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Morland Collection

"Exploring the Many Facets of Morland: From Miss Susan Morland to George Morland's Masterpieces" In the world of art

Background imageMorland Collection: Miss Susan Morland

Miss Susan Morland Date: 1952

Background imageMorland Collection: Miss Susan Morland

Miss Susan Morland Date: 1952

Background imageMorland Collection: The Reckoning, c1783-1804, (1912). Artist: George Morland

The Reckoning, c1783-1804, (1912). Artist: George Morland
The Reckoning, c1783-1804, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Background imageMorland Collection: Delia in the Country, 1788, (1902). Artist: John Raphael Smith

Delia in the Country, 1788, (1902). Artist: John Raphael Smith
Delia in the Country, 1788. After George Morland (1763-1804). From The Connoisseur Vol. IV [Otto Limited, London, 1902.]

Background imageMorland Collection: Constantia, after a painting by George Morland

Constantia, after a painting by George Morland Date: circa 1788

Background imageMorland Collection: Delia in Town, painted by George Morland

Delia in Town, painted by George Morland
Delia in Town, painting by George Morland, engraved by J.R. Smith Date: 1788

Background imageMorland Collection: Morland Old Speckled Hen Anniversary Brew

Morland Old Speckled Hen Anniversary Brew

Background imageMorland Collection: A new Emir of Adamawa is installed. After the capture of Yola, Colonel Morland deposed the Emir

A new Emir of Adamawa is installed. After the capture of Yola, Colonel Morland deposed the Emir and set up a brother of the vanquished ruler in his stead. Date: 1902

Background imageMorland Collection: The Cowshed mezzotint after George Morland (1763-1804) English artist. Cowman milks into bucket

The Cowshed mezzotint after George Morland (1763-1804) English artist. Cowman milks into bucket
531721 The Cowshed mezzotint after George Morland (1763-1804) English artist. Cowman milks into bucket. Milkmaid waits, holding yoke on which buckets carried. Hay loft: Lantern: hens

Background imageMorland Collection: Carte de visite du Charivari, 1867 (engraving)

Carte de visite du Charivari, 1867 (engraving)
3471711 Carte de visite du Charivari, 1867 (engraving) by Hadol, Paul (1835-1875); Private Collection; (add.info.: The team at Le Charivari with portraits of the principal writers)

Background imageMorland Collection: Catherine grows quite a good looking-girl, 1907 (illustration)

Catherine grows quite a good looking-girl, 1907 (illustration)
2963074 Catherine grows quite a good looking-girl, 1907 (illustration) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

Background imageMorland Collection: Boys Bathing, (oil on canvas)

Boys Bathing, (oil on canvas)
824172 Boys Bathing, (oil on canvas) by Morland, George (1763-1804); 71.1x91.4 cm; Private Collection; (add.info.: Boys Bathing. George Morland (1763-1804). Oil on canvas

Background imageMorland Collection: A Maid Ironing, (pastel)

A Maid Ironing, (pastel)
824120 A Maid Ironing, (pastel) by Morland, Henry Robert (1730-97); 56.3x43.6 cm; Private Collection; (add.info.: A Maid Ironing. Henry Robert Morland (1730-1797). Pastel

Background imageMorland Collection: Gypsies, c. 1800. Creator: Morland, George (1736-1804)

Gypsies, c. 1800. Creator: Morland, George (1736-1804)
Gypsies, c. 1800. Found in the collection of State Hermitage, St. Petersburg

Background imageMorland Collection: Fishwife, End 1780s. Creator: Morland, George (1736-1804)

Fishwife, End 1780s. Creator: Morland, George (1736-1804)
Fishwife, End 1780s. Found in the collection of State Hermitage, St. Petersburg

Background imageMorland Collection: Peasant at a Window, Early 1790s. Creator: Morland, George (1736-1804)

Peasant at a Window, Early 1790s. Creator: Morland, George (1736-1804)
Peasant at a Window, Early 1790s. Found in the collection of State Hermitage, St. Petersburg

Background imageMorland Collection: Dancing Dogs, 1790. Creator: Thomas Gaugain

Dancing Dogs, 1790. Creator: Thomas Gaugain
Dancing Dogs, 1790

Background imageMorland Collection: FALL / SLOUGHI / 1973

FALL / SLOUGHI / 1973
A pair of unnamed Sloughis owned by Morland-Austin. Date: 1973

