Quesnel Collection

Death Mask of Napoleon, modeled 1821 (cast 1833). Creators: Louis Richard, E. Quesnel
Death Mask of Napoleon, modeled 1821 (cast 1833). [Bronze cast by Louis Richard and E. Quesnel of Paris, from a mould made by Dr. C. Francesco Antommarchi, Napoleons doctor]

Two Fighting Knights, 1838, by Emile de Nieuwerkerke (1814-1)
Emile de Nieuwerkerke (1814-1892) and Eduard Quesnel (active 1818-1850). Two Fighting Knights, known as Mort de Monseigneur le Duc de Clarence. Par?=?s, 1838. Detail. Rijksmuseum. Amsterdam. Holland

Three-door cabinet, c. 1835-1838. Anonymous. It was once owned by King William II. A French cabinetmaker fitted the piece with hardstone panels inlaid with floral motifs made of costly polished

Quartier Saint-Benoit, fac-simile du plan de Quesnel, 1608 (engraving)
963381 Quartier Saint-Benoit, fac-simile du plan de Quesnel, 1608 (engraving) by French School, (19th century); Private Collection; (add.info.: Quartier Saint-Benoit, fac-simile du plan de Quesnel)

Monsieur de Ragny, Francois de la Madeleine, 1587, (1907). Creator: Unknown
Monsieur de Ragny, Francois de la Madeleine, 1587, (1907). Portrait of French nobleman Francois de la Madeleine, marquis de Ragny (1543-1626), field marshal and governor of the Nivernais

Pierre Quesnel, 1574, (1907). Creator: Unknown
Pierre Quesnel, 1574, (1907). Portrait of French artist Pierre Quesnel (c1502-c1580) who worked in Scotland. After a drawing of 1574 by his son Nicolas Quesnel

Marie de Beauvillier de Saint-Aignan, 1585, (1907). Creator: Unknown
Marie de Beauvilliers de Saint-Aignan, 1585, (1907). Portrait of French abbess Marie-Catherine de Beauvilliers (1574-1667) who was also a mistresses of King Henry IV of France

Portrait of Henry III of France, King of Poland and Grand Duke of Lithuania, 1580s. From a private collection

St Cecilia, 1514 (1870). Artist: Quesnel
St Cecilia, 1514 (1870). After the painting by Raphael in the collection of the Pinacoteca Nazionale, Bologna. St Cecilia was a Roman noblewoman martyred in either the 2nd or the 3rd century

Pasquier Quesnel
PASQUIER QUESNEL French churchman, priest of the Oratoire, of Jansenist views, Date: 1634 1719

Satellite view of the Fraser River, British Columbia, Canada
September 7, 2011 - Satellite view of the Fraser River, British Columbia, Canada. Arising from headwaters around Mount Robson in the Rocky Mountains, the Fraser River starts as a fast-moving stream

Thomas de Leu after Franazois Quesnel (French, c. 1560 - c. 1620), Louise de Lorraine, engraving on laid paper

Franco-Prussian War: Battle Near Quesnel, November 23 1870

Lumber forestry industry at sawhill pulp plant in Quesnel British Columbia Canada
Lumber forestry industry at sawmill pulp plant in Quesnel British Columbia Canada

Franco-Prussian War: Battle Near Quesnel, November 23 1870

SULLY, Maximilien de B鴨une, duke de (1560-1641)
SULLY, Maximilien de B鴨 une, duke de (1560-1641). French statesman. Portrait formerly attributed to Fran篩s Quesnel. Oil on wood. FRANCE. Chantilly

Timber plant
Timber processing plant. Timber is sawn up in a mill and converted into pulp for paper manufacture. Photographed at West Fraser Mills, Quesnel, British Columbia, Canada

Timber. Photographed at West Fraser Mills, Quesnel, British Columbia, Canada

Francois Quesnel
FRANCOIS QUESNEL French artist

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"Quesnel: A Glimpse into History and Art" Step into the world of Quesnel, a name that resonates with historical significance and artistic brilliance. From the captivating brushstrokes of Emile de Nieuwerkerke's "Two Fighting Knights, 1838, " to the exquisite craftsmanship of an anonymous artist's "Three-door cabinet, c. 1835-1838, " this place is a treasure trove for art enthusiasts. Delve deeper into history as you encounter the hauntingly lifelike "Death Mask of Napoleon. " Created by Louis Richard and E. Quesnel in 1821 (cast in 1833), it offers an intimate glimpse into the face that once shaped empires. Travel back in time through engravings like "Quartier Saint-Benoit, fac-simile du plan de Quesnel, 1608, " which showcases how this town looked centuries ago. Explore portraits such as "Monsieur de Ragny" (1587) or Pierre Quesnel (1574), both shrouded in mystery yet capturing their subjects' essence with remarkable precision. The talent of Francois Quesnel shines through his portrayal of Henry III of France, King of Poland and Grand Duke of Lithuania. His portrait from the 1580s exudes regal elegance while offering insight into a tumultuous era. Not limited to painting alone, it also demonstrated mastery over sculpture with works like "St Cecilia" from 1514—an embodiment of musical harmony frozen in stone. Beyond artistry lies Pasquier Quesnel—a figure whose intellectual contributions left an indelible mark on religious discourse during his time. Intriguingly enough, another portrait captures Henry III himself—this time without any mention of its creator. Perhaps it was another masterpiece by Francois Quesnel or someone else entirely; nevertheless, it continues to captivate with its royal allure.