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Galloping Collection (page 8)

"Galloping: The Timeless Beauty and Power of Equine Motion" In the world of photography

Background imageGalloping Collection: Euclid, owned by A Kilsyth, winning the Jubilee Stakes horse race at Kempton Park racecourse

Euclid, owned by A Kilsyth, winning the Jubilee Stakes horse race at Kempton Park racecourse, Surrey, 1892 (litho)
6014142 Euclid, owned by A Kilsyth, winning the Jubilee Stakes horse race at Kempton Park racecourse, Surrey, 1892 (litho) by Beer, John (1860-1930); Private Collection; (add.info.: Euclid)

Background imageGalloping Collection: Riding a camel, illustration from Helpers Without Hands by Gladys Davidson

Riding a camel, illustration from Helpers Without Hands by Gladys Davidson, published in 1919 (colour litho)
IL370498 Riding a camel, illustration from Helpers Without Hands by Gladys Davidson, published in 1919 (colour litho) by Noble, John Edwin (1876-1941); Private Collection

Background imageGalloping Collection: Sledge Ride on the Ice (oil on canvas)

Sledge Ride on the Ice (oil on canvas)
OVR366202 Sledge Ride on the Ice (oil on canvas) by Ender, Axel Hjalmar (1853-1920); 93x142 cm; Private Collection; Photo © O. Vaering

Background imageGalloping Collection: Sledge Ride, 1889 (oil on canvas)

Sledge Ride, 1889 (oil on canvas)
OVR366203 Sledge Ride, 1889 (oil on canvas) by Ender, Axel Hjalmar (1853-1920); 33x50 cm; Private Collection; Photo © O. Vaering

Background imageGalloping Collection: Russian (Oroshiajin), from the series 'People of the Five Nations (Gokakoku no uchi)

Russian (Oroshiajin), from the series "People of the Five Nations (Gokakoku no uchi)
Russian (Oroshiajin), from the series " People of the Five Nations (Gokakoku no uchi)", 1861

Background imageGalloping Collection: Plaque with Galloping Horse and Rider, Gupta period, 4th / 5th century. Creator: Unknown

Plaque with Galloping Horse and Rider, Gupta period, 4th / 5th century. Creator: Unknown
Plaque with Galloping Horse and Rider, Gupta period, 4th/5th century

Background imageGalloping Collection: The Horses of Anahita, Modeled 1848 / 50, cast 1882 / 1910. Creator: William Morris Hunt

The Horses of Anahita, Modeled 1848 / 50, cast 1882 / 1910. Creator: William Morris Hunt
The Horses of Anahita, Modeled 1848/50, cast 1882/1910

Background imageGalloping Collection: Racing

Racing
little7

Background imageGalloping Collection: Unleashed power

Unleashed power
verdon

Background imageGalloping Collection: Neapolitan Conveyance - Copy of a Painting at Lacock Abbey, c. 1840

Neapolitan Conveyance - Copy of a Painting at Lacock Abbey, c. 1840. A work made of salted paper print

Background imageGalloping Collection: Castrorum Praefectus Americanus, from Courses de Testes et de Bagues Faittes par Roy

Castrorum Praefectus Americanus, from Courses de Testes et de Bagues Faittes par Roy et par les Princes et Signeurs de sa Cour, en l annee 1662 (Grand Carrousel), 1662-70

Background imageGalloping Collection: Sioux Indians hunting buffalo, 1835 (oil on canvas)

Sioux Indians hunting buffalo, 1835 (oil on canvas)
PNP245627 Sioux Indians hunting buffalo, 1835 (oil on canvas) by Catlin, George (1796-1872); Private Collection; Peter Newark American Pictures; American, out of copyright

Background imageGalloping Collection: Buffalo Hunt, 1897 (oil on canvas)

Buffalo Hunt, 1897 (oil on canvas)
CH203822 Buffalo Hunt, 1897 (oil on canvas) by Russell, Charles Marion (1865-1926); Private Collection; Photo eChristies Images; American, out of copyright

Background imageGalloping Collection: Two Horses (Almanac Vignette); Zwei Pferdchen (Almanach-Vignette)

Two Horses (Almanac Vignette); Zwei Pferdchen (Almanach-Vignette)
1196483 Two Horses (Almanac Vignette); Zwei Pferdchen (Almanach-Vignette), 1912 (pen and India ink on red paper) by Marc, Franz (1880-1916)

