Orazio Collection
Orazio Gentileschi, a renowned Italian painter from the 17th century, left an indelible mark on the art world with his masterful works
All Professionally Made to Order for Quick Shipping
Orazio Gentileschi, a renowned Italian painter from the 17th century, left an indelible mark on the art world with his masterful works. One of his notable creations is "St. Cecilia and an Angel, " a captivating canvas painted around 1610. This piece depicts St. Cecilia, the patron saint of music, accompanied by an angel as they engage in celestial harmony. Another remarkable painting by Orazio Gentileschi is his self-portrait dating back to approximately 1620. In this introspective artwork, he captures himself with great skill and precision, revealing his artistic prowess and capturing a glimpse into his own persona. In addition to these personal pieces, it also contributed to larger projects such as the Church of St. Ignatius of Loyola at Campus in Rome. His artistic touch can be seen within its walls, adding beauty and spiritual depth to this sacred place. Orazio Arancio was another artist who shared the same name but lived during a different era; however, it's important not to confuse them due to their distinct styles and periods. One fascinating study created by Orazio Gentileschi showcases a standing putto holding the Papal Keys for what appears to be a lunette composition—an intriguing insight into his creative process that allows us glimpses into how he planned larger-scale artworks. The theme of religious devotion continues in "Lamentation over the body of Christ by the three Marys. " Here we see three women grieving over Jesus' lifeless body while a jar of ointment rests on a nearby table—a poignant reminder of their love and sorrow. Moving beyond paintings alone, Orazio's talent extended into printmaking as well. He meticulously recorded festivities and decorations organized in Florence through an album filled with prints—an invaluable historical record that offers insights into cultural celebrations during that time period. Moreover, one cannot overlook Orazio's contribution to documenting the grandeur of Palazzo Pitti.