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Parody Collection

"Parody: A Playful Twist on the Classics and Icons" Step into a world of luxury and comfort, where even the most esteemed figures become subjects of satire

Background imageParody Collection: One Sheet poster artwork for Up Pompeii (1971)

One Sheet poster artwork for Up Pompeii (1971)

Background imageParody Collection: Amanda Barrie in Carry On Cleo (1964)

Amanda Barrie in Carry On Cleo (1964)
Amanda Barrie as Cleopatra in a bath scene from Gerald Thomas Carry On Cleo shot at Pinewood Studios in 1964

Background imageParody Collection: UK quad artwork for Up Pompeii (1971)

UK quad artwork for Up Pompeii (1971)

Background imageParody Collection: JAMES JOYCE (1882-1941). Irish writer. Caricature of Leopold Bloom, drawn in Myron C

JAMES JOYCE (1882-1941). Irish writer. Caricature of Leopold Bloom, drawn in Myron C. Nuttings studio in the 1920s. The Greek line is the beginning of the Odyssey, Tell me, Muse

Background imageParody Collection: GUSTAV MAHLER (1860-1911). Austrian composer and conductor. Caricature

GUSTAV MAHLER (1860-1911). Austrian composer and conductor. Caricature

Background imageParody Collection: Luxury, or the Comforts of a Rum p ford. After an etching by Charles Williams dated circa 1801

Luxury, or the Comforts of a Rum p ford. After an etching by Charles Williams dated circa 1801. The picture is a satire on an advertisement for Rumford stoves

Background imageParody Collection: Programme design, Gilbert & Sullivan, Princess Ida

Programme design, Gilbert & Sullivan, Princess Ida, Savoy Theatre, London. A respectful operatic perversion of Tennysons " Princess" in Three Acts. circa 1880s

Background imageParody Collection: GEORGE GERSHWIN. (1898-1937). American composer. Caricature by William Auerbach-Levy

GEORGE GERSHWIN. (1898-1937). American composer. Caricature by William Auerbach-Levy

Background imageParody Collection: Wagner / Schalk / Leipzig

Wagner / Schalk / Leipzig
RICHARD WAGNER German composer and his son, Siegfried, slay the Critic Dragon and gain the treasure it was guarding, in a parody of the Nibelungen story

Background imageParody Collection: Ww1 Cartoon / Punch 1915

Ww1 Cartoon / Punch 1915
Mr Punch and his faithful dog Toby have a go at the Kaiser monster, in a parody of St George and the Dragon

Background imageParody Collection: Frankie Howerd as Lurcio in a moment from Up Pompeii (1971)

Frankie Howerd as Lurcio in a moment from Up Pompeii (1971)

Background imageParody Collection: SIMON FRASER (1667?-1747). 11th Baron Lovat. Scottish Jacobite intriguer. Etching

SIMON FRASER (1667?-1747). 11th Baron Lovat. Scottish Jacobite intriguer. Etching, 1746, by William Hogarth

Background imageParody Collection: JOHN PIERPONT MORGAN (1837-1913). Wall Street Bubbles - Always the Same : J. P

JOHN PIERPONT MORGAN (1837-1913). Wall Street Bubbles - Always the Same : J. P
JOHN PIERPONT MORGAN (1837-1913). Wall Street Bubbles - Always the Same : J.P. Morgan as a Wall Street bull blowing bubbles of inflated stocks for eager investors: American lithograph cartoon, 1901

Background imageParody Collection: WILLIAM PRIMROSE (1903-1982). Scottish violist. Pen-and-ink caricature

WILLIAM PRIMROSE (1903-1982). Scottish violist. Pen-and-ink caricature

Background imageParody Collection: GILBERT & SULLIVAN. Sir Arthur Sullivan (left) and Sir William Schwenck Gilbert: caricature

GILBERT & SULLIVAN. Sir Arthur Sullivan (left) and Sir William Schwenck Gilbert: caricature, 1881, on the occasion of Patience

