Plantin Collection

The Development of Printing, plate 5 from Nova Reperta
XJF341889 The Development of Printing, plate 5 from Nova Reperta (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving) by Straet

Festivities honor entry Antwerp Francis Duke
Festivities in honor of the entry into Antwerp of Francis, Duke of Anjou and Alencon, Italian theater prints, Plantin, Christophe, ca

Amazing Monsters De naturae diuinis characterismis
Amazing Monsters, De naturae diuinis characterismis, seu, Raris and admirandis spectaculis, causis, indiciis, proprietatibus rerum in partibus singulis vniuersi, libri II / auctore D. Corn. Gemma

Theatrum Orbis Terrarum. New Spain (Mexico)
ORTELIUS, Abraham (1527-1598). Theatrum Orbis Terrarum. 1570. It is considered to be the first modern atlas. Map of New Spain (Mexico), 1579. Printed in Antwerp by Christophe Plantin (1588). Etching

Portrait illustration of Christopher Plantin, an influential French book printer, publisher and renaissance humanist. Date: 1588

Christophe Plantin
CHRISTOPHE PLANTIN French printer at Antwerp Date: 1514 - 1589

Portrait of Christopher Plantin, Hendrick Goltzius, 1581 - 1585

PRINTERs DEVICE. Device used by Christopher Plantin, Antwerp, Belgium, late 16th century

Plan of the Plantin-Moretus Museum, a former printing shop established in the 16th century, at Antwerp, Belgium
PLANTIN-MORETUS MUSEUM. Plan of the Plantin-Moretus Museum, a former printing shop established in the 16th century, at Antwerp, Belgium

ORTELIUS, Abraham (1527-1598). Flemish cartographer
" ORTELIUS, Abraham (1527-1598). Flemish cartographer and cosmographer. Portrait included in the Work " Thearum Orbis Terrarum". Printed in Antwerp by Christophe Plantin (1588)

ANTWERP: PLANTIN-MORETUS. The conference chamber at the Platin-Moretus Museum, Antwerp, Belgium. Line engraving, 1888

JAN MORETUS (1543-1610). Flemish printer. Line engraving, 19th century, after a contemporary painting by Rubens

ANTWERP: PRINTING OFFICE. The Plantin-Moretus Museum, a former printing house established in the 16th century, Antwerp, Belgium. Line engraving, 19th century

PRINTING: PROOFREADERS. Proofreaders at the printing office of Christophe Plantin, Antwerp, Belgium, 16th century. Line engraving, 19th century, after Pierre Van Der Oudera

ANTWERP: LIPSIUS ROOM. Room of Justus Lipsius (1547-1606), Flemish humanist, at the Platin-Moretus Museum, Antwerp, Belgium. Line engraving, 1888

CHRISTOPHE PLANTIN (1520-1589). Flemish printer. Line engraving, 19th century, after a contemporary engraving by Henri Goltziu

PRINTING: TRADEMARK. Trademark of the printer Christophe Plantin of Antwerp, 16th century. Line engraving, 19th century

ANTWERP: PRINTERs OFFICE. Office of Christophe Plantin at his printing shop, Antwerp, Belgium, during the 16th century. Line engraving, 1888

CHRISTOPHE PLANTIN (1520-1589). French bookbinder, printer, and publisher

Christophe Plantin, French printer
Christophe Plantin (1520-1589), French printer and humanist. Plantin was born near Tours and was apprenticed to a bookbinder in Caen

Chris Plantin (Boulonois
CHRISTOPHE PLANTIN French printer at Antwerp

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"Plantin: A Pioneer in Printing and Patron of the Arts" Christopher Plantin, a prominent figure in the history of printing, left an indelible mark on the world with his innovative contributions. Born Christophe Plantin in 1520s Antwerp, Belgium, he established himself as a renowned printer and publisher during the Renaissance era. One of his notable achievements was collaborating with Abraham Ortelius on "Theatrum Orbis Terrarum, " commonly known as "Theatrum Orbis. " This groundbreaking atlas revolutionized cartography by compiling maps from various sources into one comprehensive volume. Plate 5 from Nova Reperta showcases Plantin's dedication to disseminating knowledge through print. Beyond his involvement in publishing, Christopher Plantin had a keen eye for artistry. He commissioned portrait illustrations that captured his own likeness and those of influential figures like Hendrick Goltzius. These portraits not only immortalized their subjects but also highlighted Plantin's support for artistic endeavors. In addition to being an esteemed printer and patron of the arts, Christopher Plantin was deeply involved in civic life. Festivities honoring Francis Duke marked significant events where he showcased his commitment to Antwerp's cultural heritage. Another intriguing aspect of Plantin's legacy is exemplified by "Amazing Monsters De naturae diuinis characterismis. " This publication delved into fantastical creatures and mythical beings—a testament to both scientific curiosity and imaginative storytelling prevalent during this period. Today, visitors can explore the rich history at the Plan of the Plantin-Moretus Museum—an establishment that once served as a bustling printing shop during the 16th century. The museum stands as a tribute to Christopher Plantin's pioneering spirit and enduring influence on printing technology. Christopher Plantin's printers' device serves as a symbol representing his craftsmanship—late 16th-century Antwerp witnessed its imprint on countless publications. This iconic emblem signifies quality workmanship associated with Plantin's name.