Lacey Collection

Englands Polo Team, 1930
The English polo team selectedt o meet the Americans at Meadowbrook; Mr G. Balding, Captain C.T. I. Roark, Captain R. George, Mr Lewis Lacey and Mr A Roark in reserve

Vintage textured roses in basket
Creamy white and red-edged roses in a basket with a Valentine Day theme

St Lukes Church, Chelsea, London, 1828. Artist:s Lacey
St Lukes Church, Chelsea, London, 1828

Pretty young woman with her lovely bicycle. Date: 1907

Simon Lacey Derbyshire CCC 19 April 2000 Date: 19 April 2000

"Our Girls", Tastes Differ (engraving)
1616352 " Our Girls", Tastes Differ (engraving) by English School, (19th century); Private Collection; (add.info.: " Our Girls", Tastes Differ)

Jonathan Wilds House, 1813, (1925). Creator: Unknown
Jonathan Wilds House, 1813, (1925). View of the house which was once the residence of extortionist Jonathan Wild (1682-1725), in Old Bailey, London

St Bartholomew-by-the-Exchange, City of London, 1811. Artist:s Lacey
View of St Bartholomew-by-the-Exchange, City of London, 1811; with figures in the street

Map of London, 1851. Artist: H Lacey
Map of London, 1851. Map produced in commemoration of the Great Exhibition of 1851. It is framed by 48 views of buildings around London

House which was once the residence of Jonathan Wild in Old Bailey, City of London, 1813

West front of Blackwell Hall, City of London, 1812. Artist:s Lacey
West front of Blackwell Hall, City of London, 1812

Regents Canal, Paddington, London, 1828. Artist:s Lacey
View showing the junction of the Regents Canal at Paddington, London, 1828; showing barges on the canal; one being towed by a horse on the towpath

Guildhall, London, 1855. Artist:s Lacey
Front view of Guildhall, looking north, with coach and figures in Guildhall Yard, London, 1855

Cornhill, London, 1830. Artist:s Lacey
View of Cornhill and Lombard Street, London, 1821; from Poultry, looking east, with shop sign on central building, figures in street and horses, carriages and carts

Belgrave Square, Belgravia, London, 1828. Artist:s Lacey
Belgrave Square, Belgravia, London, 1828. View of Belgrave Squares north-east side

View of St Sepulchre Church, Skinner Street, City of London, 1830. Artist:s Lacey
View of St Sepulchre Church, Skinner Street, City of London, 1830. With a figure on the right driving cattle

St Augustine, Watling Street, London, c1830. Artist:s Lacey
Street scene in Watling Street, London, 1830; showing St Augustine, Watling Street and the dome of St Pauls Cathedral in the background

Old Bailey, Sessions House, London, 1812. Artist:s Lacey
View of the Sessions House, Old Bailey, London, 1812

Working on a Portrait of Mr. Duncan Guthrie, c1935. Edward Hill Lacey (1891-1967), working on a sculpture of Duncan Guthrie. From The Studio Volume 110 by Ralph Nevill

Church of St Mark the Evangelist, Pentonville, Islington, London, 1828. Artist:s Lacey
Church of St Mark the Evangelist, Pentonville, Islington, London, 1828

Cornhill and Lombard Street from Poultry, City of London, 1830. Artist:s Lacey
Cornhill and Lombard Street from Poultry, City of London, 1830

St Sepulchres Church, Skinner Street, City of London, c1830. Artist:s Lacey
St Sepulchres Church, Skinner Street, City of London, c1830

Sessions House, Clerkenwell Green, Islington, London, 1831. Artist:s Lacey
Sessions House, Clerkenwell Green, Islington, London, 1831. This building was built in 1780 for the Middlesex Quarter Sessions of the justices of the peace and remained the administrative

Club House, Melton Mowbray, Leicestershire, 19th century. Artist:s Lacey
Club House, Melton Mowbray, Leicestershire, 19th century

Market Harborough, Leicestershire, 19th century. Artist:s Lacey
Market Harborough, Leicestershire, 19th century. Scene in the town square with passengers on a stagecoach

Ruined Walls of Antioch, the Ancient Anathoth, 1841. Artist:s Lacey
Ruined Walls of Antioch, the Ancient Anathoth, 1841. View of ancient remains in what is now Turkey. Illustration from Syria, the Holy land and Asia Minor, Volume I, by John Carne

A market scene and a fountain in Antioch, Turkey, 1841. Artist:s Lacey
A market scene and a fountain in Antioch, Turkey, 1841. From Syria, the Holy land and Asia Minor, volume III, by John Carne, published by Fisher, Son & Co. (London, 1841)