Background imageParody Collection: The Bruiser, August 1, 1763. August 1, 1763. Creator: William Hogarth

The Bruiser, August 1, 1763. August 1, 1763. Creator: William Hogarth
The Bruiser, August 1, 1763

Background imageParody Collection: SANDOR FERENCZI (1873-1933). Hungarian psychoanalyst

SANDOR FERENCZI (1873-1933). Hungarian psychoanalyst. Caricature by Robert Bereny drawn at the Eighth International Psychoanaltic Congress at Salzburg, Austria, April 1924

Background imageParody Collection: REMINGTON: FRONTIERSMEN. I took ye for an Injin. Drawing, 1890, by Frederic Remington

REMINGTON: FRONTIERSMEN. I took ye for an Injin. Drawing, 1890, by Frederic Remington

Background imageParody Collection: Music cover, Pas de Quatre, Faust Up To Date

Music cover, Pas de Quatre, Faust Up To Date
Music cover, Pas de Quatre, invented and arranged by John d Auban from Faust Up To Date, a burlesque parody of Gounods opera Faust, performed at The Gaiety Theatre, London, composed by Meyer Lutz

Background imageParody Collection: Preraphaelites Mocked

Preraphaelites Mocked
Millais, Rossetti and Hunt ride a donkey monogrammed JR (Ruskin) - a mischievous parody of Millais painting Sir Isumbras at the ford

Background imageParody Collection: Girl Riding a Crane (parody of Hi Chobo [Chinese: Fei Zhangfang]), c. 1766 / 67

Girl Riding a Crane (parody of Hi Chobo [Chinese: Fei Zhangfang]), c. 1766 / 67
Girl Riding a Crane (parody of Hi Chobo [Chinese: Fei Zhangfang]), c. 1766/67

Background imageParody Collection: What do you think of the expedition? from Metamorphoses of the Day, 1829

What do you think of the expedition? from Metamorphoses of the Day, 1829

Background imageParody Collection: Good God! How came you up that staircase? 1907 (illustration)

Good God! How came you up that staircase? 1907 (illustration)
2963086 Good God! How came you up that staircase? 1907 (illustration) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

Background imageParody Collection: The King of Brobdingnag and Gulliver (Plate 2d) published by Hannah Humphrey in 1804

The King of Brobdingnag and Gulliver (Plate 2d) published by Hannah Humphrey in 1804
NCO190174 The King of Brobdingnag and Gulliver (Plate 2d) published by Hannah Humphrey in 1804 (etching with engraving & w/c on paper) by Gillray

Background imageParody Collection: The Flourishing of Seven Coasts with Big Fish (Nana ura tairyac hanjac no zu)

The Flourishing of Seven Coasts with Big Fish (Nana ura tairyac hanjac no zu)
6372033 The Flourishing of Seven Coasts with Big Fish (Nana ura tairyAc hanjAc no zu) by Kuniyoshi, Utagawa (1798-1861); (add.info.: Utagawa Kuniyoshi 1798-1861)

Background imageParody Collection: Girls on Magazine Covers

Girls on Magazine Covers
The Typical Magazine Through the seasons with the magazine cover - the record of a years endeavour Date: 1924

Background imageParody Collection: THEODOR REIK (1888-1969). Austrian psychoanalyst

THEODOR REIK (1888-1969). Austrian psychoanalyst. Caricature drawn by Robert Bereny at the Eighth International Psychoanalytical Congress at Salzburg, Austria, in April 1924

Background imageParody Collection: JOHN RUSKIN (1819-1900). English caricature lithograph, 1872, by Adriano Cecioni

JOHN RUSKIN (1819-1900). English caricature lithograph, 1872, by Adriano Cecioni

Background imageParody Collection: BENJAMIN JOWETT (1817-93). English scholar. Caricature lithograph, 1876, by Spy

