Fraud Blocker Skip to main content

Faint Collection

"Faint: A Journey through Time and Emotion" Step back into the golden age of cinema with Buster Keaton and Phyllis Barry in Edward Sedgwicks' comedic masterpiece, "What

Background imageFaint Collection: Buster Keaton and Phyllis Barry in Edward Sedgwicks What! No Beer? (1933)

Buster Keaton and Phyllis Barry in Edward Sedgwicks What! No Beer? (1933)
Buster Keaton and Phyllis Barry in What! No Beer (1933)

Background imageFaint Collection: AUSTEN: PERSUASION. Looking on her with a face as pallid as her own

AUSTEN: PERSUASION. Looking on her with a face as pallid as her own. Illustration by Hugh Thomson for an 1898 edition of Jane Austens Persuasion, first published in 1817

Background imageFaint Collection: AUSTEN: PERSUASION, 1898. Looking on her with a face as pallid as her own

AUSTEN: PERSUASION, 1898. Looking on her with a face as pallid as her own. Illustration by Hugh Thomson for an 1898 edition of Jane Austens Persuasion, first published in 1817

Background imageFaint Collection: The Conversion of St. Paul, 1601 (oil on canvas)

The Conversion of St. Paul, 1601 (oil on canvas)
XOS1274001 The Conversion of St. Paul, 1601 (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); 230x175 cm; Santa Maria del Popolo, Rome

Background imageFaint Collection: Cortes Sinks Ships

Cortes Sinks Ships
In order to discourage any faint-hearted Spanish from deserting the Conquest, Cortes sinks his fleet

Background imageFaint Collection: British Ballad, Chevy-Chase

British Ballad, Chevy-Chase
CHEVY-CHASE. Popular British Ballad telling the story of a large hunt, lead by Percy, the Earl of Northumberland which was interpreted as an invasion of Scotland by the Scottish Earl of Douglas who

Background imageFaint Collection: Plate 10 from The Deserter by Sedaine, 1775. Creator: Daniel Berger

Plate 10 from The Deserter by Sedaine, 1775. Creator: Daniel Berger
Plate 10 from The Deserter by Sedaine, 1775. Almanac: Berlin Genealogical Calendar, 1775

Background imageFaint Collection: Merci, je sors d'en prendre, 19th century. Creator: Honore Daumier

Merci, je sors d'en prendre, 19th century. Creator: Honore Daumier
Merci, je sors d'en prendre, 19th century. Thank you, I go out of it

Background imageFaint Collection: ''More Frightened Than Hurt', 1890. Creator: John Charlton. ''More Frightened Than Hurt'

'"More Frightened Than Hurt", 1890. Creator: John Charlton. '"More Frightened Than Hurt"
"More Frightened Than Hurt", 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890

Background imageFaint Collection: The Beatles concert at The Pavilion Gardens Ballroom, Buxton, Derbyshire

The Beatles concert at The Pavilion Gardens Ballroom, Buxton, Derbyshire, 19th October 1963. Police officers pluck a girl who was fainted, out of the crowd

Background imageFaint Collection: The Right Honourable the Earl of Chatham seized with a Fit in the House of Peers, c1787

The Right Honourable the Earl of Chatham seized with a Fit in the House of Peers, c1787
The Right Honourable the Earl of Chatham seized with a Fit in the House of Peers previous to his death, c1787. From A New

Background imageFaint Collection: Oscar's death, 1828. Creator: Frederik Ludvig Storch

Oscar's death, 1828. Creator: Frederik Ludvig Storch
Oscar's death, 1828

Background imageFaint Collection: The Wasp Sting

The Wasp Sting
Reproduction of a painting by Margaret Mower White. Date: circa 1930

Background imageFaint Collection: Jose Echegaray y Eizaguirre (1832-1916). Spanish engineer

Jose Echegaray y Eizaguirre (1832-1916). Spanish engineer, playwright, politician and mathematician. Leading of the Spanish dramatist of the last quarter of the 19th century

