874514 Najar picture of a woman holding a fan and looking backwards over her shoulder, 1722 (opaque w/c & gold on paper) by Murad (fl.1722); 18.5 x9.8 cm; San Diego Museum of Art

A woman cupping another, c. 1815 (opaque w / c on paper)
874046 A woman cupping another, c.1815 (opaque w/c on paper) by Indian School, (19th century); 24.2 x19.2 cm; San Diego Museum of Art

Wife of a Rajah, 1827-35 (colour litho)
478532 Wife of a Rajah, 1827-35 (colour litho) by Burnouf, M.E. (fl.1827-35); Private Collection; (add.info.: Femme de RAdja, illustration from L Inde Francaise, Paris: Chabrelle)

Woman dying the palms of hands, from Bundi, 1800 (w / c on paper)
EAM281966 Woman dying the palms of hands, from Bundi, 1800 (w/c on paper) by Rajasthani School, (19th century); National Museum of India, New Delhi

Basket Weavers, 1827-35 (colour litho)
478566 Basket Weavers, 1827-35 (colour litho) by Burnouf, M.E. (fl.1827-35); Private Collection; (add.info.: Kourraver, Vanniers, illustration from L Inde Francaise, Paris: Chabrelle)

A Servant, 1827-35 (colour litho)
478553 A Servant, 1827-35 (colour litho) by Burnouf, M.E. (fl.1827-35); Private Collection; (add.info.: Shondra ou Serviteur, illustration from L Inde Francaise, Paris: Chabrelle)

Carpenter, 1827-35 (colour litho)
478541 Carpenter, 1827-35 (colour litho) by Burnouf, M.E. (fl.1827-35); Private Collection; (add.info.: Tatchen ou Charpentier, illustration from L Inde Francaise, Paris: Chabrelle)

Milk Sellers, 1827-35 (colour litho)
478536 Milk Sellers, 1827-35 (colour litho) by Burnouf, M.E. (fl.1827-35); Private Collection; (add.info.: Marchands de Lait, illustration from L Inde Francaise, Paris: Chabrelle)

Brahman women collecting water, 1827-35 (colour litho)
478531 Brahman women collecting water, 1827-35 (colour litho) by Burnouf, M.E. (fl.1827-35); Private Collection; (add.info.: Femmes Brahmanes pusant de l eau, illustration from L Inde Francaise)

Mariammane, a Brahmin woman, 1827-35 (colour litho)
478574 Mariammane, a Brahmin woman, 1827-35 (colour litho) by Burnouf, M.E. (fl.1827-35); Private Collection; (add.info.: La Brahmine Mariammane, illustration from L Inde Francaise, Paris: Chabrelle)

Dancing Bayaderes, 1827-35 (colour litho)
478567 Dancing Bayaderes, 1827-35 (colour litho) by Burnouf, M.E. (fl.1827-35); Private Collection; (add.info.: Bayaderes Dansants, illustration from L Inde Francaise, Paris: Chabrelle)

Indian hunter with musket, 1827-35 (colour litho)
478557 Indian hunter with musket, 1827-35 (colour litho) by Burnouf, M.E. (fl.1827-35); Private Collection; (add.info.: Veder ou Boyer, illustration from L Inde Francaise, Paris: Chabrelle)

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"Saris: A Tapestry of Colors, Culture, and Tradition in India" Step into the vibrant world of saris, where colors come alive and stories are woven. In a captivating portrait, two women gracefully drape themselves in these exquisite garments, representing our Asian neighbors - India. Their saris reflect the rich heritage and diversity that define this enchanting land. Transport yourself back to the 1860s-70s as you gaze upon two Hindu women adorned with elaborate jewelry. Against a studio backdrop featuring palm trees, their saris become an expression of elegance and grace. These timeless images capture the essence of a bygone era. Journey to Jaipur, Rajasthan's majestic city known for its architectural wonders. Women dressed in bright saris stand proudly before the Hawa Mahal - Palace of the Winds. Built in 1799, this iconic landmark serves as a testament to India's glorious past while showcasing the beauty of traditional attire. Witness devotion at its purest during Diwali at Jagdish temple in Udaipur, Rajasthan. Devotees draped in colorful saris patiently await their turn to perform puja – a sacred ritual that brings them closer to divinity. The intricate patterns on their sarees mirror their unwavering faith. Explore Amritsar's Harmandir Sahib - The Golden Temple - where pilgrims gather from all walks of life wearing stunning saris. This holy place unites people through spirituality and showcases how sarees transcend boundaries by becoming symbols of unity and reverence. In bustling Old Delhi lies a kaleidoscope of hues within a colorful sari shop; it is here that dreams take shape with every fabric chosen meticulously by customers seeking individuality amidst tradition. Each sari holds countless stories waiting to be told. Uttar Pradesh reveals its artistic side as locals dry brilliant red and pink sarees under the sun's warm embrace in Agra.