BENJAMIN JOWETT (1817-93). English scholar. Caricature lithograph, 1876, by Spy (Sir Leslie Ward)

Background imageParody Collection: English caricature lithograph, 1889

English caricature lithograph, 1889
TOD SLOAN (1874-1933). English caricature lithograph, 1889

Background imageParody Collection: EDWIN ARLINGTON ROBINSON (1869-1935). American poet. Caricature, 1929, by Eva Herrmann

EDWIN ARLINGTON ROBINSON (1869-1935). American poet. Caricature, 1929, by Eva Herrmann

Background imageParody Collection: PABLO de SARASATE (1844-1908). Spanish violinist and composer

PABLO de SARASATE (1844-1908). Spanish violinist and composer. English caricature lithograph by Ape (Carlo Pellegrini)
PABLO de SARASATE (1844-1908). Spanish violinist and composer. English caricature lithograph by " Ape" (Carlo Pellegrini), 1889

Background imageParody Collection: Recruitment poster parody WWI

Recruitment poster parody WWI
Amusing pastiche based on advertisements for drawing schools and gently mocking the recruitment techniques of World War One

Background imageParody Collection: The smaller birds did not appear to be at all afraid of me. From Gulliver's voyage to Brobdingnag

The smaller birds did not appear to be at all afraid of me. From Gulliver's voyage to Brobdingnag
2963132 The smaller birds did not appear to be at all afraid of me. From Gulliver's voyage to Brobdingnag. From Gullivers Travels published c.1875; Private Collection; Photo © Hilary Morgan

Background imageParody Collection: These gentlemen made an exact inventory of everything they saw. From Gulliver's voyage to Lilliput

These gentlemen made an exact inventory of everything they saw. From Gulliver's voyage to Lilliput
2963121 These gentlemen made an exact inventory of everything they saw. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875; Private Collection; Photo ©

Background imageParody Collection: Producing his credentials under the signet royal. From Gulliver's voyage to Lilliput

Producing his credentials under the signet royal. From Gulliver's voyage to Lilliput
2963118 Producing his credentials under the signet royal. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875; Private Collection; Photo © Hilary Morgan.

Background imageParody Collection: Three hundred tailors were employed to make me clothes. From Gulliver's voyage to Lilliput

Three hundred tailors were employed to make me clothes. From Gulliver's voyage to Lilliput
2963116 Three hundred tailors were employed to make me clothes. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875; Private Collection; Photo © Hilary

Background imageParody Collection: I set sail at six in the morning. Gulliver leaving Lilliput. Illustration from Gullivers Travels

I set sail at six in the morning. Gulliver leaving Lilliput. Illustration from Gullivers Travels published c.1875
2963114 I set sail at six in the morning. Gulliver leaving Lilliput. Illustration from Gullivers Travels published c.1875; Private Collection; Photo © Hilary Morgan.

Background imageParody Collection: A mighty concourse of people appeared upon my arrival, full of wonder at the sight of so

A mighty concourse of people appeared upon my arrival, full of wonder at the sight of so prodigious a vessel
2963109 A mighty concourse of people appeared upon my arrival, full of wonder at the sight of so prodigious a vessel. Gulliver arriving at the port of Blefuscu

Background imageParody Collection: This gracious princess held out her little finger towards me. From Gulliver's voyage to Brobdingnag

This gracious princess held out her little finger towards me. From Gulliver's voyage to Brobdingnag
2963137 This gracious princess held out her little finger towards me. From Gulliver's voyage to Brobdingnag. From Gullivers Travels published c.1875; Private Collection; Photo © Hilary

Background imageParody Collection: Some of them seized my cake and carried it piecemeal away. Gulliver attacked by giant insects

Some of them seized my cake and carried it piecemeal away. Gulliver attacked by giant insects during his voyage to
2963133 Some of them seized my cake and carried it piecemeal away. Gulliver attacked by giant insects during his voyage to Brobdingnag

Background imageParody Collection: He made me observe the several methods used by farmers in managing their lands

