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Political Cartoon Collection

Political cartoons have long been a powerful tool for social commentary and criticism, capturing the essence of political events and figures in a single image

Background imagePolitical Cartoon Collection: Thomas Nast cartoon about Boss Tweed corruption

Thomas Nast cartoon about Boss Tweed corruption
" Who stole the peoples money? Twas him" cartoon about Tammany Hall scandal, 1871. Hand-colored woodcut reproduction of a Thomas Nast cartoon

Background imagePolitical Cartoon Collection: President Tafts antitrust policies cartooned, 1911

President Tafts antitrust policies cartooned, 1911
Cartoon about antitrust actions of Attorney General Wickersham and President Taft, 1911. Digitally colored woodcut

Background imagePolitical Cartoon Collection: Reconstruction upholding equal rights, 1868

Reconstruction upholding equal rights, 1868
Reconstruction depicted as equal rights reform, 1868. Hand-colored woodcut reproduction of a 19th-century Thomas Nast cartoon

Background imagePolitical Cartoon Collection: Old Nick in Wall Street, c. 1832 (litho)

Old Nick in Wall Street, c. 1832 (litho)
AQS332022 Old Nick in Wall Street, c.1832 (litho) by American School, (19th century); 28.8x38.5 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: Liberty Triumphant, or the Downfall of Oppression, 1773 (engraving)

Liberty Triumphant, or the Downfall of Oppression, 1773 (engraving)
AQS331983 Liberty Triumphant, or the Downfall of Oppression, 1773 (engraving) by American School, (18th century); 23.2x33.7 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: Cartoon protesting Jeffersons trade embargo, 1807

Cartoon protesting Jeffersons trade embargo, 1807
Cartoon protesting the Embargo Act passed by President Thomas Jefferson in 1807 Hand-colored woodcut of a 19th-century illustration

Background imagePolitical Cartoon Collection: A scene on the frontiers as practiced by the humane British and their worthy allies, c

A scene on the frontiers as practiced by the humane British and their worthy allies, c. 1813 (hand-coloured etching)
AQS331995 A scene on the frontiers as practiced by the humane British and their worthy allies, c.1813 (hand-coloured etching) by American School

Background imagePolitical Cartoon Collection: A Hard Case - Vallandighams Reception from his Friend Jeff, c

A Hard Case - Vallandighams Reception from his Friend Jeff, c
AQS257116 A Hard Case - Vallandighams Reception from his Friend Jeff, c. by American School, (19th century); American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: A Phenomenon of Portraiture, c. 1860 (litho)

A Phenomenon of Portraiture, c. 1860 (litho)
AQS257102 A Phenomenon of Portraiture, c.1860 (litho) by American School, (19th century); American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: Who ll have the specie?, 1837 (litho)

Who ll have the specie?, 1837 (litho)
AQS332051 Who ll have the specie?, 1837 (litho) by American School, (19th century); 27.1x37.2 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: Van Humbugs cabinet of curiosities, c. 1837 (litho)

Van Humbugs cabinet of curiosities, c. 1837 (litho)
AQS332048 Van Humbugs cabinet of curiosities, c.1837 (litho) by Johnston, David Claypoole (1798-1865) (after); 34x49 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: A strike! A strike!, c. 1836 (litho)

A strike! A strike!, c. 1836 (litho)
AQS332042 A strike! A strike!, c.1836 (litho) by Clay, Edward Williams (1799-1857) (after); 27.1x37.7 cm; American Antiquarian Society, Worcester, Massachusetts, USA; eCourtesy

Background imagePolitical Cartoon Collection: Mr. van Shuffleton and his physician Sam, c. 1836 (litho)

Mr. van Shuffleton and his physician Sam, c. 1836 (litho)
AQS332040 Mr. van Shuffleton and his physician Sam, c.1836 (litho) by American School, (19th century); 24.8x37.1 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: Confab between John Bull and Brother Jonathan, c. 1836 (litho)