The Park and City Hall, New York, USA, 1838. Artist:s Lacey
The Park and City Hall, New York, USA, 1838

Private Lacey, 5th East Surrey regiment, Chakrata, India, 1917
Private Lacey, East Surrey regiment, Chakrata, India, 1917

James Harry Ginger Lacey DFM* (1917-1989)
James Harry Ginger Lacey, DFM* (1917-1989). Date: 1917

Bruce Lacey, performance artist
Bruce Lacey (b.1927), eccentric performance artist, out shopping with one of his mechanical constructs, together with a toddler. Date: 1962

A Woman from Shqipnija, Albania in traditional costume holding a very fine ruffled umbrella Date: circa 1910s

Traditional Male Festival Attire - Baranya, Hungary. Skirt, lacey sleeves, embroidered jerkin, strapy shoes... Date: circa late 1920s

Marie Tempest with hat of Clock Dandelions
(Dame) Marie Tempest (Marie Susan Etherington) (1864-1942) English stage actress, who occasionally appeared in films. Wearing a quite extraordinary hat adorned with Clock Dandelions ! Date: circa 1902

Miss Lilian Braithwaite - English Actress
Miss Lilian Braithwaite (1873 - 1948) - English Actress. Date: circa 1905

The Christian by Hall Caine (14 May 1853 31 August 1931). A more melodramatic version of the same scene, emphasising the clash between good and evil

Elegant Rose-Lover 1904
A lady in a white lacy dress admires some red roses

Georgian Woman in Traditional costume Date: circa 1910s

Lacey Green Windmill - a Smock Mill in Buckinghamshire
Windmill at Lacey Green (a village connected to Loosley Row), Buckinghamshire - the oldest surviving smock mill in England

The Sphere front cover - royal honeymoon
The Duke of Duchess of York on their honeymoon at Polesden Lacey, the Surrey home of Mrs Greville. The smaller, inset pictures show incidents during the honeymoon

England / Mansel Lacy
A glimpse of Mansel Lacy, Herefordshire, England. Date: 1950s

Irish International football team
Irish International Football Team : Thompson, McCann, Hampton, Scott, Connor, McAuley, Burnison, Harris, McDonnell, Lacey and Hannon. They played the English team on 11 February 1911 and lost 1 to 2

Merlet's Scorpionfish (Rhinopias aphanes) adult, close-up of head, Lembata Island, Solor Archipelago, Lesser Sunda Islands, Indonesia

USA, Washington, Close-up of cow parsnip (Heracleum lanatum) flower with colorful background

Duke and Duchess of York on honeymoon

Cricket / Team / Hampshire
Hampshire: Webb, Baldwin, Lewis, Hill, Soar, Ward, Lacey, Bencraft, Studd, Robson, Bacon, Wooton

Cricketer, Lacey
F.E. Lacey Cricketer - Hampshire

Blonde with Lace & Roses
A blonde woman, the human personification of the Babycham deer, wearing white lace & holding a bunch of red & yellow roses, smiles uneasily

All Professionally Made to Order for Quick Shipping

"Lacey: A Timeless Name Weaving Through History" Step into the past and discover the enchanting story of Lacey. From England's Polo Team in 1930 to vintage textured roses delicately arranged in a basket, this name has left its mark on various realms. In the realm of art, St. Luke's Church in Chelsea witnessed the brushstrokes of an artist named Lacey back in 1828. His masterpiece captured the essence of that era, showcasing his talent for immortalizing beauty on canvas. But Lacey is not just confined to canvases; it transcends boundaries and ventures into performance art as well. Bruce Lacey, a renowned performance artist, breathed life into his creations with unparalleled creativity and imagination. Amidst all these artistic endeavors, there was also a pretty young woman gracefully riding her lovely bicycle through picturesque streets. The epitome of elegance and freedom intertwined – a true embodiment of what Lacey represents. Beyond individuals bearing this name lies another intriguing tale - "Our Girls, " where tastes differ but captivate nonetheless. An engraving from times gone by showcases women who were undoubtedly adorned with lacey garments, symbolizing grace and femininity. As we delve deeper into history's embrace, Jonathan Wild's House emerges from obscurity. In 1813 (and later recreated in 1925), this residence stood tall as a testament to power and intrigue – an enigma wrapped within Old Bailey's walls. The architectural prowess associated with Lacey extends further still; St Bartholomew-by-the-Exchange stands proudly amidst City of London since 1811. Its timeless beauty echoes through time thanks to none other than Artist S. Lacey himself. And finally, let us not forget H. Lacey’s contribution to cartography—a map that unraveled London’s intricate maze during the year 1851—guiding countless souls through bustling streets while capturing their hearts along the way.