Noble Women Collection

Cholmondeley Castle, Cheshire, England. 1880 (engraving)
7233419 Cholmondeley Castle, Cheshire, England. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); Private Collection; (add.info.: Cholmondeley Castle, Cheshire, England)

Detail of The Entry of Louis XIV (1638-1715) and Maria Theresa (1638-83) into Arras, 30th July 1667, c
XIR205466 Detail of The Entry of Louis XIV (1638-1715) and Maria Theresa (1638-83) into Arras, 30th July 1667, c.1685 (oil on canvas) by Meulen

French noble in formal clothes, 1808. 1825 (lithograph)
7236918 French noble in formal clothes, 1808. 1825 (lithograph) by Lecomte, Hippolyte (1781-1857); Private Collection; (add.info.: French noble in formal clothes, 1808)

Milton Abbey, Dorsetshire, England. 1880 (engraving)
7233414 Milton Abbey, Dorsetshire, England. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); Private Collection; (add.info.: Milton Abbey, Dorsetshire, England)

Walther von Klingen jousting in a tournament, 1889 (chromolithograph)
5912604 Walther von Klingen jousting in a tournament, 1889 (chromolithograph); (add.info.: Walther von Klingen jousting in a tournament watched by five noble women)

Baron Graham, 1804 (oil on canvas)
7296100 Baron Graham, 1804 (oil on canvas) by Copley, John Singleton (1738-1815); 144.8 x 118.8 cm; National Gallery of Art, Washington DC, USA; (add.info.: by John Singleton Copley (1738-1815))

Marchesa Brigida Spinola Doria, 1606 (oil on canvas)
7295985 Marchesa Brigida Spinola Doria, 1606 (oil on canvas) by Rubens, Peter Paul (1577-1640); 152.5 x 99 cm; National Gallery of Art, Washington DC

Elisabeth Charlotte of Bavaria (engraving)
1702156 Elisabeth Charlotte of Bavaria (engraving) by French School; (add.info.: Princess Elisabeth Charlotte of the Palatinate (27 May 1652 - 8 December 1722)

Georgiana, Duchess of Devonshire, 1783 (oil on canvas)
7296126 Georgiana, Duchess of Devonshire, 1783 (oil on canvas) by Gainsborough, Thomas (1727-88); 235.6 x 146.5 cm; National Gallery of Art, Washington DC

Aimable-Jean-Jacques Pelissier, 1st Duke of Malakoff, 1857 (oil on canvas)
904699 Aimable-Jean-Jacques Pelissier, 1st Duke of Malakoff, 1857 (oil on canvas) by Rodakowski, Henryk Hipolit (1823-94); 219 x 144 cm; Chateau de Versailles

The Story of David and Bathsheba, Triptych (painting on wood)
885095 The Story of David and Bathsheba, Triptych (painting on wood) by Bles, Herri met de (Civetta) (c.1510-p.1550); Pinacoteca Nazionale, Bologna

Duchess de Fitz-James, 1867 (oil on canvas)
7295990 Duchess de Fitz-James, 1867 (oil on canvas) by Fantin-Latour, Ignace Henri Jean (1836-1904); 50.3 x 42.2 cm; National Gallery of Art, Washington DC

Madame d Epinay and Madame de Meaux (w/c)
905004 Madame d Epinay and Madame de Meaux (w/c) by Carmontelle, Louis Carrogis (1717-1806); Musee Conde, Chantilly, France; (add.info.: by Louis Carrogis Carmontelle (1717-1806))

Les Lapins D Orleans, 1870 (engraving)
904992 Les Lapins D Orleans, 1870 (engraving) by Faustin (Faustin Betbeder) (1847-1914); Musee d art et histoire, Saint Denis

Francoise d Aubigne (colour engraving)
1702076 Francoise d Aubigne (colour engraving) by French School; (add.info.: Francoise d Aubigne (27 November 1635 - 15 April 1719)

Francoise d Aubigne (engraving)
1701771 Francoise d Aubigne (engraving) by French School; (add.info.: Francoise d Aubigne (27 November 1635 - 15 April 1719), known first as Madame Scarron and subsequently as Madame de Maintenon

