Fraud Blocker Skip to main content

Noose Collection

"Noose: A Symbol of Death and Power" The noose, a haunting symbol of death and despair, has been depicted throughout history in various forms of art

Background imageNoose Collection: BEWICK: HANGED MAN. Wood engraving, early 19th century, by Thomas Bewick (1753-1828)

BEWICK: HANGED MAN. Wood engraving, early 19th century, by Thomas Bewick (1753-1828)

Background imageNoose Collection: A bird catcher at work

A bird catcher at work
5308456 A bird catcher at work.; (add.info.: Engraving depicting a bird catcher at work catching a Woodcock using a heavy disguise and a noose on a stick to slip round its neck)

Background imageNoose Collection: The Last Chance, between c1830 and c1840s. Creator: George Cruikshank

The Last Chance, between c1830 and c1840s. Creator: George Cruikshank
The Last Chance, between c1830 and c1840s

Background imageNoose Collection: Eternal Pain

Eternal Pain
Petri Damstén

Background imageNoose Collection: A hanged man, 1771/1783. Creator: Franz Xaver Messerschmidt

A hanged man, 1771/1783. Creator: Franz Xaver Messerschmidt
A hanged man, 1771/1783

Background imageNoose Collection: Jackson is to be President, and you will be Hanged (litho)

Jackson is to be President, and you will be Hanged (litho)
PNP256368 Jackson is to be President, and you will be Hanged (litho) by American School, (19th century); Private Collection; (add.info)

Background imageNoose Collection: Lord Ganesh Ganpati Miniature Painting on Ivory

Lord Ganesh Ganpati Miniature Painting on Ivory
3609779 Lord Ganesh Ganpati Miniature Painting on Ivory by Indian School; Private Collection; Dinodia

Background imageNoose Collection: Lord Ganesha Ganpati Playing Musical Instrument Embroidery Work

Lord Ganesha Ganpati Playing Musical Instrument Embroidery Work
3609836 Lord Ganesha Ganpati Playing Musical Instrument Embroidery Work by Indian School; Private Collection; Dinodia

Background imageNoose Collection: Painting of Ganesh Ganpati God on Marble Plate

Painting of Ganesh Ganpati God on Marble Plate
3609789 Painting of Ganesh Ganpati God on Marble Plate by Indian School; Private Collection; Dinodia

Background imageNoose Collection: The Final Pacification of Europe!!, pub. 1803 (hand coloured engraving). Creator

The Final Pacification of Europe!!, pub. 1803 (hand coloured engraving). Creator
The Final Pacification of Europe!!, pub. 1803 (hand coloured engraving). Napole on Bonaparte (1769– 1821)

Background imageNoose Collection: Cartoon, Now you have peace, WW1

Cartoon, Now you have peace, WW1
Cartoon, a figure of death says: Your wishes are granted, now you have peace. A silhouette of Kaiser Wilhelm hangs from a gibbet, with a flock of vultures gathering around his body. Date: 1916

Background imageNoose Collection: Death Ruling over Flanders Again, 1916 (etching & aquatint)

Death Ruling over Flanders Again, 1916 (etching & aquatint)
LAF471009 Death Ruling over Flanders Again, 1916 (etching & aquatint) by Bruycker, Jules de (1870-1945); 79x66.4 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Background imageNoose Collection: Justice (chromolitho)

Justice (chromolitho)
968717 Justice (chromolitho) by European School, (19th century); Private Collection; (add.info.: Justice. Liebig card, published in late 19th or early 20th century.); © Look and Learn

Background imageNoose Collection: Robin Hood rescues Little John, illustration from Robin Hood and his Life in the Merry Greenwood

Robin Hood rescues Little John, illustration from Robin Hood and his Life in the Merry Greenwood
IL197701 Robin Hood rescues Little John, illustration from Robin Hood and his Life in the Merry Greenwood, told by Rose Yeatman Woolf, published by Raphael Tuck, 1910-20 (colour litho) by Davie

Background imageNoose Collection: Illustration from Scenes de la vie de boheme by Henri Murger (colour litho)

Illustration from Scenes de la vie de boheme by Henri Murger (colour litho)
PCT3601809 Illustration from Scenes de la vie de boheme by Henri Murger (colour litho) by Gill, Andre (1840-85); Private Collection; (add.info.: A man tied a rope to a tree to hang himself)

Background imageNoose Collection: A Burgher of Calais (Jean d Aire), modeled 1889. Creator: Auguste Rodin

A Burgher of Calais (Jean d Aire), modeled 1889. Creator: Auguste Rodin
A Burgher of Calais (Jean d Aire), modeled 1889

Background imageNoose Collection: The Sack of Rome by Visigoths in 410, 1890 (oil on canvas)

The Sack of Rome by Visigoths in 410, 1890 (oil on canvas)
5667111 The Sack of Rome by Visigoths in 410, 1890 (oil on canvas) by Sylvestre, Joseph-Noel (1847-1926); 197x130 cm; Musee Paul Valery, Sete

