Infidels Collection

Siege of Antioch (Turkey) by the troops of Godfrey of Bouillon during the first crusade (1097), Miniature in From the creation of the world to the conquest of the Holy Land, manuscript, 1200

Detail of a mural - Buddha confounds the heretics, 1734 (paint on stone)
LIT389771 Detail of a mural - Buddha confounds the heretics, 1734 (paint on stone) by Siamese School, (18th Century); Wat Ko Keo Suttharam, Petchaburi, Thailand; Photo eLuca Tettoni; Thai

Elijah and the Priests of Baal, detail, 1863 (stained glass)
3474765 Elijah and the Priests of Baal, detail, 1863 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Lyndhurst, UK; (add.info.: Manufactured by Morris, Marshall, Faulkner & Co)

ORDER OF SAN STEFANO created by Cosimo di Medici in 1561, to defend Italian commerce aganst the infidels (a sound commercial proposition !)

Engraving of a tree in the work Arbor Scientiae (Science Tree) copy printed in Barcelona in 1505 by Pere Posa, encyclopaedia written between 1295 and 1296 by the philosopher, theologian

Standards for gentlemen who go to the Crusade, Miniature in the Order of the Holy Spirit, manuscript, 14th century

Expedition of Godfrey of Bouillon (1061-1100) to the Holy Land, detail of a miniature in From the creation of the world to conquest of the Holy Land, manuscript, 1200

Cover of the Latin edition printed by Jean Petit in Paris in 1505, Libre d Amic e d Amat (Song of the Friend and the Beloved)

Battle of the Crusaders and pagan troops near the city of Aleppo. Miniature in the Recueil des histoires de Troyes, illuminated manuscript, c.1464, designed by the priest of Philip the Good

Battle between crusaders and infidels, 12th century.. Handcolored copperplate drawn and engraved by Leopold Massard from French Costumes from King Clovis to Our Days, Massard, Mifliez, Paris, 1834

Knights of Santiago
SANTIAGO DE ESPADA (Saint James of the Sword) Spanish religious/military order, created 1175 to protect Compostella pilgrims from the infidels

Urban II at Clermont
FIRST CRUSADE At the Council of Clermont, pope Urban II urges Christians to take arms against the infidels

Preaching, Clermont
FIRST CRUSADE At the Council of Clermont, pope Urban II urges Christians to take arms against the infidels

Preaching 1st Crusade
FIRST CRUSADE Bernard de Clairvaux, at Speyer, urges Christians to take arms against the infidels

Pierre L hermitte
FIRST CRUSADE Pierre l Hermitte travels across Europe, urging Christians to take arms against the infidels

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"Infidels: A Historical Perspective on Religious Conflict and Crusades" This captivating mural, titled "Buddha Confounds the Heretics, " painted in 1734 on stone, depicts a powerful clash of beliefs. It serves as a reminder of the deep-rooted religious conflicts that have shaped our history. In another striking artwork, stained glass from 1863 portrays the biblical story of Elijah and the Priests of Baal. This tale symbolizes the struggle between monotheism and polytheism, highlighting how different faiths clashed throughout time. The Order of San Stefano stands as a testament to organized efforts against infidels. Established with noble intentions, this order aimed to defend Christianity during times when it faced external threats. One cannot overlook the infamous Siege of Antioch during the first crusade in 1097. The troops led by Godfrey of Bouillon battled fiercely against those they deemed infidels, leaving an indelible mark on both sides. An engraving from Arbor Scientiae showcases a tree representing knowledge and enlightenment. In its branches lie echoes of debates between scholars about faith versus reason—a topic that often fueled animosity towards perceived infidels. Standards for gentlemen embarking on crusades were meticulously outlined in miniature illustrations within the Order of Holy Spirit's manuscript. These standards reflect not only military prowess but also ideological fervor against non-believers. Delving deeper into history reveals Godfrey's expedition to reclaim Jerusalem depicted in detailed miniatures. These images capture moments where Christian soldiers confronted what they considered infidel forces with unwavering determination. The cover art from Jean Petit's Latin edition printed in Paris (1505) presents "Libre d Amic e d Amat. " While seemingly unrelated at first glance, this literary work explores themes such as love and friendship amidst religious turmoil—an ever-present backdrop for medieval society grappling with notions of fidelity or apostasy.