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Keats Collection

"Remembering John Keats: A Tale of Poetry and Tragedy in Hampstead" In this captivating portrait

Background imageKeats Collection: John Keats / Hampstead

John Keats / Hampstead
JOHN KEATS English poet reading a book at Wentworth Place, Hampstead

Background imageKeats Collection: John Keats

John Keats(1795-1821), English poet

Background imageKeats Collection: JOHN KEATS (1795-1821). English poet. Oil on canvas, 1821, by Joseph Severn

JOHN KEATS (1795-1821). English poet. Oil on canvas, 1821, by Joseph Severn

Background imageKeats Collection: John Keats / Last Illness

John Keats / Last Illness
JOHN KEATS English poet during his last illness

Background imageKeats Collection: John Keats / Henry Meyer

John Keats / Henry Meyer
JOHN KEATS English poet

Background imageKeats Collection: Illustration to John Keats poem Endymion, engraved by F. Joubert, 1872

Illustration to John Keats poem Endymion, engraved by F. Joubert, 1872
XJF477744 Illustration to John Keats poem Endymion, engraved by F. Joubert, 1872 (engraving) by Poynter, Edward John (1836-1919) (after); Private Collection; (add.info)

Background imageKeats Collection: Sir Richard Keats - 2

Sir Richard Keats - 2
Rear admiral SIR RICHARD GOODWIN KEATS British naval commander Date: 1757 - 1834

Background imageKeats Collection: Sir Richard Keats - 1

Sir Richard Keats - 1
SIR RICHARD GOODWIN KEATS British naval commander with his autograph Date: 1757 - 1834

Background imageKeats Collection: John Keats / Crayon Portr

John Keats / Crayon Portr
JOHN KEATS English poet

Background imageKeats Collection: John Keats / J Severn

John Keats / J Severn
JOHN KEATS English poet

Background imageKeats Collection: She dwells with beauty, beauty that must die, Illustraion to the poem Ode on Melancholy by John

She dwells with beauty, beauty that must die, Illustraion to the poem Ode on Melancholy by John Keats
3502851 She dwells with beauty, beauty that must die, Illustraion to the poem Ode on Melancholy by John Keats, from Poems of Keats, pub.c.1910; (add.info.: She dwells with beauty)

Background imageKeats Collection: And so she pines, and so she died forlorn, imploring for her Basil to the last

And so she pines, and so she died forlorn, imploring for her Basil to the last, Illustration to the poem Isabbela
3502843 And so she pines, and so she died forlorn, imploring for her Basil to the last, Illustration to the poem Isabbela, or The Pot of Basil by John Keats, from Poems of Keats

Background imageKeats Collection: Untired she read the legend page, of Holy Mark, from youth to age

Untired she read the legend page, of Holy Mark, from youth to age, Illustration to the unfinished poem by John Keats
3502845 Untired she read the legend page, of Holy Mark, from youth to age, Illustration to the unfinished poem by John Keats, The Eve of St, Mark, from Poems of Keats

Background imageKeats Collection: Diana and Endymion, Illustraion from the poem Endymion by John Keats, from Poems of Keats

Diana and Endymion, Illustraion from the poem Endymion by John Keats, from Poems of Keats, pub.c.1910
3502838 Diana and Endymion, Illustraion from the poem Endymion by John Keats, from Poems of Keats, pub.c.1910; (add.info.: Diana and Endymion, Illustraion from the poem Endymion by John Keats)

Background imageKeats Collection: 'On a half-reap'd furrow sound asleep...', Illustration to the poem To Autumn, by John Keats

"On a half-reap'd furrow sound asleep...", Illustration to the poem To Autumn, by John Keats
3502847 "On a half-reap'd furrow sound asleep...", Illustration to the poem To Autumn, by John Keats, from Poems of Keats

Background imageKeats Collection: While her robes flaunted with daffodils, Illustration to the poem Lamia by John Keats

While her robes flaunted with daffodils, Illustration to the poem Lamia by John Keats, from Poems of Keats, pub.c.1910
3502841 While her robes flaunted with daffodils, Illustration to the poem Lamia by John Keats, from Poems of Keats, pub.c.1910; (add.info.: While her robes flaunted with daffodils)

Background imageKeats Collection: Letter from John Keats to his sister, Fanny Keats, 14th August 1820. Artist: John Keats

Letter from John Keats to his sister, Fanny Keats, 14th August 1820. Artist: John Keats
Letter from John Keats to his sister, Fanny Keats, 14th August 1820. Letter from the poet John Keats to his sister, Fanny Keats, afterwards Senora Llanos, at the beginning of his last illness

Background imageKeats Collection: Tom Keats, 19th century

Tom Keats, 19th century. Portrait of the brother of the poet John Keats, who cared for him while he was suffering from tuberculosis

