Georges De Collection

Thes du Palais Indien, c. 1900. Creator: Feure, Georges de
Thes du Palais Indien, c. 1900. Private Collection

Casino de Paris. Edmee Lescot, ca 1895-1900. Creator: Feure, Georges de
Casino de Paris. Edmee Lescot, ca 1895-1900. Private Collection

La Depeche, c. 1900. Creator: Feure, Georges de
La Depeche, c. 1900. Private Collection

Portrait of the novelist Paul Adam (1862-1920), c. 1900. Creator: Feure, Georges de
Portrait of the novelist Paul Adam (1862-1920), c. 1900. Found in the collection of Musee Carnavalet, Paris

L Horloge, 1900. Creator: Feure, Georges de
L Horloge, 1900. Private Collection

Marjolaine, 1896. Creator: Feure, Georges de
Marjolaine, 1896. Private Collection

Leo-Bert. Europeen, 1895. Creator: Feure, Georges de
Leo-Bert. Europeen, 1895. Private Collection

Paris-Almanach, c. 1900. Creator: Feure, Georges de
Paris-Almanach, c. 1900. Private Collection

Homecoming, 1897. Creator: Feure, Georges de
Homecoming, 1897. Private Collection

Loie Fuller as Salome, 1895. Creator: Feure, Georges de
Loie Fuller as Salome, 1895. Private Collection

The Ambassadors, 1533, (1909). Artist: Hans Holbein the Younger
The Ambassadors, 1533, (1909). Portrait of Jean de Dinteville (left), French Ambassador to England in 1533, and Georges de Selve, Bishop of Lavaur, who visited him in London

The Ambassadors, 1533, (1912). Artist: Hans Holbein the Younger
The Ambassadors, 1533, (1912). Portrait of Jean de Dinteville (left), French Ambassador to England in 1533 and Georges de Selve, Bishop of Lavaur, who visited him in London

Proclamation by Colonel Villebois-Mareuil, c1900. Georges de Villebois-Mareuil fought in the Transvaal on the side of the Boers in the Second Boer War together with members of the French Foreign

Forces under Alaric I, King of the Visigoths, in battle, c410 (1654). Artist: Francois Chauveau
Forces under Alaric I, King of the Visigoths, in battle, c410 (1654).Alaric (c370-410) ruled the Visigoths (western Goths) from 395

Forces under Alaric I, King of the Visigoths from 395, sacking Rome, 410 (1654). Artist: Francois Chauveau
Forces under Alaric I, King of the Visigoths from 395, sacking Rome, 410 (1654). Alaric (c370-410) ruled the Visigoths (western Goths) from 395

The Ambassadors, 1533. Artist: Hans Holbein the Younger
The Ambassadors, 1533. Double portrait by Hans Holbein (1497-1543) of Jean de Dinteville and Georges de Selve. In the foreground is a distorted skull, representing mortality

Poster for le Magasin de Nouveautes A Jeanne d Arc, a Carcassonne. Joan of Arc, Feure, Georges de (1868-1943), Artist

Poster for le Journal des Ventes, publie a Bruxelles. Feure, Georges de (1868-1943), Artist

Poster for les Thes du Palais Indien. Feure, Georges de (1868-1943), Artist

poster for le Salon des Cent, 5e Exposition d Art. Feure, Georges de (1868-1943), Artist

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Georges de Feure, a prominent artist of the late 19th and early 20th centuries, left an indelible mark on the world of art with his diverse range of works. From his captivating illustrations to his mesmerizing portraits, Feure's talent knew no bounds. One of Feure's notable creations is "Thes du Palais Indien" from around 1900. This artwork transports us to a world filled with exotic aromas and vibrant colors, inviting us to indulge in the richness of Indian tea culture. In another masterpiece titled "Casino de Paris, " created between 1895-1900, Feure captures the essence of glamour and entertainment that characterized the era. Edmee Lescot takes center stage in this enchanting scene, captivating audiences with her magnetic presence. Feure's artistic prowess extended beyond illustrations and encompassed other mediums as well. In "La Depeche, " circa 1900, he showcases his ability to convey powerful emotions through simple yet evocative imagery. Not limited to capturing scenes from everyday life, Feure also immortalized renowned figures such as novelist Paul Adam in a portrait dating back to approximately 1900. Through delicate brushstrokes and keen attention to detail, he brings Adam's personality alive on canvas. Feure's fascination with time is evident in "L Horloge" from 1900. This piece explores our relationship with time itself – its relentless ticking reminding us of life's fleeting moments. In "Marjolaine" (1896), we witness Feure's mastery at depicting ethereal beauty through delicate lines and soft hues. The subject exudes grace and elegance while leaving room for interpretation within her mysterious gaze. Another intriguing creation by Georges de Feure is "Leo-Bert Europeen" (1895). This illustration challenges societal norms by portraying Leo-Bert as an unconventional European figure who defies expectations. Feure's contributions to the artistic landscape extended beyond individual works.