Background imageGalloping Collection: Rarus (oil on canvas)

Rarus (oil on canvas)
1767246 Rarus (oil on canvas) by Leighton, Nicholas Winfield Scott (1847-1898); 50.8x77.4 cm; Private Collection; (add.info.: Rarus. Scott Leighton (1849-1898). Oil on canvas

Background imageGalloping Collection: Horses (pencil)

Horses (pencil)
CH23348 Horses (pencil) by Gericault, Theodore (1791-1824); 21x28 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageGalloping Collection: Thomas Mellish on his Hunter Saucebox (oil on canvas)

Thomas Mellish on his Hunter Saucebox (oil on canvas)
CH402067 Thomas Mellish on his Hunter Saucebox (oil on canvas) by Marshall, Benjamin (1767-1835); 101.6x127 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageGalloping Collection: Horseman (plaster)

Horseman (plaster)
CH426421 Horseman (plaster) by Troubetzkoy, Prince Paul Petrovic (1866-1938); length: 40 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Background imageGalloping Collection: Landscape with a cavalry battle, gallows and a windmill beyond (oil on panel)

Landscape with a cavalry battle, gallows and a windmill beyond (oil on panel)
CH445194 Landscape with a cavalry battle, gallows and a windmill beyond (oil on panel) by Snayers, Peeter (1592-1667); 73x104.2 cm; Private Collection; Photo eChristies Images; Flemish

Background imageGalloping Collection: The London to York Stagecoaches, (oil on canvas)

The London to York Stagecoaches, (oil on canvas)
659827 The London to York Stagecoaches, (oil on canvas) by Wright, George (1860-1942); 40.6x61 cm; Private Collection; (add.info.: The London to York Stagecoaches. George Wright (1860-1942)

Background imageGalloping Collection: Lenore, Les Morts Vont Vite, (oil on canvas)

Lenore, Les Morts Vont Vite, (oil on canvas)
651336 Lenore, Les Morts Vont Vite, (oil on canvas) by Scheffer, Ary (1795-1858); 55x70 cm; Private Collection; (add.info.: Lenore, Les Morts Vont Vite. Ary Scheffer (1795-1858). Oil on canvas

Background imageGalloping Collection: Napoleon at the Head of a Troop of Cavalry, (oil on canvas)

Napoleon at the Head of a Troop of Cavalry, (oil on canvas)
651327 Napoleon at the Head of a Troop of Cavalry, (oil on canvas) by Chelminski, Jan van (1851-1925); 62.2x101.7 cm; Private Collection; (add.info.: Napoleon at the Head of a Troop of Cavalry)

Background imageGalloping Collection: Away! Away! (oil on canvas)

Away! Away! (oil on canvas)
719113 Away! Away! (oil on canvas) by Blinks, Thomas (1860-1912); 41.3x61.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageGalloping Collection: The Spanish Mail Coach in Toledo, (oil on canvas)

The Spanish Mail Coach in Toledo, (oil on canvas)
827288 The Spanish Mail Coach in Toledo, (oil on canvas) by Wagner, Alexander von (1838-1919); 121.3x241.3 cm; Private Collection; (add.info.: The Spanish Mail Coach in Toledo)

Background imageGalloping Collection: Plate 740. Bactrian Camel; (Young), Galloping, 1885 (collotype on paper)

Plate 740. Bactrian Camel; (Young), Galloping, 1885 (collotype on paper)
3950716 Plate 740. Bactrian Camel; (Young), Galloping, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.4x34 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageGalloping Collection: Plate 700. Buffalo; Galloping, 1885 (collotype on paper)

Plate 700. Buffalo; Galloping, 1885 (collotype on paper)
3950694 Plate 700. Buffalo; Galloping, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.9x34.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageGalloping Collection: Plate 631. Gallop; Saddle; Thoroughbred Bay Horse Bouquet, 1885 (collotype on paper)

Plate 631. Gallop; Saddle; Thoroughbred Bay Horse Bouquet, 1885 (collotype on paper)
3950607 Plate 631. Gallop; Saddle; Thoroughbred Bay Horse Bouquet, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.4x41.4 cm; Addison Gallery of American Art, Phillips Academy

Background imageGalloping Collection: Plate 743. Guanaco; Galloping, 1885 (collotype on paper)

