Ovals Collection

Jae
Rosana Laiz Blursbyai

Myung ovals
Rosana Laiz Blursbyai

Hwan
Rosana Laiz Blursbyai

cross oval window
Jois Domont ( J.L.G.)

Dublin Philharmonic Society Badge inscribed James Murray, 1784 (metal)
2959943 Dublin Philharmonic Society Badge inscribed James Murray, 1784 (metal) by Irish School, (18th century); Timothy Millett Collection; Irish, out of copyright

Aerial of the city, Yarra River, Royal Botanic Gardens and aMI Park stadium, Melbourne, Victoria, Australia

Fame (oil on canvas)
868041 Fame (oil on canvas) by Varotari, Alessandro (Il Padovanino) (1588-1648); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

The Triumph of Religion (oil on panel)
868093 The Triumph of Religion (oil on panel) by Gandolfi, Gaetano (1734-1802); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Death of Saint Andrew Avellino (oil on canvas)
868094 Death of Saint Andrew Avellino (oil on canvas) by Gandolfi, Gaetano (1734-1802); Vatican Museums and Galleries, Vatican City; (add.info.: Saint Andrew Avellino (1521 - November 10, 1608)

Allegorical figure (oil on canvas)
868042 Allegorical figure (oil on canvas) by Varotari, Alessandro (Il Padovanino) (1588-1648); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Virgin, Child and Saint John the Baptist (oil on canvas)
868249 Virgin, Child and Saint John the Baptist (oil on canvas) by Maratta or Maratti, Carlo (1625-1713); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

The painter Martinus Josephus Geeraerts (oil on canvas)
471487 The painter Martinus Josephus Geeraerts (oil on canvas) by Beschey, Balthasar (1708-76); 48x38 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

The sculptor Willem Kerrickx and his son Willem Ignatius
471488 The sculptor Willem Kerrickx and his son Willem Ignatius by Beschey, Balthasar (1708-76); 116.4x100 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Old man (oil on panel)
471308 Old man (oil on panel) by Rembrandt Harmensz. van Rijn (1606-69); 71x58 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

A classical palace interior with Moses transforming Pharaohs sceptre into a serpent (oil on panel)
6202378 A classical palace interior with Moses transforming Pharaohs sceptre into a serpent (oil on panel) by Juriaensz. van Baden

Boz in Boston, A Quick Step - Sheet Music Portrait (litho)
2563285 Boz in Boston, A Quick Step - Sheet Music Portrait (litho) by Maclise, Daniel (Croquis, Alfred) (1806-70); 18x11 cm; Free Library of Philadelphia; (add.info)

The Maria Fitzherbert Jewel (w / c on ivory in diamond-studded locket)
3741476 The Maria Fitzherbert Jewel (w/c on ivory in diamond-studded locket) by British School, (19th century); height: 3.7 cm; Private Collection; (add.info)

Schoolboy writing at desk (engraving)
3245534 Schoolboy writing at desk (engraving) by British School, (19th century); Private Collection; Peter Newark Pictures; British, out of copyright

Portrait of Dr. William Walcot (1719-1806), half-length, in a blue coat
3930724 Portrait of Dr. William Walcot (1719-1806), half-length, in a blue coat, in a feigned oval (oil on canvas) by Gainsborough

George Washington, c. 1850 (oil on canvas)
1069784 George Washington, c.1850 (oil on canvas) by Peale, Rembrandt (1778-1860); 80.6x66 cm; Dallas Museum of Art, Texas, USA; (add.info.: George Washington (February 22, 1732 - December 14, 1799)

Jean-Jaques Rousseau (engraving)
815686 Jean-Jaques Rousseau (engraving) by Ramsay, Allan (1713-84) (after); Private Collection; (add.info.: Jean-Jacques Rousseau (1712-78), French philosopher.); Look and Learn / Elgar Collection

Charles II, King of England (engraving)
2563370 Charles II, King of England (engraving) by de Larmessin (family of engravers) (1600-1799); Free Library of Philadelphia; (add.info.: Charles II (29 May 1630 - 6 February 1685)