English gentlemen gamblers rioting in a gambling hell. 1900 (chromolithograph)
7233595 English gentlemen gamblers rioting in a gambling hell. 1900 (chromolithograph) by Alken, Henry Thomas (1785-1851); (add.info.: English gentlemen gamblers rioting in a gambling hell)

Portrait of Don Juan of Austria, 1559-60 (oil on panel, transferred to canvas)
5860344 Portrait of Don Juan of Austria, 1559-60 (oil on panel, transferred to canvas) by Sanchez Coello, Alonso (c.1531-88); 39.4--27 cm; The Art Institute of Chicago, IL

Catherine de Lorraine (1552-1596) conspiring with Jacques Clement, c. 1589 (engraving)
ELD4960243 Catherine de Lorraine (1552-1596) conspiring with Jacques Clement, c.1589 (engraving) by French School, (19th century); Private Collection; (add.info)

Portrait of a Noblewoman Dressed in Mourning, c. 1600 (oil on canvas)
5860530 Portrait of a Noblewoman Dressed in Mourning, c.1600 (oil on canvas) by Empoli, Jacopo Chimenti (1551-1640); 221--122.5 cm; The Art Institute of Chicago, IL

Portrait of a Young Boy Holding a Kestrel, 1645-55 (oil on canvas)
7286009 Portrait of a Young Boy Holding a Kestrel, 1645-55 (oil on canvas) by Jongh, Ludolf de (1616-79); Private Collection; (add.info)

Manuel Godoy, 1800-08 (oil on canvas)
5860347 Manuel Godoy, 1800-08 (oil on canvas) by Esteve y Marques, Augustin (1753-1825); 117x84.2 cm; The Art Institute of Chicago, IL, USA; (add.info.: Agustin Esteve y Marques (1753-1830))

Adam Duncan, 1st Viscount Duncan of Camperdown
7286222 Adam Duncan, 1st Viscount Duncan of Camperdown by Hoppner, John (1758-1810) (after); Private Collection; (add.info.: Adam Duncan, 1st Viscount Duncan of Camperdown, 1731-1804)

English gentleman biting a dog and beating it while chained in a, 1900 (chromolithograph)
7233592 English gentleman biting a dog and beating it while chained in a, 1900 (chromolithograph) by Alken, Henry Thomas (1785-1851); (add.info)

Bramhall Hall, Lancashire, England. 1880 (engraving)
7235892 Bramhall Hall, Lancashire, England. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Bramhall Hall, Lancashire, England)

Glanusk Park, Brecknockshire, Wales. 1880 (engraving)
7235884 Glanusk Park, Brecknockshire, Wales. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Glanusk Park, Brecknockshire, Wales)

Everingham Hall, Yorkshire, England. 1880 (engraving)
7235887 Everingham Hall, Yorkshire, England. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Everingham Hall, Yorkshire, England)

View of Dunmore Park, Stirlingshire, Scotland. 1880 (engraving)
7235879 View of Dunmore Park, Stirlingshire, Scotland. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Dunmore Park, Stirlingshire, Scotland)

Lady at Her Toilette, 1740-50 (oil on canvas)
5860113 Lady at Her Toilette, 1740-50 (oil on canvas) by Longhi, Pietro (c.1701-85); 256.9--43.9 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Pietro Longhi (1701-1785))

Eaton Hall, Cheshire, England. 1880 (engraving)
7235889 Eaton Hall, Cheshire, England. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Eaton Hall, Cheshire, England)

View of Kimberley Hall, Norfolk, England. 1880 (engraving)
7235878 View of Kimberley Hall, Norfolk, England. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Kimberley Hall, Norfolk, England)

Windsor Castle, Berkshire, England. 1880 (engraving)
7235895 Windsor Castle, Berkshire, England. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Windsor Castle, Berkshire, England)

Title page with vignette of Balmoral Castle, Scotland. 1880 (engraving)
7235894 Title page with vignette of Balmoral Castle, Scotland. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Title page with vignette of Balmoral Castle)

Scone Palace, Perthshire, Scotland. 1880 (engraving)
7235886 Scone Palace, Perthshire, Scotland. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Scone Palace, Perthshire, Scotland)