Background imageFaint Collection: Mrs. Frederick Cavendish

Mrs. Frederick Cavendish
A portrait pencil drawing of Mrs. Frederick Cavendish, the Countess of Kenmare, with the faint outline of a fur lined collar. Date: circa 1925

Background imageFaint Collection: Chinese Porcelain

Chinese Porcelain
A still life watercolour painting of some Chinese porcelain in the form of plates, a vase and a bowl, with a faint reflection on the shiny surface. Date: circa 1924

Background imageFaint Collection: Illustration, Malbrough is going to war

Illustration, Malbrough is going to war
Illustration, Malbrough s'en va t'en guerre (Marlborough is going to war). Elegant ladies faint when they hear that Monsieur Malbrough is dead and buried as a result of going to war

Background imageFaint Collection: WOMAN FAINTS

WOMAN FAINTS
"Found Daisy in a dead faint on the floor, and Captain Hallam bending over her." Date: 1890

Background imageFaint Collection: The Death of Peter Paul Rubens, 1827 (oil on canvas)

The Death of Peter Paul Rubens, 1827 (oil on canvas)
471359 The Death of Peter Paul Rubens, 1827 (oil on canvas) by Bree, Mathieu Ignace van (1773-1839); 290x363 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageFaint Collection: 193-0082109 Tantalus, plate 9 of Los caprichos, pub. 1799 (etching)

193-0082109 Tantalus, plate 9 of Los caprichos, pub. 1799 (etching)
IND81628 193-0082109 Tantalus, plate 9 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21x15.2 cm; Private Collection; Index Fototeca

Background imageFaint Collection: Faint heart (?) never won fair lady (colour litho)

Faint heart (?) never won fair lady (colour litho)
2798156 Faint heart (?) never won fair lady (colour litho) by English School, (20th century); Private Collection; (add.info.: Faint heart (?) never won fair lady

Background imageFaint Collection: The Sicilian Vespers, 1846 (oil on canvas)

The Sicilian Vespers, 1846 (oil on canvas)
703017 The Sicilian Vespers, 1846 (oil on canvas) by Hayez, Francesco (1791-1882); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio

Background imageFaint Collection: The Deposition (detail), 1507 (oil on panel)

The Deposition (detail), 1507 (oil on panel)
5901252 The Deposition (detail), 1507 (oil on panel) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Galleria Borghese, Rome, Lazio

Background imageFaint Collection: Karsavina, 1914 (pochoir print)

Karsavina, 1914 (pochoir print)
STC226942 Karsavina, 1914 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; (add.info.: resembles Vaslav Nijinsky in L apres-midi d un Faune ; ); The Stapleton Collection

Background imageFaint Collection: Crucifixion, 1521 (fresco)

Crucifixion, 1521 (fresco)
2562705 Crucifixion, 1521 (fresco) by Pordenone, Giovanni Antonio (1484-1539); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy, Italy; (add.info.: Cremona)

Background imageFaint Collection: Crucifixion, detail of 2562703 and 2562705, 1521 (fresco)

Crucifixion, detail of 2562703 and 2562705, 1521 (fresco)
2562704 Crucifixion, detail of 2562703 and 2562705, 1521 (fresco) by Pordenone, Giovanni Antonio (1484-1539); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy

Background imageFaint Collection: An Attack, 1893 (w / c on paper)

An Attack, 1893 (w / c on paper)
OVR368830 An Attack, 1893 (w/c on paper) by Kittelsen, Theodor Severin (1857-1914); 27x22 cm; Private Collection; (add.info.: from the series Do the animals have a soul)

Background imageFaint Collection: Virgil Reading the 'Aeneid'to Augustus, Octavia, and Livia, 1790 / 93

Virgil Reading the "Aeneid"to Augustus, Octavia, and Livia, 1790 / 93
Virgil Reading the " Aeneid" to Augustus, Octavia, and Livia, 1790/93

Background imageFaint Collection: Martin Luther faints with a Bible in his hand and his friends bring him back to his senses