Background imageMorland Collection: A Brace of Blackguards, June 20, 1789. June 20, 1789. Creator: Thomas Rowlandson

A Brace of Blackguards, June 20, 1789. June 20, 1789. Creator: Thomas Rowlandson
A Brace of Blackguards, June 20, 1789

Background imageMorland Collection: South Lanarkshire G74 3 Map

South Lanarkshire G74 3 Map
Postcode Sector Map of South Lanarkshire G74 3

Background imageMorland Collection: CA Carlisle, CA10 3

CA Carlisle, CA10 3
CA10 3

Background imageMorland Collection: The Bell Inn, late 1780s. Creator: George Morland

The Bell Inn, late 1780s. Creator: George Morland
The Bell Inn, late 1780s

Background imageMorland Collection: George Morland - The celebrated Painter, 1821. Creator: R Page

George Morland - The celebrated Painter, 1821. Creator: R Page
George Morland - The celebrated Painter, 1821. Portrait of British artist George Morland (1763-1804). From " Wonderful Characters

Background imageMorland Collection: Guinea Pigs, c1789, (1930). Creator: George Morland

Guinea Pigs, c1789, (1930). Creator: George Morland
Guinea Pigs, c1789, (1930). Children play with guinea pigs watched by their mother. The kneeling man with a basket is possibly an itinerant seller

Background imageMorland Collection: Trepanning A Recruit, c1791, (1930). Creator: George Keating

Trepanning A Recruit, c1791, (1930). Creator: George Keating
Trepanning A Recruit, c1791, (1930). A group of people outside a building with a sign reading Cumberland House D. Irwin from Carlisle

Background imageMorland Collection: The Laundry Maid

The Laundry Maid
Mezzotint on laid paper by Philip Dawe, after Henry Morlands The Laundry Maid, published by R. Sayer & J. Bennett in London in 1774. Date: 1774

Background imageMorland Collection: Reading by a Paper-bell Shade

Reading by a Paper-bell Shade, mezzotint on paper after Henry Robert Morland, published in London c.1768. Date: c.1768

Background imageMorland Collection: FALL / SLOUGHI / 1973

FALL / SLOUGHI / 1973
A pair of unnamed Sloughis owned by Morland-Austin. Date: 1973

Background imageMorland Collection: View of Charing Cross, showing the statue of King Charles I, Westminster, London, 1817

View of Charing Cross, showing the statue of King Charles I, Westminster, London, 1817

Background imageMorland Collection: View of the statue of Charles James Fox in Bloomsbury Square, Bloomsbury, London, 1817

View of the statue of Charles James Fox in Bloomsbury Square, Bloomsbury, London, 1817

Background imageMorland Collection: Skating, 1792. Artist: George Morland

Skating, 1792. Artist: George Morland
Skating, 1792. A skating scene with children and a dog on a frozen pond

Background imageMorland Collection: The Inside of a Stable, 1791, (c1915). Artist: George Morland

The Inside of a Stable, 1791, (c1915). Artist: George Morland
The Inside of a Stable, 1791, (c1915). Held by the Tate Modern, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Background imageMorland Collection: Full Cry - And A Fall, c1790, (1922). Artist: George Morland

Full Cry - And A Fall, c1790, (1922). Artist: George Morland
Full Cry - And A Fall, c1790, (1922). From British Sporting Artists: From Barlow to Herring, by Walter Shaw Sparrow [John Lane The Bodley Head, Limited, London, 1922]

Background imageMorland Collection: Children Birdnesting, 1789, (1912). Artist: George Morland

Children Birdnesting, 1789, (1912). Artist: George Morland
Children Birdnesting, 1789, (1912). From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

Background imageMorland Collection: Deserter Pardon d, 1791 (1909). Artist: George Keating

Deserter Pardon d, 1791 (1909). Artist: George Keating
Deserter Pardon d, 1791 (1909). After George Morland (1763-1804). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageMorland Collection: Deserter Taking Leave of his Wife, 1791 (1909). Artist: George Keating

