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Polhill Collection

"Step back in time with the Polhill-Turner family, a prominent Victorian household that left an indelible mark on history

Background imagePolhill Collection: Victorian woman (Polhill-Turner family)

Victorian woman (Polhill-Turner family)
An upper class Victorian woman, probably a member of the Polhill-Turner family of Howbury Hall, Renhold, Bedfordshire. Seen here in a studio photograph, leaning on the back of a chair

Background imagePolhill Collection: Victorian mother and three children (Polhill-Turner family)

Victorian mother and three children (Polhill-Turner family)
A Victorian mother and three children. They are Mrs Polhill-Turner (nee Emily Frances Barron, d 1913)), wife of Frederick Charles Polhill-Turner (1826-1881), with Alice (Alice Kate Frances)

Background imagePolhill Collection: Victorian girl with her nanny (Polhill-Turner family)

Victorian girl with her nanny (Polhill-Turner family)
An upper class Victorian girl, Beatrice (Emily Beatrice Violet, d 1930), standing on a chair, with her nanny standing next to her. They lived at Howbury Hall, Renhold, Bedfordshire

Background imagePolhill Collection: Troakes Farm, Somerset

Troakes Farm, Somerset
This oil painting shows a green gateway to Troakes Farm, in Somerset, some brown cows are standing against a building in the shade. Date: circa 1920

Background imagePolhill Collection: The Hansom Cab

The Hansom Cab
This painting shows the back of a horse drawn carriage, the type of which is known as a Hansom Cab, designed and patented in 1834 by Joseph Hansom

Background imagePolhill Collection: A Sale At The Barbican

A Sale At The Barbican
A painting of a crowd of bidders wearing colourful coats, attending a horse market sale at the Barbican in Aldersgate. The auctioneer can be seen in the box at the back. Date: circa 1912

Background imagePolhill Collection: Under The Hammer

Under The Hammer
An oil painting depicting the scene of an ongoing horse auction, currently for sale stands a white horse, with a gathered crowd of potential bidders. Date: circa 1918

Background imagePolhill Collection: The Horse Mart

The Horse Mart
A colourful oil painting of spectators admiring a pair of horses trotting along with their white coated handlers at a horse market, painted with mildly angular lines. Date: circa 1918

Background imagePolhill Collection: Culme Bridge, Hemyock

Culme Bridge, Hemyock
This oil painting shows a countryside village bridge, which spans over the River Culme, in Hemyock, Devon. An old farmer can be seen trailing his cow outside of a cottage. Date: circa 1918

Background imagePolhill Collection: Polhill, Sevenoaks

Polhill, Sevenoaks
Landscape etching of Polhill, a Hamlet in Sevenoaks, Kent, England. Date: circa 1930

Background imagePolhill Collection: Bromley TN14 7 Map

Bromley TN14 7 Map
Postcode Sector Map of Bromley TN14 7

Background imagePolhill Collection: Elderly Victorian man sitting in a chair

Elderly Victorian man sitting in a chair
An elderly Victorian man sitting in a chair, with a table and books at his side. He holds a cane in his left hand

Background imagePolhill Collection: Victorian boy in jacket and breeches

Victorian boy in jacket and breeches
A little Victorian boy wearing jacket and breeches, leaning casually against a table in the photographers studio

Background imagePolhill Collection: Upper class Victorian girl

Upper class Victorian girl
An upper class Victorian girl, Alice Polhill-Turner (Alice Kate Frances, 1856-1931), seen here at the age of six, sitting on an upholstered chair in a lacy white dress and white stockings

Background imagePolhill Collection: Stanislawa de Karlowska (Mrs. Robert Bevan) Stanislawa de Karlowska (Mrs

Stanislawa de Karlowska (Mrs. Robert Bevan) Stanislawa de Karlowska (Mrs. Robert Polhill Bevan), Harold Gilman, 1876-1919, British

Background imagePolhill Collection: Aldwych, London Back of canvas and back of stretcher stamped Bevan Signed

Aldwych, London Back of canvas and back of stretcher stamped Bevan Signed
Aldwych, London Back of canvas and back of stretcher stamped " Bevan" Signed, lower right: " Robert Bevan", Robert Polhill Bevan, 1865-1925, British

Background imagePolhill Collection: The Weigh House, Cumberland Market, Robert Polhill Bevan, 1865-1925, British

The Weigh House, Cumberland Market, Robert Polhill Bevan, 1865-1925, British

Background imagePolhill Collection: The Caller at the Mill, Robert Polhill Bevan, 1865-1925, British

The Caller at the Mill, Robert Polhill Bevan, 1865-1925, British

Background imagePolhill Collection: Quiet with all Road Nuisances, Robert Polhill Bevan, 1865-1925, British

Quiet with all Road Nuisances, Robert Polhill Bevan, 1865-1925, British

Background imagePolhill Collection: The Turn Rice-Plough, Sussex The Turn-Rice Plough Signed, lower left: Robert

The Turn Rice-Plough, Sussex The Turn-Rice Plough Signed, lower left: Robert
The Turn Rice-Plough, Sussex The Turn-Rice Plough Signed, lower left: " Robert Bevan", Robert Polhill Bevan, 1865-1925, British

