Laine Collection

Woman in white wool dress with pink trim losing her hat
Woman in white wool dress with pink trim, belt of crocheted roses, losing her hat in the wind. Robe de drap blanc borde d un ourlet couleur de rose, ceinture des roses en crochet

Costume of an Armenian lady, 19th century. She wears a turban, a woven shawl, long jacket over a robe
FLO4656094 Costume of an Armenian lady, 19th century. She wears a turban, a woven shawl, long jacket over a robe, her long hair loose, and crochets wool

Carder painting wool fibers to remove short fibers - Wool-comber combing out wool remove short fibres
FLO4577627 Carder painting wool fibers to remove short fibers - Wool-comber combing out wool remove short fibres. Handcoloured woodcut engraving from The Book of English Trades

Llama, Lama glama, alpaca, Vicugna pacos, and vicuna, Vicugna vicugna. Handcoloured copperplate engraving by
FLO4621076 Llama, Lama glama, alpaca, Vicugna pacos, and vicuna, Vicugna vicugna. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique

Equipment used in worsted manufacture: breaking frame, spinning frame and roving frame, 18th century
FLO4593340 Equipment used in worsted manufacture: breaking frame, spinning frame and roving frame, 18th century. Copperplate engraving by Wilson Lowry after an Illustration by J

Painting by Francesco Bassano (1549-1592). Galleria Estense, Modene
VEN5032778 Painting by Francesco Bassano (1549-1592). Galleria Estense, Modene.; Galleria e Museo Estense, Gallerie Estensi, Modena, Italy; (add.info.: Painting by Francesco Bassano (1549-1592)

Stocking frame, knitting machine, 18th century. Copperplate engraving by Wilson Lowry after an Illustration by J
FLO4593245 Stocking frame, knitting machine, 18th century. Copperplate engraving by Wilson Lowry after an Illustration by J

Carding engine used for wool manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees'
FLO4593192 Carding engine used for wool manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' " Cyclopedia or Universal Dictionary," London

Slubbing machine or billy, used to twist carded thread in woollen manufacture, 19th century
FLO4593159 Slubbing machine or billy, used to twist carded thread in woollen manufacture, 19th century. Copperplate engraving by Wilson Lowry after an Illustration by J

A carder using heated combs to remove the wool fibres that will be spun. Wool comber using heated wool combs to pull a
FLO4577720 A carder using heated combs to remove the wool fibres that will be spun. Wool comber using heated wool combs to pull a fine sliver of wool to be spun into yarn

Woman in velvet bonnet with plumes, long carrick coat in wool with two pelerines (shoulder capes)
FLO4677392 Woman in velvet bonnet with plumes, long carrick coat in wool with two pelerines (shoulder capes). "There is nothing lighter, softer and warmer than a cashmere shawl

Wool manufacturing machine from the 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' "
FLO4593204 Wool manufacturing machine from the 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' " Cyclopedia or Universal Dictionary," London

Shearing machine used in wool manufacture, 18th century. Copperplate engraving by Wilson Lowry after an Illustration by
FLO4593179 Shearing machine used in wool manufacture, 18th century. Copperplate engraving by Wilson Lowry after an Illustration by J

Spinning Jenny, multi-spindle spinning frame invented by James Hargreaves, 18th century
FLO4593169 Spinning Jenny, multi-spindle spinning frame invented by James Hargreaves, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' " Cyclopedia or Universal

Formula3 Euroseries Norisring - 4th Round 2010 - Sunday RACE 2
04.07.2010 Nuernberg, Germany - start of the race, Edoardo Mortara (ITA), Signature / Volkswagen, Roberto Merhi (ESP), Muecke Motorsport / Mercedes and Matias Laine (FIN)

Formula3 Euroseries Norisring - 4th Round 2010 - Sunday RACE 2
04.07.2010 Nuernberg, Germany - start of the race, Edoardo Mortara (ITA), Signature / Volkswagen, Roberto Merhi (ESP), Muecke Motorsport / Mercedes and Matias Laine (FIN)

Fantasy wall hanging, circa 1900. Wooden pelmet, velvet lambrequin, plush drapes, gourgouran curtains, silk blind and chair. Planche 21. Croisee Fantaisie

Cleo Laine, Dorchester, London, 1975. Artist: Brian O Connor
Cleo Laine, Dorchester, London, 1975. Dame Cleo Laine, Lady Dankworth, DBE is an English jazz and pop singer and an actress, noted for her scat singing and for her vocal range

Jacqui Dankworth, 2009. Artist: Alan John Ainsworth
Jacqui Dankworth, Coventry Jazz Festival, Belgrade Theatre, 2009

La mowing des moutons, engraving after a drawing by A. Sirouy, to illustrate the story six months in Australia
LSE4332165 La mowing des moutons, engraving after a drawing by A. Sirouy, to illustrate the story six months in Australia, by Desire Charnay, a mission assignment by the Ministry of Public Education

Roman-style wall hanging, circa 1900. Valance sheet, lambrequin drapes, brocatelle curtains. Planche 6. Croisee Style Roman. Cantonniere drap, application meme etoffe

Japanese-style wall hanging, circa 1900. Red lacquer wood frame with satin lambrequin, satin curtains, wooden mask, embroidered silk wall hangings, vase with ikebana. Planche 4

Neo-Greco-style wall hanging, circa 1900. Gilded pelmet, decorated cream drapes, satin curtain, and painted wall decoration. Planche 2. Croisee Neo-Grecque

King Louis XIII-style wall hanging, circa 1900. Velvet lambrequin and drapes, silk curtains. Planche 11. Croisee Louis XIII