Ravensworth Castle, Durham, England. 1880 (engraving)
7235893 Ravensworth Castle, Durham, England. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Ravensworth Castle, Durham, England)

Bowood House, Wiltshire, England. 1880 (engraving)
7235891 Bowood House, Wiltshire, England. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Bowood House, Wiltshire, England)

Blenheim Palace, Oxfordshire, England. 1880 (engraving)
7235882 Blenheim Palace, Oxfordshire, England. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Blenheim Palace, Oxfordshire, England)

Witley Court, Worcestershire, England. 1880 (engraving)
7235885 Witley Court, Worcestershire, England. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Witley Court (Whitley Court), Worcestershire, England

Burton-Agnes Hall, Yorkshire, England. 1880 (engraving)
7235883 Burton-Agnes Hall, Yorkshire, England. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Burton-Agnes Hall, Yorkshire, England)

Newstead Abbey, Nottinghamshire, England. 1880 (engraving)
7235881 Newstead Abbey, Nottinghamshire, England. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Newstead Abbey, Nottinghamshire, England)

Beningbrough Hall, Yorkshire, England. 1880 (engraving)
7235880 Beningbrough Hall, Yorkshire, England. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Beningbrough Hall, Yorkshire, England)

Holme Lacy House, Herefordshire, England. 1880 (engraving)
7235888 Holme Lacy House, Herefordshire, England. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); (add.info.: Holme Lacy House, Herefordshire, England)

Anna Elisabeth de Brancovan, Countess of Noailles, August 1928 (litho)
1730111 Anna Elisabeth de Brancovan, Countess of Noailles, August 1928 (litho) by French School, (20th century); (add.info.: Anna)

The Count made advances to Suzanne while Cherubin was concealed on the chair
LRI4673870 The Count made advances to Suzanne while Cherubin was concealed on the chair, from The Wedding of Figaro by Mozart (engraving) by Unknown Artist, (19th century); Mozart Museum, Prague

Anne Marie Louise d Orleans firing the guns of the Bastille (colour engraving)
1730217 Anne Marie Louise d Orleans firing the guns of the Bastille (colour engraving) by French School, (19th century); (add.info)

Charles Bonaparte (engraving)
1729034 Charles Bonaparte (engraving) by French School, (19th century); (add.info.: Charles Bonaparte (1746-1785) pere de Napoleon Bonaparte (Napoleon 1er)

A CHECK TO CORSICAN ASSURANCE, 1805 (engraving)
7262207 A CHECK TO CORSICAN ASSURANCE, 1805 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington, UK; (add.info.: A CHECK TO CORSICAN ASSURANCE)

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In the enchanting Cholmondeley Castle, nestled in the picturesque county of Cheshire, England, a captivating scene unfolds, and is the year 1880, and noble women grace its halls with their elegance and grace. As an engraving from that era immortalizes this momentous occasion, we are transported back to a time when refinement and sophistication were paramount. Meanwhile, in another corner of history depicted by an oil on canvas masterpiece titled "The Entry of Louis XIV and Maria Theresa into Arras, " we witness the regal presence of these two illustrious figures. Their grandeur emanates from every brushstroke as they make their way through Arras on that fateful day in July 1667. The noble women accompanying them exude poise and dignity befitting their station. Traveling further south to Dorsetshire, England, we encounter Milton Abbey in all its glory. This magnificent structure stands as a testament to the opulence enjoyed by noble women during the 19th century. An engraving from 1880 captures its splendor perfectly – a symbol of power intertwined with beauty. Across borders lies France; here too resides nobility at its finest. A lithograph dating back to 1825 portrays a French noblewoman dressed impeccably in formal attire. Her garments speak volumes about her status within society – refined yet fashionable. Baron Graham's portrait painted meticulously on canvas transports us to early 19th-century Britain where nobility held sway over social circles. His commanding presence reflects his esteemed position among peers while reminding us of the influential role played by noble women who stood beside such men. Turning our gaze towards Italy during the Baroque period brings forth Marchesa Brigida Spinola Doria's captivating image captured skillfully on canvas in 1606. Her allure is undeniable as she gazes confidently at those who behold her portrait centuries later - an embodiment of timeless beauty personified.