Confab between John Bull and Brother Jonathan, c. 1836 (litho)
AQS332038 Confab between John Bull and Brother Jonathan, c.1836 (litho) by Johnston, David Claypoole (1799-1865); 21.5x28 cm; American Antiquarian Society, Worcester, Massachusetts, USA; eCourtesy

Background imagePolitical Cartoon Collection: This is the house that Jack built (litho)

This is the house that Jack built (litho)
AQS332032 This is the house that Jack built (litho) by American School, (19th century); American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: Richard the Third as performed at Washington with the most brilliant success by a company

Richard the Third as performed at Washington with the most brilliant success by a company
AQS332031 Richard the Third as performed at Washington with the most brilliant success by a company of amateurs, c.1834 (litho) by American School

Background imagePolitical Cartoon Collection: Political Quixotism, c. 1833 (litho)

Political Quixotism, c. 1833 (litho)
AQS332026 Political Quixotism, c.1833 (litho) by American School, (19th century); 31.3x40.1 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: The kitchen cabinet, or, Political money changers, 1833 (litho)

The kitchen cabinet, or, Political money changers, 1833 (litho)
AQS332025 The kitchen cabinet, or, Political money changers, 1833 (litho) by American School, (19th century); American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: Cooking over done, or, View of the kitchen cabinet in distress, c. 1833 (litho)

Cooking over done, or, View of the kitchen cabinet in distress, c. 1833 (litho)
AQS332023 Cooking over done, or, View of the kitchen cabinet in distress, c.1833 (litho) by American School, (19th century); 24x33.8 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: Congressional elephant, or, Last desperate pull for power, c. 1832 (litho)

Congressional elephant, or, Last desperate pull for power, c. 1832 (litho)
AQS332016 Congressional elephant, or, Last desperate pull for power, c.1832 (litho) by American School, (19th century); 32x44 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: Exhibition of cabinet pictures, c. 1831 (litho)

Exhibition of cabinet pictures, c. 1831 (litho)
AQS332011 Exhibition of cabinet pictures, c.1831 (litho) by Johnston, David Claypoole (1799-1865); 21.5x27.8 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: Bonaparte in trouble, 1815 (hand-coloured engraving)

Bonaparte in trouble, 1815 (hand-coloured engraving)
AQS331998 Bonaparte in trouble, 1815 (hand-coloured engraving) by American School, (19th century); 24.7x36.3 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: A Smoking Club, pub. 1793 (hand coloured engraving)

A Smoking Club, pub. 1793 (hand coloured engraving)
2636967 A Smoking Club, pub. 1793 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Speaker (left); Charles James Fox (1749-1806)

Background imagePolitical Cartoon Collection: Elizabeth I (1533-1603): with Robert Devereux, 2nd Earl of Essex, in council, 1586

Elizabeth I (1533-1603): with Robert Devereux, 2nd Earl of Essex, in council, 1586
SC15039 Elizabeth I (1533-1603): with Robert Devereux, 2nd Earl of Essex, in council, 1586, (cartoon, print) by Doyle, Richard (1824-83); Victoria & Albert Museum, London, UK; English

Background imagePolitical Cartoon Collection: Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican

Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican
GHL13944 Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching) by Rowlandson, Thomas (1756-1827); London Metropolitan Archives

Background imagePolitical Cartoon Collection: The Lame leading the Blind, pub. 1832 (coloured engraving)

The Lame leading the Blind, pub. 1832 (coloured engraving)
2958355 The Lame leading the Blind, pub. 1832 (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Background imagePolitical Cartoon Collection: The destruction of the good ship Public Credit, in the harbour of Independence, Uncle Sam

The destruction of the good ship Public Credit, in the harbour of Independence, Uncle Sam
AQS332039 The destruction of the good ship Public Credit, in the harbour of Independence, Uncle Sam, Commander, c.1836 (litho) by American School