Background imageKeats Collection: Hydrangeas Keats Garden And Pier Shanklin Isle

Hydrangeas Keats Garden And Pier Shanklin Isle
Hydrangeas, Keats, Garden, and, Pier, Shanklin, Isle, of, Wight, real, phto, postcard, Nigh, Ventnor, circa, 1950, , 13974403

Background imageKeats Collection: Keats Green, Shanklin, Isle of Wight

Keats Green, Shanklin, Isle of Wight - Painted by artist Frank E Quinton for the Sevenoaks based publishing and printing company J

Background imageKeats Collection: Studebaker Advertisement

Studebaker Advertisement
An advertisement illustration for Studebaker, automobile manufacturers. The image shows a Studebaker car, finished in pure gold on white enamel, with white kid leather hood and cushions

Background imageKeats Collection: Joan Keats

Joan Keats
A portrait profile sketch of English romantic poet, John Keats, who died of tuberculosis at the mere age of 25. Date: circa 1922

Background imageKeats Collection: John Keats Grave Graves Death Burial Headstone

John Keats Grave Graves Death Burial Headstone
john, keats, grave, graves, death, burial, headstone, headstones, lyre, palette, english, poet, poetry, romantic, literature, art, artist, friend, friends, friendship, joseph, severn, protestant

Background imageKeats Collection: John Keats - Life Mask

John Keats - Life Mask
JOHN KEATS Poet 1795 - 1821

Background imageKeats Collection: Diana and Endymion, 1901 (oil on canvas)

Diana and Endymion, 1901 (oil on canvas)
5642830 Diana and Endymion, 1901 (oil on canvas) by Poynter, Edward John (1836-1919); 77.5x57.1 cm; Manchester Art Gallery

Background imageKeats Collection: Keats (litho)

Keats (litho)
5989391 Keats (litho) by Ross, Gordon (1872-1946); Private Collection; (add.info.: Keats. Illustration for Living Biographies of Great Poets by Henry Thomas and Dana Lee Thomas (Blue Ribbon)

Background imageKeats Collection: John Keats, 1906 (litho)

John Keats, 1906 (litho)
1772399 John Keats, 1906 (litho) by Hartrick, Archibald Standish (1864-1950); Private Collection; (add.info.: John Keats, 1795 - 1821. English Romantic poet.); Photo © Hilary Morgan

Background imageKeats Collection: Four men of different ages (verso) and illuminated manuscript with verses from

Four men of different ages (verso) and illuminated manuscript with verses from
1195378 Four men of different ages (verso) and illuminated manuscript with verses from The Human Seasons (recto), within decorative borders, 1912-1914 (paint)

Background imageKeats Collection: Keats House, Lawnbank, Hampstead, where he wrote his 'Ode to the Nightingale'(b / w photo)

Keats House, Lawnbank, Hampstead, where he wrote his "Ode to the Nightingale"(b / w photo)
5989038 Keats House, Lawnbank, Hampstead, where he wrote his " Ode to the Nightingale" (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Keats House)

Background imageKeats Collection: The First Public Memorial to Keats (engraving)

The First Public Memorial to Keats (engraving)
1047952 The First Public Memorial to Keats (engraving) by English School, (19th century); Private Collection; (add.info.: The First Public Memorial to Keats)

Background imageKeats Collection: The Vale of Health

The Vale of Health
View of the Vale of Health, Hampstead, London. Those who wished to attract visitors or new residents invented and promoted the Vale of Health name, which was first recorded in 1801

Background imageKeats Collection: Woman with the harvest basket (verso) and illuminated manuscript with verses from

Woman with the harvest basket (verso) and illuminated manuscript with verses from
1195377 Woman with the harvest basket (verso) and illuminated manuscript with verses from To Autumn (recto), and decorative borders, 1912-1914 (paint, ink and gold-leaf on vellum) by English School

Background imageKeats Collection: Endymion Ah! well-a-day, Why should our young Endymion pine away -Keats

Endymion Ah! well-a-day, Why should our young Endymion pine away -Keats
989818 Endymion Ah! well-a-day, Why should our young Endymion pine away -Keats, (oil on canvas) by Riviere, Briton (1840-1920); 102.9x142.9 cm; Private Collection; (add.info.: Endymion Ah)

Background imageKeats Collection: Byron, Southey, Scott, Coleridge, Keats, Montgomery (engraving)

Byron, Southey, Scott, Coleridge, Keats, Montgomery (engraving)
969779 Byron, Southey, Scott, Coleridge, Keats, Montgomery (engraving) by English School, (19th century); Private Collection; (add.info.: Byron, Southey, Scott, Coleridge, Keats, Montgomery)

Background imageKeats Collection: Title page, title and author, with large historiated and illuminated initial S

Title page, title and author, with large historiated and illuminated initial S
1195379 Title page, title and author, with large historiated and illuminated initial S, 1912-1914 (paint, ink and gold-leaf on vellum) by English School

Background imageKeats Collection: House where Keats went to School (litho)

House where Keats went to School (litho)
1605083 House where Keats went to School (litho) by English School, (19th century); Private Collection; (add.info.: House where Keats went to School)

