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Early Nineteenth Century Collection (page 8)

Step back in time to the early nineteenth century, a period of great change and innovation

Background imageEarly Nineteenth Century Collection: An Exotic Couple, early 19th century (oil on canvas)

An Exotic Couple, early 19th century (oil on canvas)
1196980 An Exotic Couple, early 19th century (oil on canvas) by Ottoman School, (19th Century); 39.5x33 cm; Private Collection; (add.info.: Ottoman School)

Background imageEarly Nineteenth Century Collection: An illustration from the Hamir Hath, early 19th century (gouache and gold paint on paper)

An illustration from the Hamir Hath, early 19th century (gouache and gold paint on paper)
1196954 An illustration from the Hamir Hath, early 19th century (gouache and gold paint on paper) by Indian School, (19th century); 20.4x28.6 cm; Private Collection; Photo eChristies Images; Indian

Background imageEarly Nineteenth Century Collection: The Tomb of Etahmadowlah, c. 1815 (pencil and w / c)

The Tomb of Etahmadowlah, c. 1815 (pencil and w / c)
1196929 The Tomb of Etahmadowlah, c. 1815 (pencil and w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background imageEarly Nineteenth Century Collection: The Tomb of the Emperor, c. 1815 (Pencil, pen, black ink, w / c)

The Tomb of the Emperor, c. 1815 (Pencil, pen, black ink, w / c)
1196924 The Tomb of the Emperor, c. 1815 (Pencil, pen, black ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background imageEarly Nineteenth Century Collection: Krishna Stands Holding a Lotus Blossom, His Lover in a Pink Sari, c

Krishna Stands Holding a Lotus Blossom, His Lover in a Pink Sari, c
1196912 Krishna Stands Holding a Lotus Blossom, His Lover in a Pink Sari, c. 1800 (gouache with gold paint on paper) by Indian School

Background imageEarly Nineteenth Century Collection: Portrait of Akbar Shah II, early 19th century (gouache with gold paint on paper)

Portrait of Akbar Shah II, early 19th century (gouache with gold paint on paper)
1196911 Portrait of Akbar Shah II, early 19th century (gouache with gold paint on paper) by Indian School, (19th century); 17x12 cm; Private Collection; Photo eChristies Images; Indian

Background imageEarly Nineteenth Century Collection: Portrait of Afrasiyab, King of Turan, c. 1803-4 (oil on canvas)

Portrait of Afrasiyab, King of Turan, c. 1803-4 (oil on canvas)
1196699 Portrait of Afrasiyab, King of Turan, c.1803-4 (oil on canvas) by Mihr Ali (fl.1795-1830); 289x133 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: Portrait of a Young Gentleman, 1819 (oil on canvas)

Portrait of a Young Gentleman, 1819 (oil on canvas)
1195835 Portrait of a Young Gentleman, 1819 (oil on canvas) by Dawe, George (1781-1829); 83.8x67.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageEarly Nineteenth Century Collection: Gooseberries, 1818 (pencil and w / c on paper)

Gooseberries, 1818 (pencil and w / c on paper)
1195834 Gooseberries, 1818 (pencil and w/c on paper) by Tolstoy, Fedor Petrovich (1783-1873); 17x23.5 cm; Private Collection; (add.info.: Tolstoy)

Background imageEarly Nineteenth Century Collection: Persian on Horseback, 1820 (lithograph)

Persian on Horseback, 1820 (lithograph)
1195720 Persian on Horseback, 1820 (lithograph) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832); 67.3x51.4 cm; Private Collection; Photo eChristies Images; Polish, out of copyright

Background imageEarly Nineteenth Century Collection: A Postal Troika (litho)

A Postal Troika (litho)
1195718 A Postal Troika (litho) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832) (after); 50.1x66.7 cm; Private Collection; (add.info.: Orlowsky)

Background imageEarly Nineteenth Century Collection: Cossacks and Kalmyks, (w / c on paper)