Background imagePolitical Cartoon Collection: Tug of the coalition, 1831 (litho)

Tug of the coalition, 1831 (litho)
AQS332015 Tug of the coalition, 1831 (litho) by American School, (19th century); 21.6x25.8 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: A caster, or, many a slip twixt the hand and the lip, c. 1831 (litho)

A caster, or, many a slip twixt the hand and the lip, c. 1831 (litho)
AQS332009 A caster, or, many a slip twixt the hand and the lip, c.1831 (litho) by American School, (19th century); 20.5x34 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: A wasp taking a frolick, 1813 (hand-coloured etching)

A wasp taking a frolick, 1813 (hand-coloured etching)
AQS331997 A wasp taking a frolick, 1813 (hand-coloured etching) by American School, (19th century); 31.5x23.8 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: Soldiers on a march to Buffalo, 1813 (etching)

Soldiers on a march to Buffalo, 1813 (etching)
AQS331996 Soldiers on a march to Buffalo, 1813 (etching) by American School, (19th century); 24.3x34.7 cm; American Antiquarian Society, Worcester, Massachusetts, USA; eCourtesy

Background imagePolitical Cartoon Collection: The Hornet and Peacock, or, John Bull in distress, 1813 (etching with engraving)

The Hornet and Peacock, or, John Bull in distress, 1813 (etching with engraving)
AQS331991 The Hornet and Peacock, or, John Bull in distress, 1813 (etching with engraving) by American School, (19th century); 16x26 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: Brother Jonathan administering a salutory cordial to John Bull

Brother Jonathan administering a salutory cordial to John Bull
AQS331989 Brother Jonathan administering a salutory cordial to John Bull, 1813 (hand-coloured engraving) by American School, (19th century); 22x36.8 cm; American Antiquarian Society, Worcester

Background imagePolitical Cartoon Collection: Brother Jonathans soliloquy of the times (engraving)

Brother Jonathans soliloquy of the times (engraving)
AQS331988 Brother Jonathans soliloquy of the times (engraving) by American School, (19th century); 19.8x33.2 cm; American Antiquarian Society, Worcester, Massachusetts, USA; eCourtesy

Background imagePolitical Cartoon Collection: A peep into the anti-Federal Club (engraving)

A peep into the anti-Federal Club (engraving)
AQS331987 A peep into the anti-Federal Club (engraving) by American School, (18th century); 30.3x44.4 cm; American Antiquarian Society, Worcester, Massachusetts, USA; eCourtesy

Background imagePolitical Cartoon Collection: Acts for better maintaining of the purity of elections (litho)

Acts for better maintaining of the purity of elections (litho)
AQS254891 Acts for better maintaining of the purity of elections (litho) by American School, (19th century); American Antiquarian Society, Worcester, Massachusetts, USA; eCourtesy

Background imagePolitical Cartoon Collection: The Ingratitude of the Republicans, c. 1860 (litho)

The Ingratitude of the Republicans, c. 1860 (litho)
AQS257105 The Ingratitude of the Republicans, c.1860 (litho) by American School, (19th century); American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: The Narrow Path, c. 1863 (litho)

The Narrow Path, c. 1863 (litho)
AQS257101 The Narrow Path, c.1863 (litho) by American School, (19th century); American Antiquarian Society, Worcester, Massachusetts, USA; (add.info.: General Ulysses S)

Background imagePolitical Cartoon Collection: A Kick at the Broad Bottoms, i. e. Emancipation of all the Talents, pub

A Kick at the Broad Bottoms, i. e. Emancipation of all the Talents, pub
2636941 A Kick at the Broad Bottoms, i.e. Emancipation of all the Talents, pub. 1807 (hand coloured engraving) by Gillray

Background imagePolitical Cartoon Collection: Victory at Pyongyang Castle, published 1894 (colour woodcut)

