Domenico Collection

Domenico Ghirlandaio (1449-1494). An Old Man and his Grandso
Domenico Ghirlandaio (14491494). Italian Renaissance painter from Florence. An Old Man and his Grandson (ca. 1490). Tempera on wood. Museum of Louvre. Paris. France

Perugia, Italy, he capital city of Umbria, at dawn

Gentlemen fencers in Tierce guard and thrust position
Gentlemen fencers in position for the outside-guard called Tierce, and the thrust in Tierce. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

The Parable of the Mote and the Beam, ca. 1619. Creator: Domenico Fetti
The Parable of the Mote and the Beam, ca. 1619

Christ Carrying the Cross, ca. 1577-87. Creator: El Greco
Christ Carrying the Cross, ca. 1577-87

Carnival Scene or the Minuet by TIEPOLO, Giovanni Domenico (1727-1804). Baroque art. Oil on canvas

Hebe, engraved by Domenico Cunego (engraving)
XJF486479 Hebe, engraved by Domenico Cunego (engraving) by Hamilton, Gavin (1723-98) (after); Private Collection; (add.info.: Hebe, goddess of healing)

Amomum, vochya, callisia, tapanhuacanga, portlandia, fransin
Autograph letter to Sir J. Banks, consisting of descriptions, with water colour drawings of genera of Plants collected in Minas Geraes, Brazil Vandelli, Domenico, 1732-1816. Page one of sixteen pages

Domenico Cimarosa / Coltel
DOMENICO CIMAROSA Neapolitan composer

Self portrait of Domenico Zampieri, Domenichino
5854996 Self portrait of Domenico Zampieri, Domenichino; (add.info.: Self portrait of Domenico Zampieri, Domenichino (1581-1641), an Italian landscape and history painter of Flemish origin

Giovanni Battista Sammartini (1700-1775)
3499701 Giovanni Battista Sammartini (1700-1775); (add.info.: Giovanni Battista Sammartini (1700-1775). Italian composer and choirmaster of the Baroque

Wife kissing a young man behind her husbands back. German fashions of the late 15th century. From a color illustration by a German master in Berlin Print Room, Kupferstichkabinet

Palermo, Italy cityscape and square at dusk

Palermo, Italy Overlooking Piazza San Domenico at dusk

The Banquet of Alexander, 1540-50. Creator: Domenico del Barbiere
The Banquet of Alexander, 1540-50

An old bearded man resting his head on his right hand and looking upwards to the left, after Reni, 1775

Group of naked men engaged in battle in a wooded landscape, some on horseback; a dog at lower left. 1517

Saint Cecilia with an angel holding a musical score, 1617-1618. Artist: Domenichino
Saint Cecilia with an angel holding a musical score, 1617-1618. Painting housed at the Louvre, Paris. From A History of Painting, Volume III by Haldane MacFall. [T. C. and E. C

Head of St John the Baptist, ca. 1630, by Domenico Zampieri
Domenico Zampieri (or Domenichino) (1581-1641). Italian baroque painter. Head of St John the Baptist, ca.1630. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

David with the Head of Goliath. 1620s by Domenico Fetti
Domenico Fetti (1589-1624). Italian painter. David with the Head of Goliath. 1620s. National Museum. Stockholm. Sweden. Date:

The Lamentation of Christ with a Donor, c. 1505, by Domenico
Domenico Panetti (1460-1530). Italian painter. The Lamentation of Christ with a Donor, c.1505. Detail. Gemaldegalerie. Berlin. Germany

Domenico Gaetano Maria Donizetti, 1797-1848. Italian opera composer. Portrait by Chase Emerson
3052807 Domenico Gaetano Maria Donizetti, 1797-1848. Italian opera composer. Portrait by Chase Emerson. American artist, 1874-1922. by Emerson, Chase (1874-1922); Private Collection

Portrait of Teresa Maglione Oneto, 1879 (oil on canvas)
3361995 Portrait of Teresa Maglione Oneto, 1879 (oil on canvas) by Morelli, Domenico (1826-1901); 224X132 cm; Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio

Samson (oil on canvas)
3359238 Samson (oil on canvas) by Pellegrini, Domenico (1759-1840); 200x150 cm; Accademia di San Luca, Rome, Italy; (add.info.: Samson, Domenico Pellegrini, oil on canvas, cm 200 x 150)

Cain, 1902 (bronze)
3361991 Cain, 1902 (bronze) by Trentacoste, Domenico (1859-1933); 111x89x95 cm; Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio, Italy; Photo © Stefano Baldini

Giacomo Antonio Domenico Michele Secondo Maria Puccini, from Living Biographies of Great Composers
3961026 Giacomo Antonio Domenico Michele Secondo Maria Puccini, from Living Biographies of Great Composers by Ross, Gordon (1872-1946); (add.info)