He made me observe the several methods used by farmers in managing their lands. From Gulliver's voyage to Laputa
2963125 He made me observe the several methods used by farmers in managing their lands. From Gulliver's voyage to Laputa

Background imageParody Collection: Laurence Binyon as Sharaku might have seen him, 1913 (woodcut, colour printing, black carbon ink)

Laurence Binyon as Sharaku might have seen him, 1913 (woodcut, colour printing, black carbon ink)
5938072 Laurence Binyon as Sharaku might have seen him, 1913 (woodcut, colour printing, black carbon ink, coloured ink on paper) by Dulac, Edmund (1882-1953); 23.9x17.9 cm; Fitzwilliam Museum

Background imageParody Collection: She took me in her own hand and carried me to the king. From Gulliver's voyage to Brobdingnag

She took me in her own hand and carried me to the king. From Gulliver's voyage to Brobdingnag
2963136 She took me in her own hand and carried me to the king. From Gulliver's voyage to Brobdingnag. From Gullivers Travels published c.1875; Private Collection; Photo © Hilary Morgan.

Background imageParody Collection: They concluded unanimously that I was only relplum scalcath. Gulliver being examined by three

They concluded unanimously that I was only relplum scalcath. Gulliver being examined by three philosophers
2963135 They concluded unanimously that I was only relplum scalcath. Gulliver being examined by three philosophers. From Gulliver's voyage to Brobdingnag

Background imageParody Collection: I could only revenge myself by calling him brother. From Gulliver's voyage to Brobdingnag

I could only revenge myself by calling him brother. From Gulliver's voyage to Brobdingnag
2963134 I could only revenge myself by calling him brother. From Gulliver's voyage to Brobdingnag. From Gullivers Travels published c.1875; Private Collection; Photo © Hilary Morgan.

Background imageParody Collection: Her Imperial Majesty was pleased to smile very graciously upon me

Her Imperial Majesty was pleased to smile very graciously upon me. From Gulliver's voyage to Lilliput
2963123 Her Imperial Majesty was pleased to smile very graciously upon me. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875; Private Collection; Photo

Background imageParody Collection: The Diversions of the Court of Lilliput. From Gulliver's voyage to Lilliput

The Diversions of the Court of Lilliput. From Gulliver's voyage to Lilliput
2963122 The Diversions of the Court of Lilliput. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875; Private Collection; Photo © Hilary Morgan.



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"Parody: A Playful Twist on the Classics and Icons" Step into a world of luxury and comfort, where even the most esteemed figures become subjects of satire. From the one-sheet poster artwork for "Up Pompeii" (1971) to the colorful caricatures of Gustav Mahler and James Joyce, parody takes center stage. In "Carry On Cleo" (1964), Amanda Barrie brings humor to ancient Rome as she portrays a mischievous Cleopatra. Meanwhile, Frankie Howerd's portrayal of Lurcio in "Up Pompeii" (1971) keeps audiences laughing with his comedic antics. Even renowned composers like George Gershwin and Wagner find themselves transformed into whimsical caricatures by talented artists such as William Auerbach-Levy. These playful renditions add an unexpected twist to their musical legacies. But it's not just famous individuals who fall victim to parody; historical events also come under scrutiny. The Wall Street bubbles depicted in John Pierpont Morgan's cartoon from 1901 serve as a reminder that inflated stocks can burst at any moment. Through clever wit and artistic creativity, these parodies invite us to question our perceptions and challenge conventional norms. They remind us that even revered figures are not immune to laughter or criticism. So let us embrace the spirit of parody, where imagination knows no bounds. Whether it be through satirical advertisements for Rumford stoves or Gilbert & Sullivan's witty librettos, this art form allows us to see familiar faces and stories in a whole new light. In this collection of parodies spanning different eras and mediums, we are reminded that laughter is timeless – a universal language that unites us all. So sit back, relax, and enjoy these delightful twists on history, literature, music, and more.