Cossacks and Kalmyks, (w / c on paper)
1195651 Cossacks and Kalmyks, (w/c on paper) by Opitz, Georg Emanuel (1775-1841); 37.5x29.2 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageEarly Nineteenth Century Collection: A View of Eton from the Playing Fields, 1822 (oil on canvas laid down on panel)

A View of Eton from the Playing Fields, 1822 (oil on canvas laid down on panel)
1765067 A View of Eton from the Playing Fields, 1822 (oil on canvas laid down on panel) by Bristow, Edmund (1787-1876); 36.8x59.1 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: A View of Prince Maffeis Palace, Verona (oil on canvas)

A View of Prince Maffeis Palace, Verona (oil on canvas)
1765051 A View of Prince Maffeis Palace, Verona (oil on canvas) by Bonington, Richard Parkes (1802-28); 36.3x30.5 cm; Private Collection; (add.info.: A View of Prince Maffeis Palace, Verona)

Background imageEarly Nineteenth Century Collection: Portrait of Lieut-Colonel Morrison of the 7th Dragoon Guards, Half Length, in Uniform

Portrait of Lieut-Colonel Morrison of the 7th Dragoon Guards, Half Length, in Uniform
652193 Portrait of Lieut-Colonel Morrison of the 7th Dragoon Guards, Half Length, in Uniform, (oil on canvas) by Raeburn, Henry (1756-1823); 89x68.5 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: Portrait of Philadelphia Hannah, Viscountess Cremorne (oil on canvas)

Portrait of Philadelphia Hannah, Viscountess Cremorne (oil on canvas)
652125 Portrait of Philadelphia Hannah, Viscountess Cremorne (oil on canvas) by Lawrence, Thomas (1769-1830); 241.3x144.8 cm; Private Collection; (add.info.: Portrait of Philadelphia Hannah)

Background imageEarly Nineteenth Century Collection: Designs for the Riding School of the Horse Guards, St. Petersburg: Elevations

Designs for the Riding School of the Horse Guards, St. Petersburg: Elevations
652024 Designs for the Riding School of the Horse Guards, St. Petersburg: Elevations, Section and Ground Plan, (pen and grey ink and watercolour) by Quarenghi

Background imageEarly Nineteenth Century Collection: Painted Salon in the Palace of Schonbrunn Called Marians Drawing Room, Schonbrunn

Painted Salon in the Palace of Schonbrunn Called Marians Drawing Room, Schonbrunn
652010 Painted Salon in the Palace of Schonbrunn Called Marians Drawing Room, Schonbrunn, 1831 (pencil and watercolour) by Nachtmann

Background imageEarly Nineteenth Century Collection: Balloon Hunting Near Lady Jamess Folly, (pencil, pen and brown ink and watercolour)

Balloon Hunting Near Lady Jamess Folly, (pencil, pen and brown ink and watercolour)
651981 Balloon Hunting Near Lady Jamess Folly, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 25.4x34.9 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: A Regatta on the Thames below Westminster, (pen and ink and watercolour)

A Regatta on the Thames below Westminster, (pen and ink and watercolour)
651938 A Regatta on the Thames below Westminster, (pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 12 1/8x19in cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: The Gate of the Viva Rambla, Granada, 1834 (pencil and watercolour heightened with

The Gate of the Viva Rambla, Granada, 1834 (pencil and watercolour heightened with
651905 The Gate of the Viva Rambla, Granada, 1834 (pencil and watercolour heightened with touches of bodycolour) by Roberts

Background imageEarly Nineteenth Century Collection: Fleet Street Looking up to Temple Bar with Old St. Dunstans, and St

Fleet Street Looking up to Temple Bar with Old St. Dunstans, and St
651887 Fleet Street Looking up to Temple Bar with Old St. Dunstans, and St. Clement Danes, 1834 (pencil and watercolour heightened with white) by Shepherd

Background imageEarly Nineteenth Century Collection: A Lady Walking, (pencil, pen and brown ink and watercolour)

