Maratta Collection

Carlo Maratta after Domenichino (Italian, 1625-1713), Martyrdom of Saint Andrew, etching

Saint Philip Neri in prayer, 1670. Creator: Maratta, Carlo (1625-1713)
Saint Philip Neri in prayer, 1670. Found in the collection of the Complesso Museale dell'Augustissima Arciconfraternita dei Pellegrini

Virgin and Child, ca 1693. Creator: Maratta, Carlo (1625-1713)
Virgin and Child, ca 1693. Found in the collection of the Musei Vaticani in Viale Vaticano, Rome

Portrait of Agostino Carracci (1557-1602). Creator: Maratta, Carlo (1625-1713)
Portrait of Agostino Carracci (1557-1602). Found in the Collection of the Musee Carnavalet, Paris

Saint John the evangelist
5309705 Saint John the evangelist by Maratta or Maratti, Carlo (1625-1713); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; Photo © Stefano Baldini

Portrait of a Physician, probably Giovanni Guglielmo Riva (1627-1677), seated half-length
990380 Portrait of a Physician, probably Giovanni Guglielmo Riva (1627-1677), seated half-length, holding a surgical instrument, c.1668-c.1672 (oil on canvas) by Maratti

Asiatic armour and weapons. Maratta horsemans sword 1, 2, asiatick shields 3, 4, eastern quiver and bow case 5, Persian quiver 6, javelin 7, Indian Sepoys sword 8

St. Francis (?). Creator: Theodor Verkruys
St. Francis (?)

Assumption of the Virgin (after Carlo Maratta?), 17th century. Creator: Anon
Assumption of the Virgin (after Carlo Maratta?), 17th century

Portrait of Pope Clement IX (1600-1669), 1669. Creator: Maratta, Carlo (1625-1713)
Portrait of Pope Clement IX (1600-1669), 1669. Found in the Collection of Musei Vaticani in Viale Vaticano, Rome

Portrait of Cardinal Camillo Massimo (1620-1677), c. 1670. Creator: Maratta, Carlo (1625-1713)
Portrait of Cardinal Camillo Massimo (1620-1677), c. 1670. Private Collection

The finding of Romulus and Remus, Between 1680 and 1690. Found in the Collection of Sanssouci, Potsdam

Death of Saint Joseph. Found in the Collection of Art History Museum, Vienne

Portrait of Faustina Maratti. Artist: Maratta, Carlo (1625-1713)
Portrait of Faustina Maratti. Found in the collection of Real Academia de Bellas Artes de San Fernando, Madrid

Venus and Cupid. Artist: Maratta, Carlo (1625-1713)
Venus and Cupid. From a private collection

Self-Portrait, ca 1681-1682. Artist: Maratta, Carlo (1625-1713)
Self-Portrait, ca 1681-1682. Found in the collection of the Albertina, Vienna

Judith, Between 1621 and 1630. Artist: Maratta, Carlo (1625-1713)
Judith, Between 1621 and 1630. Found in the collection of the Musei Capitolini, Rome

Portrait of Pope Clement IX, 1669. Artist: Carlo Maratta
Portrait of Pope Clement IX, 1669. Born Giulio Rospigliosi (1600-1669), Clement IX was Pope from 1667 until 1669. Found in the collection of the State Hermitage, St Petersburg

Christ and the Samaritan Woman at Jacobs Well. c. 17th century. Artist: Carlo Maratta
Christ and the Samaritan Woman at Jacobs Well. Maratta, Carlo (1625-1713). Italy, School of Rome. Found in the collection of the M. Kroshitsky Art Museum, Sevastopol

The Annunciation with Flowers, 17th or early 18th century. Artist: Carlo Maratta
The Annunciation with Flowers, 17th or early 18th century. Found in the collection of the State M Ciurlionis Art Museum, Kaunas, Lithuania

Carlo Maratta 1625 - 1713 Italian Baroque Era Painter From 75 Portraits Of Celebrated Painters From Authentic Originals Etched By James Girtin Published London 1817

Italy. Rome. Basilica of San Carlo al Corso. Apse and high a
Italy. Rome. Basilica of San Carlo al Corso. 17th century. Apse niche with fresco depicting St Charles amongst those affected by the Plague, 1677, by Giacinto Brandi (1621-1691)

Robert Spencer - Maratta
Robert Spencer (1641 - 1702), 2nd Earl of Sunderland Statesman

Robert van Audenaerd after Carlo Maratta (Flemish, 1663 - 1743), Death of the Virgin, etching and engraving

Pier Francesco Mola (Italian, 1612 - 1666), Caricature with Mola Protecting Himself from Carlo Maratta Holding a Viper, pen and brown ink on laid paper

Carlo Maratta (Italian, 1625 - 1713), A Seated Man Holding a Tablet, red chalk with white heightening on blue laid paper

Carlo Maratta (Italian, 1625-1713), The Annunciation, etching

MARATTI or MARATTA, Carlo (1625-1713). The Trinity

Andre Lenotre / Maratta
ANDRE LENOTRE French landscape architect

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"Marvel at the Masterpieces: Exploring the Artistic World of Maratta" Step into a realm of artistic brilliance as we delve into the captivating works of Carlo Maratta, an Italian painter and etcher from the 17th century. From religious depictions to portraits and mythological scenes, Maratta's diverse repertoire showcases his immense talent and versatility. One such masterpiece is "Martyrdom of Saint Andrew, " an etching inspired by Domenichino's original work. Through intricate details and masterful shading, Maratta brings this biblical scene to life, evoking a sense of awe and reverence. In another striking piece titled "Portrait of a Physician, " we are introduced to Giovanni Guglielmo Riva, captured in a half-length seated position. The meticulous attention to facial expressions highlights Maratta's ability to convey emotion through his brushstrokes. It also demonstrates his fascination with history through artworks like "The Finding of Romulus and Remus. " This dramatic portrayal depicts the legendary discovery that led to the foundation of Rome, showcasing Maratta's skill in storytelling within a single frame. Religious themes dominate much of Maratta's oeuvre; one notable example being "Assumption of the Virgin. " Although its creator remains anonymous, it bears resemblance to Maratta's style with its delicate composition and ethereal atmosphere. Portraiture was another forte for this talented artist. His portrait paintings capture not only physical likeness but also reveal inner character traits. Pope Clement IX is immortalized in regal splendor while Cardinal Camillo Massimo exudes power and authority through every stroke. Maratta even ventured into mythology with his enchanting painting entitled "Venus and Cupid. " Here he portrays love personified as Venus accompanied by her mischievous son Cupid – their beauty radiating from every corner of the canvas. To honor loved ones close to him, Faustina Maratti finds herself immortalized in a tender portrait.