Background imageKeats Collection: Isabella, or the Pot of Basil, 1877 (oil on canvas)

Isabella, or the Pot of Basil, 1877 (oil on canvas)
KTS145178 Isabella, or the Pot of Basil, 1877 (oil on canvas) by Severn, Joseph (1793-1879); 49x71 cm; Keats House, Hampstead, London; eKeats House; English, out of copyright

Background imageKeats Collection: La Belle Dame Sans Merci, 1901 (w / c and bodycolour on paper)

La Belle Dame Sans Merci, 1901 (w / c and bodycolour on paper)
CW227760 La Belle Dame Sans Merci, 1901 (w/c and bodycolour on paper) by Rheam, Henry Meynell (1859-1920); 24x57 cm; Private Collection; eChristopher Wood Gallery, London, UK; English

Background imageKeats Collection: The Keats Centenary (litho)

The Keats Centenary (litho)
1100343 The Keats Centenary (litho) by English School, (19th century); Private Collection; (add.info.: The Keats Centenary)

Background imageKeats Collection: Lorenzo and Isabella, 1849 (oil on panel)

Lorenzo and Isabella, 1849 (oil on panel)
MAK87461 Lorenzo and Isabella, 1849 (oil on panel) by Millais, John Everett (1829-96); 22x29.3 cm; The Makins Collection; English, out of copyright

Background imageKeats Collection: The Graves of Keats and Severn at Rome (engraving)

The Graves of Keats and Severn at Rome (engraving)
1614776 The Graves of Keats and Severn at Rome (engraving) by English School, (19th century); Private Collection; (add.info.: The Graves of Keats and Severn at Rome)

Background imageKeats Collection: Death Mask, c. 1886-1891 (plaster cast, light brown patina)

Death Mask, c. 1886-1891 (plaster cast, light brown patina)
986335 Death Mask, c.1886-1891 (plaster cast, light brown patina) by Smith, Charles (fl.1886-91); 27x15x14 cm; Private Collection; (add.info.: Death Mask)

Background imageKeats Collection: John Keats (vignette), with title and author, 1924 (paint

John Keats (vignette), with title and author, 1924 (paint
1195372 John Keats (vignette), with title and author, 1924 (paint, ink and gold leaf on thick vellum) by Sangorski, Alberto (1862-1932); 6.9x5.9 (oval)

Background imageKeats Collection: Ruth - by Henry Ryland (engraving)

Ruth - by Henry Ryland (engraving)
961452 Ruth - by Henry Ryland (engraving) by Ryland, Henry (1856-1924); Private Collection; (add.info.: Ruth - by Henry Ryland (1856-1924)

Background imageKeats Collection: Portrait of the Poet John Keats (1795-1821). Creator: Newton, Ann Mary (1832-1866)

Portrait of the Poet John Keats (1795-1821). Creator: Newton, Ann Mary (1832-1866)
Portrait of the Poet John Keats (1795-1821). Private Collection

Background imageKeats Collection: FOOD AND DRINK / BANQUETS

FOOD AND DRINK / BANQUETS
Lorenzo and Isabella; an Italian Banquet (The painting is based on Keats poem) Date: Medieval

Background imageKeats Collection: Italy, Lazio, Rome, Poet John Keats House built 1934 next to the fountain by Bernini at

Italy, Lazio, Rome, Poet John Keats House built 1934 next to the fountain by Bernini at the Spanish Steps

Background imageKeats Collection: Keats Seat, Old Well Walk, c1818, (c1876). Creator: Unknown

Keats Seat, Old Well Walk, c1818, (c1876). Creator: Unknown
Keats Seat, Old Well Walk, c1818, (c1876). Keats moved to Hampstead in April 1817 with a house on the Well Walk, a promenade across Hampstead heath



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"Remembering John Keats: A Tale of Poetry and Tragedy in Hampstead" In this captivating portrait, we see the renowned English poet John Keats captured by artist Joseph Severn. Painted in 1821 during his last illness, it immortalizes a man whose words would resonate for centuries to come. Keats, born in 1795, found solace and inspiration amidst the serene landscapes of Hampstead. It was here that he penned some of his most celebrated works, including "Endymion, " beautifully illustrated by F. Joubert in 1872. Tragically, Keats' life was cut short at the tender age of 25 due to tuberculosis. His friend Henry Meyer depicted him during his final days battling this merciless disease. The pain etched on his face serves as a reminder of the immense talent lost too soon. Yet even through adversity, Keats remained resilient. Another portrait captures him with unwavering determination - a crayon drawing showcasing his spirit and passion for poetry. Joseph Severn's steel engraving from 1819 further encapsulates Keats' essence; it is an intimate glimpse into the soul of a genius who left an indelible mark on literature. As we reflect upon John Keats' legacy today, let us remember not only his extraordinary talent but also the enduring power of art to transcend time and touch our hearts.