A Lady Walking, (pencil, pen and brown ink and watercolour)
651818 A Lady Walking, (pencil, pen and brown ink and watercolour) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 32.8x21.1 cm; Private Collection; (add.info.: A Lady Walking)

Background imageEarly Nineteenth Century Collection: Ferrara, Italy, (pen and brown ink and watercolour with touches of white heighte)

Ferrara, Italy, (pen and brown ink and watercolour with touches of white heighte)
651810 Ferrara, Italy, (pen and brown ink and watercolour with touches of white heighte) by Prout, Samuel (1783-1852); 35.3x24.4 cm; Private Collection; (add.info.: Ferrara, Italy)

Background imageEarly Nineteenth Century Collection: The Blind; Les Aveugles, (pen, grey ink and watercolour on paper)

The Blind; Les Aveugles, (pen, grey ink and watercolour on paper)
651427 The Blind; Les Aveugles, (pen, grey ink and watercolour on paper) by Opitz, Georg Emanuel (1775-1841); 42x35.5 cm; Private Collection; (add.info.: The Blind; Les Aveugles)

Background imageEarly Nineteenth Century Collection: In the Bazaar, (pencil, pen, grey ink and watercolour on paper)

In the Bazaar, (pencil, pen, grey ink and watercolour on paper)
651402 In the Bazaar, (pencil, pen, grey ink and watercolour on paper) by Opitz, Georg Emanuel (1775-1841); Private Collection; (add.info.: In the Bazaar. Georg Emanuel Opiz (1775-1841)

Background imageEarly Nineteenth Century Collection: A Carnival on the Boulevard du Crime, 1832 (oil on canvas)

A Carnival on the Boulevard du Crime, 1832 (oil on canvas)
990151 A Carnival on the Boulevard du Crime, 1832 (oil on canvas) by Boilly, Louis Leopold (1761-1845); 61x108 cm; Private Collection; (add.info.: A Carnival on the Boulevard du Crime)

Background imageEarly Nineteenth Century Collection: The Battle of Monte-Sancto (Mont Athos), 1827 (oil on canvas)

The Battle of Monte-Sancto (Mont Athos), 1827 (oil on canvas)
989662 The Battle of Monte-Sancto (Mont Athos), 1827 (oil on canvas) by Crepin, Louis Philippe (1772-1851); 133.4x198.7 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: The Edinburgh and London Royal Mail, 1838 (oil on canvas)

The Edinburgh and London Royal Mail, 1838 (oil on canvas)
989632 The Edinburgh and London Royal Mail, 1838 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 51.1x91.5 cm; Private Collection; (add.info.: The Edinburgh and London Royal Mail)

Background imageEarly Nineteenth Century Collection: Whippets and a King Spaniel, 1837 (oil on canvas)

Whippets and a King Spaniel, 1837 (oil on canvas)
991599 Whippets and a King Spaniel, 1837 (oil on canvas) by Havell, Edmund Jr (1819-99); 78.7x108 cm; Private Collection; (add.info.: Whippets and a King Spaniel. Edmund Havell, Jr (1819-1899)

Background imageEarly Nineteenth Century Collection: Great White Pelican (Pelecanus onocrotalus), 1832-1837 (hand-coloured lithograph)

Great White Pelican (Pelecanus onocrotalus), 1832-1837 (hand-coloured lithograph)
991243 Great White Pelican (Pelecanus onocrotalus), 1832-1837 (hand-coloured lithograph) by Lear, Edward (1812-88); 36.5x54.4 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: Wild Turkey, Male and Female, 1808-1814 (hand-coloured engraving)

Wild Turkey, Male and Female, 1808-1814 (hand-coloured engraving)
991236 Wild Turkey, Male and Female, 1808-1814 (hand-coloured engraving) by Peale, Titian Ramsey (1799-1885); 34.8x27 cm; Private Collection; (add.info.: Wild Turkey)