Plate 743. Guanaco; Galloping, 1885 (collotype on paper)
3950719 Plate 743. Guanaco; Galloping, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.5x32.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageGalloping Collection: Plate 683. Virginia Deer; (No Antlers); Buck; Galloping, 1885 (collotype on paper)

Plate 683. Virginia Deer; (No Antlers); Buck; Galloping, 1885 (collotype on paper)
3950677 Plate 683. Virginia Deer; (No Antlers); Buck; Galloping, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.3x37.5 cm; Addison Gallery of American Art, Phillips Academy

Background imageGalloping Collection: Plate 682. Fallow; Buck; A, Trotting; B, Galloping, 1885 (collotype on paper)

Plate 682. Fallow; Buck; A, Trotting; B, Galloping, 1885 (collotype on paper)
3950676 Plate 682. Fallow; Buck; A, Trotting; B, Galloping, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24.6x29.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageGalloping Collection: Plate 635. Gallop; Saddle; Gray Mare, Pandora, 1885 (collotype on paper)

Plate 635. Gallop; Saddle; Gray Mare, Pandora, 1885 (collotype on paper)
3950611 Plate 635. Gallop; Saddle; Gray Mare, Pandora, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 14.9x46.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageGalloping Collection: Plate 632. Gallop; Saddle; Thoroughbred Bay Horse Bouquet, 1885 (collotype on paper)

Plate 632. Gallop; Saddle; Thoroughbred Bay Horse Bouquet, 1885 (collotype on paper)
3950608 Plate 632. Gallop; Saddle; Thoroughbred Bay Horse Bouquet, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.6x40.8 cm; Addison Gallery of American Art, Phillips Academy

Background imageGalloping Collection: Plate 630. Gallop; Saddle; Gray Mare Pandora, 1885 (collotype on paper)

Plate 630. Gallop; Saddle; Gray Mare Pandora, 1885 (collotype on paper)
3950606 Plate 630. Gallop; Saddle; Gray Mare Pandora, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 13.8x45.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageGalloping Collection: Plate 626. Gallop; Thoroughbred Bay Mare Annie G. 1885 (collotype on paper)

Plate 626. Gallop; Thoroughbred Bay Mare Annie G. 1885 (collotype on paper)
3950602 Plate 626. Gallop; Thoroughbred Bay Mare Annie G. 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.5x30.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageGalloping Collection: Plate 625. Gallop; Thoroughbred Bay Horse Bouquet, 1885 (collotype on paper)

Plate 625. Gallop; Thoroughbred Bay Horse Bouquet, 1885 (collotype on paper)
3950601 Plate 625. Gallop; Thoroughbred Bay Horse Bouquet, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.7x37 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageGalloping Collection: Plate 624. Gallop; Saddle; Bay Horse Daisy, 1885 (collotype on paper)

Plate 624. Gallop; Saddle; Bay Horse Daisy, 1885 (collotype on paper)
3950600 Plate 624. Gallop; Saddle; Bay Horse Daisy, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 15.4x43.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageGalloping Collection: Gypsies leaving Toledo after the market (engraving)

Gypsies leaving Toledo after the market (engraving)
3627328 Gypsies leaving Toledo after the market (engraving) by Janet, Gustave (b. 1829); Private Collection; (add.info.: Gypsies leaving Toledo after the market)

Background imageGalloping Collection: Tam O Shanter (after the poem by Robert Burns), 1825 (oil on canvas)

Tam O Shanter (after the poem by Robert Burns), 1825 (oil on canvas)
3744426 Tam O Shanter (after the poem by Robert Burns), 1825 (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); 26.2x30.8 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageGalloping Collection: The Review at Wimbledon before the German Emperor (engraving)

The Review at Wimbledon before the German Emperor (engraving)
1036659 The Review at Wimbledon before the German Emperor (engraving) by Charlton, John (1849-1917) (after); Private Collection; (add.info.: The Review at Wimbledon before the German Emperor)

Background imageGalloping Collection: The newspaper correspondent, 1876 (etching)

The newspaper correspondent, 1876 (etching)
497614 The newspaper correspondent, 1876 (etching) by Forbes, Edwin Austin (1839-95); 47.9x60.5 cm; Gilder Lehrman Collection, New York, USA; (add.info.: Created by Forbes)