St. Dominic holding a lily in one hand and a book in the other one, detail of 1630085 Polyptych with Saints, 1358
1630092 St. Dominic holding a lily in one hand and a book in the other one, detail of 1630085 Polyptych with Saints, 1358 by Veneziano, Paolo (fl.1333-62); Pinacoteca Comunale, San Severino Marche

Portable altar: right door panel depicting the Baptism of Christ, detail of 2384586 (tempera grassa on panel)
2384584 Portable altar: right door panel depicting the Baptism of Christ, detail of 2384586 (tempera grassa on panel) by Greco, El (Domenico Theotocopuli) (1541-1614); Galleria e Museo Estense

Tree of Life and Last Supper, detail of the Tree of Life and of the Crucifixion, c. 1350 (detached fresco)
6366133 Tree of Life and Last Supper, detail of the Tree of Life and of the Crucifixion, c.1350 (detached fresco) by Gaddi, Taddeo (c.1300-66); Santa Croce, Florence

Portable altar: detail of the right door panel depicting the Baptism of Christ (tempera grassa on panel)
2384585 Portable altar: detail of the right door panel depicting the Baptism of Christ (tempera grassa on panel) by Greco, El (Domenico Theotocopuli) (1541-1614); Galleria e Museo Estense, Modena

Removal of the Obelisk from the Circus of Nero (fresco)
828659 Removal of the Obelisk from the Circus of Nero (fresco) by Italian School, (16th century); Sistine Hall, Vatican Library, Vatican City; (add.info.: Relocated to St)

Female attendant, Birth of Virgin, by Domenico Ghirlandaio
Female attendant in the Birth of the Virgin, by Domenico Ghirlandaio (1448 - 1494), engraving after a fresco in the choir of Santa Maria Novella, Florence, Italy

Virgin proceeding to the Temple, by Domenico Ghirlandaio
The Virgin proceeding to the Temple with female attendants, by Domenico Ghirlandaio (1448-1494), engraving after a fresco in the choir of Santa Maria Novella, Florence, Italy. Date: 1485-1490

Gentlemen fencers in thrust and guard positions
Gentlemen fencers in position of the inside Carte and the thrust given on the outside flank called Flanconade. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencers in thrust and guard positions
Gentlemen fencers in position for the outside-guard called Tierce and the thrust from the outside under the wrist called Second

Gentlemen fencers in Tierce outside guard
Gentlemen fencers in position for the Tierce outside guard and the thrust on the same side with the wrist reversed in carte called Carte over the Arm

Defensive guard of the small sword (B) against an attack by the broad sword (A). Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in guard of sword and lantern
Gentleman fencer in the guard of the sword and lantern run through by a thrust from an opponent using sword and cloak. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in the guard of the sword and cloak opposed by the sword and lantern. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

The Spanish Guard defeated after an attempt of the Cut on the Head. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentleman fencer in the French Guard attack against an opponent in the Spanish Guard position (A). Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer making the return thrust in Tierce after having parried with the poignard. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in the Italian Guard position fighting with sword and dagger. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in guard and thrust positions
Gentlemen fencers in position for the inside-guard called Carte and the inside-thrust called Thrust in Carte. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer disarming his opponent on the Carte Thrust
Gentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer taking his opponents sword, second position of the Disarm after parrying his Carte Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

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"Domenico: A Journey Through Art, Beauty, and Deception" Step into the world Ghirlandaio (1449-1494), an Italian Renaissance painter whose works continue to captivate audiences today. His masterpiece "An Old Man and his Grandson" portrays a tender moment between generations, reminding us of the timeless bond shared within families. In contrast, his "Carnival Scene or the Minuet" transports us to a lively celebration filled with vibrant colors and joyous laughter. The energy is palpable as dancers twirl in sync to the enchanting melodies. Switching gears, we encounter gentlemen fencers in Tierce guard and thrust position. Domenico's attention to detail captures their poised stances and intense concentration, showcasing both skill and discipline. Moving forward in time, we delve into the artistry Fetti with "The Parable of the Mote and the Beam. " This thought-provoking piece challenges us to reflect on our own flaws before judging others—a timeless lesson beautifully depicted by Fetti's brushstrokes. El Greco takes center stage next with "Christ Carrying the Cross, " a powerful portrayal that evokes deep emotions within its viewers. The intensity in Christ's eyes speaks volumes about sacrifice and resilience. Shifting mediums from painting to engraving, we explore Hebe through Domenico Cunego's skilled hands. The delicate lines etched onto paper bring this Greek goddess of youth to life—her youthful radiance captivating all who gaze upon her image. Stepping away from art momentarily, we encounter Amomum, vochya, callisia, tapanhuacanga, portlandia, and fransin—an intriguing mix of botanical wonders that pique our curiosity about nature's diversity under Domenico’s lens. Music fills our ears as we uncover Coltel by Domenico Cimarosa—a harmonious composition that transports us to a world of melodic enchantment.