Reville Collection

Reville court dress advertisement, 1927
Advertisement for Reville Ltd, dressmakers of Hanover Square, who specialised in particular in gowns for court presentations, approved by Their Majesties for Ladies attending. Date: 1927

Court gowns by Reville
Court gowns approved by King George V and Queen Mary for presentation at court in the year 1926. Designed by Reville of Hanover Square. Date: 1926

Advertisement for Reville, 1920s fashion
Advertisement for Reville of Hanover Square, one of the leading fashion houses of the 1920s favoured by smart society, offering original gowns for all seasons, all climates, every occasion. Date: 1920

The fair Danseuse showing three London fashion outfits
Advance designs for the fair Danseuse showing three London fashion outfits, December 1923: two gowns from Reville and a Mason Lewis hat worn by Heather Thatcher Date: 1923

Maya - a mannequin for Reville s
Maya, the professional name of Messrs. Revilles most famous mannequin, who was, according to The Sphere, a member of an old Russian noble family exiled by the Bolsheviks

The dancer Babette wearing a gown by Reville, 1924 seen at her appearances at the Grafton Galleries. The gown was of rose pink tulle embroidered in diamante with an ermine cloak Date: 1924

Daphne Hughes, dancing teacher in a Reville gown, 1924. This lovely dance frock is made of layers of rose pink chiffon and shadow lace veiled in mist grey chiffon

W W Reville-Terry Ltd, Elspeth Champcommunal (British fashion designer and first editor of Vogue in Britain), 50 Grosvenor Street, London W1. 1936

Society goes to see Count Michael de Torbys fashion designs
Society out in force to see the dresses designed by Count Michael de Torby, son of Grand Duke Michael, at court dressmakers, Reville and Rossiter in 1918

Gregorius VII (Reville)
POPE GREGORIUS VII (Hildebrand) Despite being a saint, he quarrelled with emperor Heinrich IV, humiliating him at Canossa

Lee White wearing costumes designed by Reville
American actress and entertainer, Lee White, posing in a variety of fantastic costumes designed by Reville for her tour of Australia in 1920. 1920

Clothes and the Woman by George Paston. The reverse of a four page flyer which also includes the production of Me and My Diary by Gertrude Jennings

An auction of fashion in aid of Belgian Relief Fund, WW1
Page from The Tatler reporting on a fashion show and auction of dresses at the Savoy Hotel in aid of the Belgian Relief Fund at the Savoy

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Reville, a name synonymous with elegance and style, has been at the forefront of court gowns for years. Their exquisite designs have graced the halls of royalty and captivated the hearts of fashion enthusiasts worldwide. In a mesmerizing advertisement from 1927, Reville court dress takes center stage. The intricate details and impeccable craftsmanship showcased in this collection are truly awe-inspiring, and is no wonder that Reville has become a household name among those seeking sophistication and refinement. Transporting us back to the glamorous 1920s, another advertisement for Reville captures the essence of this iconic era. Fashionistas flock to witness three London fashion outfits modeled by none other than "The fair Danseuse. " Each ensemble exudes an air of timeless beauty, reflecting Reville's commitment to creating garments that stand the test of time. Count Michael de Torbys' fashion designs draw society's attention as they eagerly anticipate his collaboration with Reville. This partnership promises to be nothing short of extraordinary, combining Count de Torbys' avant-garde vision with Reville's expertise in creating breathtaking attire fit for any occasion. Maya, a mannequin specially crafted for Reville, embodies their dedication to perfection. With every stitch meticulously placed on her flawless form, Maya brings life to their creations and showcases them in all their glory. Renowned dancer Babette enchants audiences not only with her graceful moves but also with her stunning gown by Reville in 1924. The seamless fusion of movement and couture highlights how these dresses enhance not just one's appearance but also one's confidence on stage or off. Daphne Hughes, a respected dancing teacher herself, chooses a magnificent Reville gown in 1924. As she glides across dance floors teaching aspiring dancers their craft while wearing this masterpiece, it becomes evident that these dresses empower women both professionally and personally. W. W. Reville-Terry Ltd.