Deserter Taking Leave of his Wife, 1791 (1909). Artist: George Keating
Deserter Taking Leave of his Wife, 1791 (1909). After George Morland (1763-1804). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageMorland Collection: Trepanning a Recruit, 1791 (1909). Artist: George Keating

Trepanning a Recruit, 1791 (1909). Artist: George Keating
Trepanning a Recruit, 1791 (1909). After George Morland (1763-1804). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageMorland Collection: Recruit Deserted, 1791 (1909). Artist: George Keating

Recruit Deserted, 1791 (1909). Artist: George Keating
Recruit Deserted, 1791 (1909). After George Morland (1763-1804). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageMorland Collection: The Billited Soldiers Departure, c1786-1813, (1909). Artist: George Graham

The Billited Soldiers Departure, c1786-1813, (1909). Artist: George Graham
The Billited Soldiers Departure, c1786-1813, (1909). After George Morland (1763 -1804). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageMorland Collection: Horses in a Stable, 1791. Artist: George Morland

Horses in a Stable, 1791. Artist: George Morland
Horses in a Stable, 1791. Painting held at the Victoria And Albert Museum, London. From The Connoisseur Volume LXXXII. [The Connoisseur Ltd. London, 1928]

Background imageMorland Collection: The Fair Penitent. Laetitia in Penitence Finds Relief and Protection From Her Parents, c1811

The Fair Penitent. Laetitia in Penitence Finds Relief and Protection From Her Parents, c1811. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Background imageMorland Collection: The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789

The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789. Artist: John Raphael Smith
The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Background imageMorland Collection: Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789

Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. Artist: John Raphael Smith
Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Background imageMorland Collection: A Hillside with Tramps reposing, c1793. Artist: George Morland

A Hillside with Tramps reposing, c1793. Artist: George Morland
A Hillside with Tramps reposing, c1793. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageMorland Collection: Shooting Sea Fowl, 1795. Artist: George Morland

Shooting Sea Fowl, 1795. Artist: George Morland
Shooting Sea Fowl, 1795. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageMorland Collection: Gipsies resting with Donkey, 1795. Artist: George Morland

Gipsies resting with Donkey, 1795. Artist: George Morland
Gipsies resting with Donkey, 1795. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageMorland Collection: Morning, Higglers Preparing for Market, 1791. Artist: George Morland

Morning, Higglers Preparing for Market, 1791. Artist: George Morland
Morning, Higglers Preparing for Market, 1791. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Background imageMorland Collection: Morning, or Thoughts on Amusement for the Evening, c1801. Artist: William Ward

Morning, or Thoughts on Amusement for the Evening, c1801. Artist: William Ward
Morning, or Thoughts on Amusement for the Evening, c1801. After George Morland (1763-1804). From The Connoisseur Extra Number I: George Morland, by J. T. Herbert Baily. [Otto Limited, London, 1906]



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"Exploring the Many Facets of Morland: From Miss Susan Morland to George Morland's Masterpieces" In the world of art, the name Morland resonates with brilliance and diversity. From the elegant portraits of Miss Susan Morland, capturing her grace and charm, to Constantia, a mesmerizing painting by George Morland that transports us into an enchanting realm. Delving deeper into George Morland's repertoire, we encounter "Delia in Town, " a masterpiece showcasing his exceptional talent for capturing urban life. Meanwhile, his renowned work "The Cowshed" immerses us in rustic simplicity as we witness a cowman diligently milking while a milkmaid patiently waits. Transported back to 1902, Colonel Morland's actions during the capture of Yola come to light. Deposing an Emir and installing his vanquished brother as ruler reveals both power struggles and political intrigue within Adamawa. George Morland's artistic prowess continues to captivate through pieces like "The Reckoning, " which invites contemplation on morality and consequences. Additionally, "St. Preux and Eloisa" showcases hand-colored mezzotint techniques that elevate emotions conveyed by this romantic scene. Shifting gears towards more lighthearted depictions, Carte de visite du Charivari from 1867 introduces humor through engravings that bring laughter amidst everyday life situations. Lastly, let us not forget about the delightful brew known as Morland Old Speckled Hen Anniversary Brew - a testament to craftsmanship passed down through generations. Morlands have left their mark across various realms - be it captivating paintings or even delicious beverages. Their legacy spans centuries with each piece telling its own unique story.