Background imageGalloping Collection: The Dash for Kimberley - The 10th Hussars Crossing Klip Drift, after a sketch by G. D

The Dash for Kimberley - The 10th Hussars Crossing Klip Drift, after a sketch by G. D
STC363438 The Dash for Kimberley - The 10th Hussars Crossing Klip Drift, after a sketch by G.D. Giles (fl.1890) (litho) by Charlton

Background imageGalloping Collection: Notes at the Easter Volunteer Manoeuvres at Dover (engraving)

Notes at the Easter Volunteer Manoeuvres at Dover (engraving)
1050457 Notes at the Easter Volunteer Manoeuvres at Dover (engraving) by English School, (19th century); Private Collection; (add.info.: Notes at the Easter Volunteer Manoeuvres at Dover)

Background imageGalloping Collection: The First Steeplechase on Record (colour litho)

The First Steeplechase on Record (colour litho)
981811 The First Steeplechase on Record (colour litho) by Alken, Henry Thomas (1785-1851) (after); Private Collection; (add.info.: The First Steeplechase on Record, 1839)

Background imageGalloping Collection: Richard III at Bosworth Field, 22 August 1485, from A Chronicle of England BC 55 to AD

Richard III at Bosworth Field, 22 August 1485, from A Chronicle of England BC 55 to AD
984796 Richard III at Bosworth Field, 22 August 1485, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho) by Doyle

Background imageGalloping Collection: Skeleton of a running horse (b / w photo)

Skeleton of a running horse (b / w photo)
473226 Skeleton of a running horse (b/w photo) by Muybridge, Eadweard (1830-1904); Private Collection; Prismatic Pictures; English, out of copyright

Background imageGalloping Collection: Old English Sports and Games: Racing, 1901 (colour litho)

Old English Sports and Games: Racing, 1901 (colour litho)
BSA408871 Old English Sports and Games: Racing, 1901 (colour litho) by Aldin, Cecil Charles Windsor (1870-1935); 30.5x35.6 cm; Private Collection; eThe British Sporting Art Trust; English

Background imageGalloping Collection: Full Cry, c. 1840 (oil on canvas)

Full Cry, c. 1840 (oil on canvas)
OJ379540 Full Cry, c.1840 (oil on canvas) by Alken, Henry Thomas (1785-1851); 30.48x40.6 cm; Private Collection; (add.info.: Set of 4 with 379541, 379542 and 379543; ); eAckermann Johnson; English

Background imageGalloping Collection: Better to Have It than Hear of It, 1911 (woodcut)

Better to Have It than Hear of It, 1911 (woodcut)
BSA408892 Better to Have It than Hear of It, 1911 (woodcut) by Fothergill, George Algernon (1868-1945); 16.5x30.5 cm; Private Collection; eThe British Sporting Art Trust; English, out of copyright



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"Galloping: The Timeless Beauty and Power of Equine Motion" In the world of photography, Eadweard J Muybridge's iconic series on horse gallop revolutionized our understanding of equine movement. Picture No. 10749828 captures the sheer grace and strength as riders and racehorses thunder around a racecourse, their hooves pounding against the ground in perfect synchrony. The magic continues with another masterpiece by Muybridge - a breathtaking image of a man and his horse soaring over a fence in 1887. This freeze-frame moment showcases the incredible bond between human and animal, as they conquer obstacles together with unwavering determination. Muybridge's Transverse-Gallop photograph transports us back in time to witness this mesmerizing gait captured in black and white. It serves as a reminder that even without vibrant colors, the beauty horses remains timeless. Traveling across continents, we find ourselves immersed in Camargue, France. Here, majestic white horses gallop through crystal-clear waters, their manes flowing freely behind them. Their elegance is unmatched as they navigate through this unique landscape with an effortless blend of power and serenity. On sandy shores at sunrise, we witness yet another awe-inspiring sight - horses racing along the beach with fiery determination. Each hoofprint left behind tells a story of freedom and adventure under the golden hues painted by dawn's first light. Jockeys push themselves to their limits as they compete for victory on picture No. 10739741 - three determined figures locked in fierce competition to cross that finish line first. The intensity etched on their faces mirrors the heart-pounding excitement felt by spectators who cheer them on from afar. Even amidst snow-covered landscapes like Berthoud, Colorado USA. , where winter blankets everything in pristine white layers; RF - Grey Andalusian mare defies nature's chilliness with her powerful gallop.