Background imageNoose Collection: Desperation, c. 1305 (fresco)

Desperation, c. 1305 (fresco)
BEN102752 Desperation, c.1305 (fresco) by Giotto (Giotto di Bondone) (c.1266-1337); Scrovegni (Arena) Chapel, Padua, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Background imageNoose Collection: Iphis Hangs Himself in Despair that he Could Not Gain Anaxarete, 1731 (engraving)

Iphis Hangs Himself in Despair that he Could Not Gain Anaxarete, 1731 (engraving)
STC134118 Iphis Hangs Himself in Despair that he Could Not Gain Anaxarete, 1731 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection; French, out of copyright

Background imageNoose Collection: Which Way Shall I Turn Me, How Shall I Decide? published by S. W. Fores in 1793 (etching)

Which Way Shall I Turn Me, How Shall I Decide? published by S. W. Fores in 1793 (etching)
NCO190481 Which Way Shall I Turn Me, How Shall I Decide? published by S.W. Fores in 1793 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageNoose Collection: A Fall on the Ascent, from Ten Scenes in the Last Ascent of Mont Blanc Including

A Fall on the Ascent, from Ten Scenes in the Last Ascent of Mont Blanc Including
STC184859 A Fall on the Ascent, from Ten Scenes in the Last Ascent of Mont Blanc Including Five Views from the Summit, by J.D.H

Background imageNoose Collection: The Bostonians Paying the Excise-man, or Tarring and Feathering

The Bostonians Paying the Excise-man, or Tarring and Feathering
479181 The Bostonians Paying the Excise-man, or Tarring and Feathering, 1774 (hand-coloured engraving) by Dawe, Philip (c.1750-85); 37.8 x 27 cm; Gilder Lehrman Collection, New York

Background imageNoose Collection: Study for Eustache de St. Pierre, from the Burghers of Calais, c. 1905-10 (bronze)

Study for Eustache de St. Pierre, from the Burghers of Calais, c. 1905-10 (bronze)
NUL120330 Study for Eustache de St. Pierre, from the Burghers of Calais, c.1905-10 (bronze) by Rodin, Auguste (1840-1917); height: 68.5 cm; Private Collection; French, out of copyright

Background imageNoose Collection: The Queen of Hearts (oil)

The Queen of Hearts (oil)
Ma200888 The Queen of Hearts (oil) by Calthrop, Claude Andrew (1845-93); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageNoose Collection: The Only thing they Respect of Fear, from Harpers Weekly

The Only thing they Respect of Fear, from Harpers Weekly
PNP284616 The Only thing they Respect of Fear, from Harpers Weekly, 21st October 1871 (engraving) William M. Boss Tweed hugging the figure of Samuel J

Background imageNoose Collection: Greatheart rescues Feeble-mind from Giant Slay-Good

Greatheart rescues Feeble-mind from Giant Slay-Good
LLM455793 Greatheart rescues Feeble-mind from Giant Slay-Good by Selous, Henry Courtney (1811-90) (after); Private Collection; (add.info.: Greatheart rescues Feeble-mind from Giant Slay-Good)

Background imageNoose Collection: The Savages Let Loose, or The Cruel Fate of the Loyalists, pub. 1783 (engraving)

The Savages Let Loose, or The Cruel Fate of the Loyalists, pub. 1783 (engraving)
2909559 The Savages Let Loose, or The Cruel Fate of the Loyalists, pub. 1783 (engraving) by American School, (19th century); Private Collection; The Stapleton Collection; American, out of copyright

Background imageNoose Collection: Death Takes All the Good Ones, and Leaves the Villains, c. 1850 (engraving)

Death Takes All the Good Ones, and Leaves the Villains, c. 1850 (engraving)
AFC198091 Death Takes All the Good Ones, and Leaves the Villains, c.1850 (engraving) by Italian School, (19th century); 25x17 cm; Private Collection; Italian, out of copyright

Background imageNoose Collection: Hanging and Drowning, or Fatal Effects of the French Defeat

Hanging and Drowning, or Fatal Effects of the French Defeat
NCO190466 Hanging and Drowning, or Fatal Effects of the French Defeat, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray

Background imageNoose Collection: The Affectionate Farewell or Kick for Kick, pub. 1814 (hand coloured engraving)

The Affectionate Farewell or Kick for Kick, pub. 1814 (hand coloured engraving)
2966884 The Affectionate Farewell or Kick for Kick, pub. 1814 (hand coloured engraving) by Rowlandson, Thomas (1756-1827); Private Collection; (add.info)

Background imageNoose Collection: The Hanged Man, 1892 (litho)

The Hanged Man, 1892 (litho)
SD84450 The Hanged Man, 1892 (litho) by Toulouse-Lautrec, Henri de (1864-1901); 59.1x79.4 cm; San Diego Museum of Art, USA; © San Diego Museum of Art; Gift of the Baldwin M. Baldwin Foundation