Background imageEarly Nineteenth Century Collection: Francis Const on his Bay hunter Riding near the Sea, 1806 (oil on canvas)

Francis Const on his Bay hunter Riding near the Sea, 1806 (oil on canvas)
990565 Francis Const on his Bay hunter Riding near the Sea, 1806 (oil on canvas) by Marshall, Benjamin (1767-1835); 87x101.5 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: Mssrs. Ridsdales and Gullys St. Giles with William Scott up

Mssrs. Ridsdales and Gullys St. Giles with William Scott up
990555 Mssrs. Ridsdales and Gullys St. Giles with William Scott up, 1832 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 45.7x61.5 cm; Private Collection; (add.info.: Mssrs)

Background imageEarly Nineteenth Century Collection: Portrait of Prince Adolphus Frederick, Duke of Cambridge

Portrait of Prince Adolphus Frederick, Duke of Cambridge
990422 Portrait of Prince Adolphus Frederick, Duke of Cambridge, bust length wearing the Star of the Garter, 1808 (oil on canvas) by Beechey

Background imageEarly Nineteenth Century Collection: Two Men in the Consideration of the Moon; Zwei Manner in Betrachtung des Mondes, c

Two Men in the Consideration of the Moon; Zwei Manner in Betrachtung des Mondes, c
824290 Two Men in the Consideration of the Moon; Zwei Manner in Betrachtung des Mondes, c.1830 (oil on canvas) by Friedrich

Background imageEarly Nineteenth Century Collection: Cicero at his Villa, c. 1839 (oil on canvas)

Cicero at his Villa, c. 1839 (oil on canvas)
824237 Cicero at his Villa, c.1839 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 92.7x123.2 cm; Private Collection; (add.info.: Cicero at his Villa)

Background imageEarly Nineteenth Century Collection: A Group Portrait of the Musgrave Morris Boys, one Seated half-length in a Dark Jacket

A Group Portrait of the Musgrave Morris Boys, one Seated half-length in a Dark Jacket
824234 A Group Portrait of the Musgrave Morris Boys, one Seated half-length in a Dark Jacket, Holding a Book, the other standing three-quarter length in a Dark Jacket, Holding a Bow

Background imageEarly Nineteenth Century Collection: The Young Archer (oil on canvas)

The Young Archer (oil on canvas)
824189 The Young Archer (oil on canvas) by Ramsay, James (1786-1854); 76.2x63.5 cm; Private Collection; (add.info.: The Young Archer. James Ramsay (1786-1854). Oil on canvas

Background imageEarly Nineteenth Century Collection: Heidelburg, The Palace of the Electors of the Palatinate, 1832 (pencil and watercolour)

Heidelburg, The Palace of the Electors of the Palatinate, 1832 (pencil and watercolour)
824086 Heidelburg, The Palace of the Electors of the Palatinate, 1832 (pencil and watercolour) by Roberts, David (1796-1864); 22.3x29.8 cm; Private Collection; (add.info.: Heidelburg)

Background imageEarly Nineteenth Century Collection: Iris, Lilac, Primulae, Blossom and Peonies in a Basket, (oil on canvas)

Iris, Lilac, Primulae, Blossom and Peonies in a Basket, (oil on canvas)
823504 Iris, Lilac, Primulae, Blossom and Peonies in a Basket, (oil on canvas) by Jensen, Johan Laurents (1800-56); 36x44 cm; Private Collection; (add.info.: Iris, Lilac, Primulae)

Background imageEarly Nineteenth Century Collection: A Gothic Cathederal near Bauman; Eine Gotische Kathedrale hinter Baumen, 1814-15 (pencil

A Gothic Cathederal near Bauman; Eine Gotische Kathedrale hinter Baumen, 1814-15 (pencil
823463 A Gothic Cathederal near Bauman; Eine Gotische Kathedrale hinter Baumen, 1814-15 (pencil, pen and grey ink and watercoour) by Schinkel

Background imageEarly Nineteenth Century Collection: Neopolitans gesturing to a Deaf Mute Person; Gesti Mutoloparlanti Napolitani