Renaissance-style wall hanging, circa 1900. Wooden pelmet, velvet drapes with silk embrodery, damask wall hanging. Planche 10. Croisee Style Renaissance

Woman in linen dress looking at herself in the mirror. Robe de linon de fil. Handcoloured pochoir (stencil) etching after an illustration by Adrien Etienne Drian from Tommaso Antonginis Journal des

Woman in panier dress in coffee-coloured satin with pet dog. Robe a panier en satin cafe. Handcoloured pochoir (stencil) etching after an illustration by Xavier Gose from Tommaso Antonginis Journal

Fancy dress costumes by Longhi, 1913
Fancy dress costumes by Longhi. Woman in damask dress trimmed with white, cape of black taffeta and lace. Travestissements d apres Longhi

Fans designed by Jeanne Paquin, 1912
Fans by Jeanne Paquin after designs by George Barbier and Paul Iribe. Eventails de Paquin. Handcoloured pochoir (stencil) etching from Tommaso Antonginis Journal des Dames et des Modes

Woman holding a shotgun in a tweed hunting outfit, 1912
Woman holding a shotgun in a hunting outfit of Scottish wool, gloves, gaiters and shoes. Costume de chasse en laine d Ecosse

Guillaume-Francois Rouelle
LLM459515 Guillaume-Francois Rouelle by Planella Coromina, Josep or Jose (1804-90); Private Collection; (add.info.: Guillaume-Francois Rouelle)

Carob tree or locust bean, Ceratonia siliqua. Handcoloured stipple engraving by Mixelle l aine after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Monceaus Traite des Arbres et

Common hoptree, Ptelea trifoliata
Common hoptree, stinking ash or wafer ash, Ptelea trifoliata. Handcoloured stipple engraving by Mixelle l aine after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Monceaus

Ms 1044 fol. 101 The Strong Woman of the Scriptures Spinning with her Servants
XIR192418 Ms 1044 fol.101 The Strong Woman of the Scriptures Spinning with her Servants, from Ovide Moralise written by Chretien Legouais (vellum) by French School

The Secret, ca. 1804-31. Creator: Jacques Bonnefoy
The Secret, ca. 1804-31. After Francois Boucher

The Resurrection, ca. 1760. Creator: Louis Jean Francois Lagrenee
The Resurrection, ca. 1760

Cleo Laine, Brecon Jazz Festival, 1995. Creator: Brian Foskett
Cleo Laine, Brecon Jazz Festival, 1995

John Dankworth, Norwich, July 2007. Creator: Brian Foskett
John Dankworth, Norwich, July 2007

John and Alec Dankworth, Brecon Jazz Festival, Wales, 1995. Creator: Brian Foskett
John and Alec Dankworth, Brecon Jazz Festival, Wales, 1995

Spike Heatley and Ronnie Stephenson, Dankworth Big Band, Marquee Club, London, 1960

Alec Dankworth, The Rhythmic, London, 1996. Creator: Brian Foskett
Alec Dankworth, The Rhythmic, London, 1996

Cleo Laine, Brecon Jazz Festival, Wales, 1995. Creator: Brian Foskett
Cleo Laine, Brecon Jazz Festival, Wales, 1995

John Dankworth, Norwich, Norfolk, July 2007. Creator: Brian Foskett
John Dankworth, Norwich, Norfolk, July 2007

John Dankworth Band, Sunday night sessions, Marquee Club, London, 1960. Creator: Brian Foskett
John Dankworth Band, Sunday night sessions, Marquee Club, London, 1960

Cleo Lane, Johnny Dankworth Band, Sunday Sessions, Marquee Club, London, 1960. Creator
Cleo Lane, Johnny Dankworth Band, Sunday Sessions, Marquee Club, London, 1960

John Dankworth, Brecon Jazz Festival, Wales, 1995. Creator: Brian Foskett
John Dankworth, Brecon Jazz Festival, Wales, 1995

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"Laine: A Tapestry of Timeless Artistry and Creativity" Step into the world of Laine, where art and craftsmanship intertwine seamlessly. From a knitting lesson captured in oil on canvas in 1869 to a mesmerizing fantasy wall hanging dating back to circa 1900, it has been an emblem of artistic expression for centuries. In the enchanting painting "Knitting Lesson" from 1860, we witness the delicate hands guiding yarn through needles with utmost precision. This timeless scene encapsulates the beauty and patience required in mastering this age-old craft. Moving forward in time, we encounter Cleo Laine herself, gracing us with her presence in Dorchester, London during 1975. Captured by artist Brian O'Connor, her vibrant personality shines through as she becomes one with her music. Shirley Maclaine's name also finds its place within the realm of Laine. Her captivating performances have left audiences spellbound for decades, showcasing her immense talent and versatility as an actress. But it is not just human endeavors that find their way into Laine's tapestry; even sheep grazing peacefully under the watchful eye of a shepherdess make their mark. An engraving from Desire Charnay's "Six Months in Australia" transports us to distant lands while highlighting humanity's connection to nature. As we delve deeper into Laine's repertoire, various wall hangings come alive before our eyes - Roman-style elegance exudes grandeur while Japanese-inspired motifs transport us to serene landscapes. Neo-Greco influences bring forth classical beauty while King Louis XIII-style evokes opulence fit for royalty. Renaissance aesthetics remind us of past glories and inspire new creations. Finally, amidst these diverse artworks emerges a woman draped in linen attire gazing at herself intently in a mirror. This introspective moment captures both vulnerability and self-reflection—a reminder that true artistry lies not only in the external but also within oneself.