Martin Luther faints with a Bible in his hand and his friends bring him back to his senses (engraving)
3647706 Martin Luther faints with a Bible in his hand and his friends bring him back to his senses (engraving) by Konig, Gustav Ferdinand Leopold (1808-69); Private Collection; (add.info)

Background imageFaint Collection: The Sick Girl, c. 1660 (oil on panel)

The Sick Girl, c. 1660 (oil on panel)
5672004 The Sick Girl, c.1660 (oil on panel) by Steen, Jan Havicksz. (1625/26-79); 57.7x46.2 cm; Mauritshuis, The Hague, The Netherlands; (add.info)

Background imageFaint Collection: That Wild Wheel (engraving)

That Wild Wheel (engraving)
1056159 That Wild Wheel (engraving) by Hall, Sydney Prior (1842-1922) (after); Private Collection; (add.info.: That Wild Wheel)

Background imageFaint Collection: Comic postcard, Policeman and fainting woman Date: 20th century

Comic postcard, Policeman and fainting woman Date: 20th century

Background imageFaint Collection: Interior of St Augustines Church, Port Elizabeth (b / w photo)

Interior of St Augustines Church, Port Elizabeth (b / w photo)
3092469 Interior of St Augustines Church, Port Elizabeth (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Interior of St Augustines Church, Port Elizabeth)

Background imageFaint Collection: Panorama of a Fashionable Wedding (engraving)

Panorama of a Fashionable Wedding (engraving)
1608265 Panorama of a Fashionable Wedding (engraving) by English School, (19th century); Private Collection; (add.info.: Panorama of a Fashionable Wedding)

Background imageFaint Collection: A Coward comforted, or A Scene immediately after the Duel, published by J

A Coward comforted, or A Scene immediately after the Duel, published by J
NCO191701 A Coward comforted, or A Scene immediately after the Duel, published by J. Aitken in 1789 (hand-coloured etching) by English School

Background imageFaint Collection: How They Met Themselves, c. 1850/60 (gouache) (see also 63160)

How They Met Themselves, c. 1850/60 (gouache) (see also 63160)
FIT63161 How They Met Themselves, c.1850/60 (gouache) (see also 63160) by Rossetti, Dante Gabriel Charles (1828-82); 33.9x27.3 cm; Fitzwilliam Museum, University of Cambridge

Background imageFaint Collection: The Doctors Visit, c. 1665-8 (oil on panel)

The Doctors Visit, c. 1665-8 (oil on panel)
5863942 The Doctors Visit, c.1665-8 (oil on panel) by Steen, Jan Havicksz. (1625/26-79); 60.5x48.5 cm; Mauritshuis, The Hague

Background imageFaint Collection: Gretchen in the Cathedral, c. 1850 (oil on canvas)

Gretchen in the Cathedral, c. 1850 (oil on canvas)
3959949 Gretchen in the Cathedral, c.1850 (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); 56.1 x 46.6 cm; Kunstmuseum, Basel, Switzerland; (add.info.: In " Faust)

Background imageFaint Collection: Swooning at the Sight of the Beauteous Kamakandala, c. 1785 (opaque w / c & gold on paper)

Swooning at the Sight of the Beauteous Kamakandala, c. 1785 (opaque w / c & gold on paper)
874467 Swooning at the Sight of the Beauteous Kamakandala, c.1785 (opaque w/c & gold on paper) by Chokha (fl.1799-1824); 20.48 x15.24 cm; San Diego Museum of Art

Background imageFaint Collection: The Mass of St. Basil, 1743-7 (oil on canvas)

The Mass of St. Basil, 1743-7 (oil on canvas)
BOO73455 The Mass of St. Basil, 1743-7 (oil on canvas) by Subleyras, Pierre (1699-1749); 133.5x80 cm; State Hermitage Museum, St

Background imageFaint Collection: The Crucifixion, detail of the Virgin and attendants from the Chapter House

The Crucifixion, detail of the Virgin and attendants from the Chapter House
BEN85215 The Crucifixion, detail of the Virgin and attendants from the Chapter House, 1441-42 (fresco) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)

Background imageFaint Collection: Study for 'Saul and the Witch of Endor'