Background imagePolhill Collection: A Morning at Tattersalls Signed, lower right: Robert Bevan, Robert

A Morning at Tattersalls Signed, lower right: Robert Bevan, Robert
A Morning at Tattersalls Signed, lower right: " Robert Bevan", Robert Polhill Bevan, 1865-1925, British

Background imagePolhill Collection: The Ford Signed in blue paint, lower right: Bevan, Robert Polhill Bevan

The Ford Signed in blue paint, lower right: Bevan, Robert Polhill Bevan
The Ford Signed in blue paint, lower right: " Bevan", Robert Polhill Bevan, 1865-1925, British

Background imagePolhill Collection: Hay Carts, Cumberland Market Signed, lower left: Robert Bevan, Robert

Hay Carts, Cumberland Market Signed, lower left: Robert Bevan, Robert
Hay Carts, Cumberland Market Signed, lower left: " Robert Bevan", Robert Polhill Bevan, 1865-1925, British

Background imagePolhill Collection: The Horse Mart Signed, lower right: Bevan, Robert Polhill Bevan, 1865-1925

The Horse Mart Signed, lower right: Bevan, Robert Polhill Bevan, 1865-1925
The Horse Mart Signed, lower right: " Bevan", Robert Polhill Bevan, 1865-1925, British

Background imagePolhill Collection: Middle-aged Victorian woman in a dark crinoline dress

Middle-aged Victorian woman in a dark crinoline dress
A middle-aged Victorian woman in a dark crinoline dress, standing near a chair in the photographers studio

Background imagePolhill Collection: Victorian girl in matching velvet jacket and skirt

Victorian girl in matching velvet jacket and skirt
A little Victorian girl wearing a matching velvet jacket and skirt, leaning against an upholstered chair in the photographers studio

Background imagePolhill Collection: Victorian woman in velvet dress with long chain

Victorian woman in velvet dress with long chain
A Victorian woman in a velvet dress, with a long chain round her neck, possibly with a cross on the end. Seen here in a studio photograph, standing next to an ornate table

Background imagePolhill Collection: Victorian woman in dark velvet trimmed with white fur

Victorian woman in dark velvet trimmed with white fur
A Victorian woman in a dark velvet outdoor costume trimmed with white fur -- perhaps a Christmas outfit. Seen here in a studio photograph, standing next to a rustic bench

Background imagePolhill Collection: Victorian woman in a crinoline dress

Victorian woman in a crinoline dress
A Victorian woman in a striped crinoline dress with a dark lacy shawl round the skirt

Background imagePolhill Collection: Victorian man in military uniform

Victorian man in military uniform
A Victorian man in military uniform, possibly Frederick Charles Polhill-Turner of the 6th Dragoon Guards (Carabiniers)

Background imagePolhill Collection: Victorian woman in a dark crinoline dress

Victorian woman in a dark crinoline dress
A Victorian woman in a dark crinoline dress

Background imagePolhill Collection: Victorian man standing by a mirror

Victorian man standing by a mirror
A Victorian man standing by a mirror. It is probably Frederick Charles Polhill-Turner (1826-1881), around the time of his wedding to Emily Frances Barron in 1852

Background imagePolhill Collection: Middle-aged Victorian woman in a crinoline dress

Middle-aged Victorian woman in a crinoline dress
A middle-aged Victorian woman in a crinoline dress made of satin material

Background imagePolhill Collection: Victorian widow, Mrs Lort Mansel

Victorian widow, Mrs Lort Mansel
A Victorian widow, Mrs Lort Mansel, who came from an old Welsh family. Seen here in black dress and white bonnet, with a book in her hand


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"Step back in time with the Polhill-Turner family, a prominent Victorian household that left an indelible mark on history. This captivating image showcases a refined Victorian woman from the esteemed Polhill-Turner family, exuding grace and elegance. In another frame, we witness a heartwarming scene of a Victorian mother surrounded by her three adoring children, their innocence captured for eternity. The Polhill-Turner family's opulent lifestyle is further revealed as we glimpse into the life of a young Victorian girl accompanied by her devoted nanny. Traveling to Troakes Farm in Somerset, we are transported to an idyllic countryside setting where the Polhill-Turners undoubtedly enjoyed leisurely strolls amidst nature's beauty. The iconic Hansom Cab takes center stage in one photograph, symbolizing both luxury and convenience during this era. The bustling atmosphere of A Sale At The Barbican comes alive through this snapshot; it provides us with a glimpse into the vibrant market culture that thrived during those times. Under The Hammer captures our attention next - perhaps showcasing an auction event where valuable possessions changed hands under eager bidders' watchful eyes. Venturing further into their world, we stumble upon The Horse Mart – an integral part of daily life for many Victorians who relied on these majestic creatures for transportation and labor. Culme Bridge at Hemyock stands tall as a testament to architectural marvels crafted during this period. Finally, our journey concludes at Polhill in Sevenoaks - the very place that bore witness to countless tales woven within its walls by generations past. Through these glimpses into their lives and surroundings, we gain insight into the legacy left behind by this remarkable family. "