Victory at Pyongyang Castle, published 1894 (colour woodcut)
1275183 Victory at Pyongyang Castle, published 1894 (colour woodcut) by Utagawa Kokunimasa (Ryua) (1874-1944); Private Collection; The Stapleton Collection; Japanese, out of copyright

Background imagePolitical Cartoon Collection: Old Granite & Wises investigating committee chosen by secret ballot, c

Old Granite & Wises investigating committee chosen by secret ballot, c
AQS332049 Old Granite & Wises investigating committee chosen by secret ballot, c.1839 (litho) by American School, (19th century); 38.1x29.6 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: In a bad box, c. 1837 (litho)

In a bad box, c. 1837 (litho)
AQS332047 In a bad box, c.1837 (litho) by Johnston, David Claypoole (1798-1865) (after); 23.4x30.2 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: The great tumble bug of Missouri: Benton rolling his ball, 1837 (colour litho)

The great tumble bug of Missouri: Benton rolling his ball, 1837 (colour litho)
AQS332046 The great tumble bug of Missouri: Benton rolling his ball, 1837 (colour litho) by American School, (19th century); 40.1x28.5 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: Political firmament, c. 1835 (litho)

Political firmament, c. 1835 (litho)
AQS332036 Political firmament, c.1835 (litho) by American School, (19th century); 26x29.3 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: The veto (litho)

The veto (litho)
AQS332017 The veto (litho) by American School, (19th century); American Antiquarian Society, Worcester, Massachusetts, USA; eCourtesy, American Antiquarian Society; American, out of copyright

Background imagePolitical Cartoon Collection: A political game of brag, or, the best hand out of four, 1831 (litho)

A political game of brag, or, the best hand out of four, 1831 (litho)
AQS332013 A political game of brag, or, the best hand out of four, 1831 (litho) by American School, (19th century); 23.8x29.1 cm; American Antiquarian Society, Worcester, Massachusetts

Background imagePolitical Cartoon Collection: The Congress at Vienna in great consternation, c. 1815 (etching and aquatint)

The Congress at Vienna in great consternation, c. 1815 (etching and aquatint)
AQS331999 The Congress at Vienna in great consternation, c.1815 (etching and aquatint) by American School, (19th century); 24.6x35.4 cm; American Antiquarian Society, Worcester, Massachusetts



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Political cartoons have long been a powerful tool for social commentary and criticism, capturing the essence of political events and figures in a single image. One such iconic cartoon is Thomas Nast's depiction of Boss Tweed's corruption during the late 19th century. With meticulous detail, Nast exposed Tweed's misdeeds, revealing the extent of his greed and manipulation. In 1911, President Taft became the subject of another influential political cartoon when his antitrust policies were satirized. The artist cleverly portrayed Taft as a giant figure struggling to control an unruly octopus representing big business monopolies. This visual representation highlighted public concerns about corporate power and its influence on government decisions. Centuries earlier, in 1773, an engraving titled "Liberty Triumphant" depicted the downfall of oppression. This powerful image symbolized America's fight for independence from British rule and celebrated the triumph of liberty over tyranny. During Reconstruction in 1868, political cartoons played a crucial role in upholding equal rights for all citizens. These illustrations challenged racial discrimination by advocating for African Americans' right to vote and be treated as equals under the law. Cartoons have not only addressed domestic issues but also protested against international policies like Jefferson's trade embargo in 1807. By mocking this decision through caricatures, artists expressed their discontent with its negative impact on American commerce. The use of cartoons was not limited to politics alone; historical events were also captured through this medium. In c. 1828, Richard III was depicted in a lithograph that emphasized his villainous nature while shedding light on historical narratives beyond written records. Tragedies were not exempt from being represented through cartoons either; "The Bloody Arena, " printed in Newburyport in May 1806 as a lithograph showcased society's fascination with violence at public spectacles like bull-baiting or bear-baiting. However, some cartoons aimed to promote justice and equality.