Neopolitans gesturing to a Deaf Mute Person; Gesti Mutoloparlanti Napolitani
823402 Neopolitans gesturing to a Deaf Mute Person; Gesti Mutoloparlanti Napolitani, 1815 (pencil and watercolour on paper) by Gatta

Background imageEarly Nineteenth Century Collection: A Vase of Flowers on a Ledge with Grapes and Peaches, (watercolour on vellum)

A Vase of Flowers on a Ledge with Grapes and Peaches, (watercolour on vellum)
827607 A Vase of Flowers on a Ledge with Grapes and Peaches, (watercolour on vellum) by French School, (19th century); 74x57 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: Young Peasant Girls Feeding Barnyard Animals, (oil on canvas)

Young Peasant Girls Feeding Barnyard Animals, (oil on canvas)
827475 Young Peasant Girls Feeding Barnyard Animals, (oil on canvas) by Ribot, Auguste Theodule (1823-91); 72.7x59.7 cm; Private Collection; (add.info.: Young Peasant Girls Feeding Barnyard Animals)

Background imageEarly Nineteenth Century Collection: The Docks of Paris; Les Quais a Paris, (gouache)

The Docks of Paris; Les Quais a Paris, (gouache)
827404 The Docks of Paris; Les Quais a Paris, (gouache) by Galien-Laloue, Eugene (Jacques Lievin) (1854-1941); 27.2x46.2 cm; Private Collection; (add.info.: The Docks of Paris; Les Quais a Paris)

Background imageEarly Nineteenth Century Collection: Flowers in a Vase on a Marble Ledge with a Red Admiral, a Bumble Bee

Flowers in a Vase on a Marble Ledge with a Red Admiral, a Bumble Bee
827958 Flowers in a Vase on a Marble Ledge with a Red Admiral, a Bumble Bee, Two Beetles and a Dragonfly, 1807 (oil on panel) by Malaine

Background imageEarly Nineteenth Century Collection: Portrait of Antonio Canova (1757-1822), three-quarter length, in brown robes

Portrait of Antonio Canova (1757-1822), three-quarter length, in brown robes
827882 Portrait of Antonio Canova (1757-1822), three-quarter length, in brown robes, (oil on canvas) by Lampi, Johann Baptist I (1751-1830); 74.6x58.8 cm; Private Collection; (add.info)



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Step back in time to the early nineteenth century, a period of great change and innovation. The Battle of Trafalgar, depicted in an awe-inspiring oil on canvas painting, captures the intensity and heroism of this historic naval conflict. In contrast to the grandeur of war, a delicate hand-coloured lithograph showcases the beauty of nature's bounty - Orange Fruit, Citrus Aurantium, Fructus. Its vibrant hues bring life to this 1828 artwork. Moving from fruits to fauna, Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom transports us into the world of horse racing. Painted with meticulous detail on canvas in 1815, it immortalizes both the elegance and power found within these majestic creatures. Artistic expression extends beyond traditional mediums as seen in Iris Germanica (German Iris), a stunning stipple-engraving printed in colors between 1805-1816. This intricate work highlights botanical wonders through its carefully crafted lines and shades. Shifting our focus from art to engineering marvels is Viaduct across the Sankey Valley. Created in 1831 using color aquatints that were partly hand-colored, this print captures not only technical prowess but also showcases man's ability to conquer nature through construction. History comes alive with Her Majesty Queen Victoria's First Entry into Brighton Oct captured for eternity on canvas. This momentous occasion symbolizes not only royal presence but also societal changes occurring during this era. Portraits hold their own significance during this time as evidenced by Portrait of William Henry Paget Marquess of Anglesey. Painted half-length on canvas with expert skill, it immortalizes an influential figure who played a role in shaping history. Transportation takes center stage once again with View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway. Through detailed pencil strokes and hints of watercolor, this artwork invites us to witness the birth of a new era in transportation.