The Holy Family with the Infant St. John, in an Oval, c. 1623 (woodcut)
2563203 The Holy Family with the Infant St. John, in an Oval, c.1623 (woodcut) by Businck, Ludwig (c.1590); 30.5x21.5 cm; Free Library of Philadelphia; (add.info)

Design for a Louis XVI style bed from Le Garde-Meuble, Pub. Paris, c. 1890 (colour litho)
3328011 Design for a Louis XVI style bed from Le Garde-Meuble, Pub. Paris, c.1890 (colour litho) by French School, (19th century); Private Collection; The Stapleton Collection; French

Dublin Philharmonic Society Badge inscribed James Murray, 1784 (metal)
2959944 Dublin Philharmonic Society Badge inscribed James Murray, 1784 (metal) by Irish School, (18th century); Timothy Millett Collection; Irish, out of copyright

George Stonehouse (oil on canvas)
3035875 George Stonehouse (oil on canvas) by Dahl, Michael (1656-1743) (circle of); 73x60.5 cm; Magdalen College, Oxford, UK; (add.info.: George Stonehouse (1662-1724)

Young Girl holding Two Puppies, c. 1770 (oil on canvas)
1142002 Young Girl holding Two Puppies, c.1770 (oil on canvas) by Fragonard, Jean-Honore (1732-1806); 61.2x50 cm; Private Collection; Photo eChristies Images; French, out of copyright

George III inlaid side cabinet, c. 1780 (mahogany & tulipwood) (see also 441548)
CH441547 George III inlaid side cabinet, c.1780 (mahogany & tulipwood) (see also 441548) by English School, (18th century); 87.5x122x55.5 cm; Private Collection; (add.info)

Tom Le Froy (w / c on ivory in gilt frame)
3087621 Tom Le Froy (w/c on ivory in gilt frame) by Engleheart, George (1750-1829); height: 8.3 cm; Private Collection; (add.info.: Thomas Langlois Lefroy (8 January 1776 - 4 May 1869)

An Allegory (oil on canvas)
6202751 An Allegory (oil on canvas) by Boucher, Francois (1703-70); 35.6 x 45.1 cm; Private Collection; Photo eChristies Images; French, out of copyright

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Ovals, the graceful and elegant shapes that have captivated artists and designers throughout history. From Myung ovals to Hwan ovals, these symmetrical curves have been a source of inspiration for centuries. In George Vertue's 1733 oil on canvas painting, we see the beauty of an oval shape showcased in all its glory. The smooth lines create a sense of harmony and balance, drawing our eyes towards the focal point with ease. Moving forward to 1784, we encounter the Dublin Philharmonic Society Badge inscribed James Murray. This metal emblem features an intricate oval design that symbolizes unity and creativity within the musical community. Taking flight above Melbourne, an aerial view captures the city's iconic landmarks framed by nature's own oval masterpiece - the Yarra River winding its way through Royal Botanic Gardens and embracing aMI Park stadium, and is as if Mother Nature herself has painted this scene with her delicate brushstrokes. Princess Victoria graces us with her presence in a stunning 1857 oil on canvas portrait. The artist skillfully utilizes an oval frame to emphasize her regal stature and timeless beauty. It serves as a reminder that even royalty finds solace within these curved contours. The allure of fame is captured in another oil on canvas artwork aptly titled "Fame. " Its subject matter radiates confidence from within an exquisite oval composition. This piece reminds us that success often comes hand-in-hand with perseverance and determination. Sir Edward Nicholas' c. 1645 portrait showcases his dignified presence against a backdrop of swirling colors contained within an ornate feigned oval frame. This unique choice adds depth to his character while highlighting his importance during this historical period. Lastly, Peg Woffington enchants us in her 1753 oil on canvas portrayal where she gazes at us from within a feigned oval frame - showcasing both vulnerability and strength simultaneously. Her captivating expression draws us into her world, leaving us yearning for more.