Study for "Saul and the Witch of Endor"
SC27928 Study for " Saul and the Witch of Endor" by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); Victoria & Albert Museum, London

Background imageFaint Collection: Men were Deceivers ever (litho)

Men were Deceivers ever (litho)
1039703 Men were Deceivers ever (litho) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: Men were Deceivers ever)

Background imageFaint Collection: Whole-length Study of a small boy with faint studies of his face

Whole-length Study of a small boy with faint studies of his face
1076628 Whole-length Study of a small boy with faint studies of his face and his left leg seen from the back, 1852 (pencil with pen & ink on paper) by Pissarro

Background imageFaint Collection: The Sick Woman, c. 1663-66 (oil on canvas)

The Sick Woman, c. 1663-66 (oil on canvas)
3545941 The Sick Woman, c. 1663-66 (oil on canvas) by Steen, Jan Havicksz. (1625/26-79); 76x63.5 cm; Rijksmuseum, Amsterdam

Background imageFaint Collection: Detail from the Miracle Window depicting Geoffrey of Winchester

Detail from the Miracle Window depicting Geoffrey of Winchester
PC345082 Detail from the Miracle Window depicting Geoffrey of Winchesters mother praying to St.Thomas (stained glass) by English School, (13th century); Canterbury Cathedral, Canterbury, Kent

Background imageFaint Collection: Pidgeon Hole, A Convent Garden contrivance to coop up the Gods, 1811 (hand-coloured engraving)

Pidgeon Hole, A Convent Garden contrivance to coop up the Gods, 1811 (hand-coloured engraving)
2562164 Pidgeon Hole, A Convent Garden contrivance to coop up the Gods, 1811 (hand-coloured engraving) by Rowlandson, Thomas (1756-1827); Private Collection; The Stapleton Collection; English

Background imageFaint Collection: The Crucifixion, from the Isenheim Altarpiece, c. 1512-15 (oil on panel)

The Crucifixion, from the Isenheim Altarpiece, c. 1512-15 (oil on panel)
XIR81214 The Crucifixion, from the Isenheim Altarpiece, c.1512-15 (oil on panel) by Grunewald, Matthias (Mathis Nithart Gothart) (c.1480-1528); 270x310 cm; Musee d Unterlinden, Colmar, France



All Professionally Made to Order for Quick Shipping

"Faint: A Journey through Time and Emotion" Step back into the golden age of cinema with Buster Keaton and Phyllis Barry in Edward Sedgwicks' comedic masterpiece, "What. No Beer?" Their impeccable timing and hilarious antics will leave you gasping for breath. In Jane Austen's timeless novel, "Persuasion, " a poignant scene unfolds as a character gazes upon another with a face as pallid as her own. The subtle yet powerful emotions conveyed in this moment are enough to make even the strongest hearts tremble. Transport yourself to 1601 with "The Conversion of St. Paul, " an oil on canvas masterpiece that captures the divine intervention and spiritual awakening of one man. The artist's skillful brushstrokes bring forth a sense of awe and wonder, leaving viewers faint with reverence. History whispers tales of Cortes Sinking Ships, an event shrouded in mystery and intrigue. As you delve into this enigmatic story, prepare to be captivated by the sheer audacity and cunning displayed by those involved - it may just leave you feeling weak at the knees. Immerse yourself in British folklore through the haunting ballad of Chevy-Chase. With every verse sung, echoes from centuries past resonate within your soul, evoking feelings so intense they threaten to overwhelm even the sturdiest spirit. Beware. The Wasp Sting carries more than just physical pain; its venom seeps deep into your veins, causing dizziness and weakness. This cautionary tale reminds us that sometimes even small things can have significant consequences. Jose Echegaray y Eizaguirre was not only a Spanish engineer but also an accomplished playwright who crafted stories capable of rendering audiences speechless. His works possess such emotional depth that they can induce faintness among those fortunate enough to witness them unfold on stage. Mrs. Frederick Cavendish exudes elegance like fine Chinese porcelain, delicate and fragile.