Background imageNoose Collection: French Happiness: English Misery, pub. 1793 (hand coloured engraving)

French Happiness: English Misery, pub. 1793 (hand coloured engraving)
2655361 French Happiness: English Misery, pub. 1793 (hand coloured engraving) by Cruikshank, Isaac (1756-1811); Private Collection; The Stapleton Collection; Scottish, out of copyright

Background imageNoose Collection: The Blue Devils, pub. 1835 (hand coloured engraving)

The Blue Devils, pub. 1835 (hand coloured engraving)
2958390 The Blue Devils, pub. 1835 (hand coloured engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info)

Background imageNoose Collection: The Kettle Hooting the Porridge-Pot, pub. 1782 (hand coloured engraving)

The Kettle Hooting the Porridge-Pot, pub. 1782 (hand coloured engraving)
2962470 The Kettle Hooting the Porridge-Pot, pub. 1782 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageNoose Collection: Boy picking the pocket of his father (engraving)

Boy picking the pocket of his father (engraving)
5227023 Boy picking the pocket of his father (engraving) by English School, (19th century); Private Collection; (add.info.: Boy picking the pocket of his father)

Background imageNoose Collection: Jake flung a noose over the grizzlys head (colour litho)

Jake flung a noose over the grizzlys head (colour litho)
5210662 Jake flung a noose over the grizzlys head (colour litho) by Groome, William Henry Charles (1881-1914); Private Collection; (add.info.: Jake flung a noose over the grizzlys head)

Background imageNoose Collection: Illustration of a Rope Noose, 1937 (screen print)

Illustration of a Rope Noose, 1937 (screen print)
2622288 Illustration of a Rope Noose, 1937 (screen print) by American School, (20th century); Private Collection; (add.info.: Vintage illustration of a rope tied in a square knot)

Background imageNoose Collection: Koryak peoples method of hunting bear in the Russian Far East

Koryak peoples method of hunting bear in the Russian Far East
6337410 Koryak peoples method of hunting bear in the Russian Far East by English School, (19th century); (add.info.: Koryak peoples method of hunting bear in the Russian Far East)

Background imageNoose Collection: 'Locofocoism'in the Blue Stage of Texian cholera, published by H R Robinson

"Locofocoism"in the Blue Stage of Texian cholera, published by H R Robinson
AQS336626 " Locofocoism" in the Blue Stage of Texian cholera, published by H R Robinson, New York, 1844 (litho) by Clay

Background imageNoose Collection: The Bostonians Paying the Excise-man, or Tarring & Feathering, pub. 1774 (engraving)

The Bostonians Paying the Excise-man, or Tarring & Feathering, pub. 1774 (engraving)
2655349 The Bostonians Paying the Excise-man, or Tarring & Feathering, pub. 1774 (engraving) by English School, (18th century); Private Collection; The Stapleton Collection; English, out of copyright

Background imageNoose Collection: The Gordon-Knot, or The Bonny Duchess hunting the Bedford Bull

The Gordon-Knot, or The Bonny Duchess hunting the Bedford Bull
NCO193177 The Gordon-Knot, or The Bonny Duchess hunting the Bedford Bull, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray

Background imageNoose Collection: Historical views of Tartary

Historical views of Tartary
6337933 Historical views of Tartary by English School, (19th century); (add.info.: Historical views of Tartary. Tatars cooking a mutton and cheese stew at their camp 10)

Background imageNoose Collection: My Only One

My Only One
Petri Damstén



All Professionally Made to Order for Quick Shipping

"Noose: A Symbol of Death and Power" The noose, a haunting symbol of death and despair, has been depicted throughout history in various forms of art. In the early 19th century, Thomas Bewick's wood engraving "Hanged Man" captured the chilling reality of this execution method. Gustave Dore's drawing for "Gargantua and Pantagruel" portrayed the eerie scene of helping the hanging man to meet his fate. During World War I, a poignant cartoon titled "Now you have peace" showcased how war brought an end to suffering through death. The lithograph "Jackson is to be President, and you will be Hanged" highlighted the consequences faced by those who opposed political power. Intriguingly, even Christmas cards incorporated dark humor with flags and string accompanied by comic verse. This juxtaposition reminds us that even during festive times, mortality looms over our lives. Political turmoil was often represented through gallows imagery; a crown hanging from a Spanish flag during Jaque al Rey emphasized the consequences faced by rulers. Similarly, in 1916's etching & aquatint artwork titled "Death Ruling over Flanders Again, " death personified reigned supreme amidst war-torn lands. The it also found its place in historical events such as Cesare Battisti's martyrdom depicted in a color lithograph called "The new Austrian infamy. " Public hangings were not uncommon either; an evocative black-and-white photograph captured one such event in Egypt during the late 19th century. Engravings like "France Freedom, Britain Slavery" from 1789 shed light on societal struggles where freedom clashed against oppression. Notably infamous figures met their demise via public executions too - Guy Fawkes' final moments were immortalized in William Harrison Ainsworth's engraving for his novel published in 1841.