Dickens Collection (page 8)

"If you please, aunt, I am your nephew"
1192269 "If you please, aunt, I am your nephew". by Hammond, Gertrude E. Demain (1862-1952); Private Collection; (add.info.: David Copperfield published by George G Harrap & Co Ltd)

She looked so extraordinary earnest and pretty, that I stopped in a sort of wonder
1192268 She looked so extraordinary earnest and pretty, that I stopped in a sort of wonder by Hammond, Gertrude E. Demain (1862-1952); Private Collection; (add.info)

My mother is out of breath and rests herself in an elbow chair
1192266 My mother is out of breath and rests herself in an elbow chair by Hammond, Gertrude E. Demain (1862-1952); Private Collection; (add.info)

Illustration by Harry Furniss for the short story The Lazy Tour of Two Idle Apprentices from The Christmas Books by
1000770 Illustration by Harry Furniss for the short story The Lazy Tour of Two Idle Apprentices from The Christmas Books by Charles Dickens, 1910 (engraving) by Furniss

Illustration for Charles Dickens novel The Ghost's bargain, 1910 (engraving)
1000767 Illustration for Charles Dickens novel The Ghost's bargain, 1910 (engraving) by Furniss, Harry (1854-1925); Private Collection; (add.info.: The Phantom)

Illustration for Charles Dickens novel The Ghost's bargain, 1910 (engraving)
1000768 Illustration for Charles Dickens novel The Ghost's bargain, 1910 (engraving) by Furniss, Harry (1854-1925); Private Collection; (add.info.: "I'll Bite, If You Hit Me)

They were entire mistresses of the place
1192280 They were entire mistresses of the place by Hammond, Gertrude E. Demain (1862-1952); Private Collection; (add.info.: David Copperfield published by George G Harrap & Co Ltd)

The face he turned up to the troubled sky, the agony of his figure, remain in my remembrance to this hour
1192275 The face he turned up to the troubled sky, the agony of his figure, remain in my remembrance to this hour by Hammond, Gertrude E

Thus, in this silent hour, I left him
1192274 Thus, in this silent hour, I left him by Hammond, Gertrude E. Demain (1862-1952); Private Collection; (add.info.: David Copperfield published by George G Harrap & Co Ltd)

The Four Sisters. "Where on earth the husband came from, by what feelings the poor man could have been actuated
1000841 The Four Sisters. "Where on earth the husband came from, by what feelings the poor man could have been actuated

Mr. Micawber Achieves the Downfall of Heep. "The triumphant flourish with which Mr
1000815 Mr. Micawber Achieves the Downfall of Heep. "The triumphant flourish with which Mr. Micawber delivered himslef of the words, had a powerful effect in alarming the mother

Mr. Micawber Takes David Home. " We walked to our house together, Mr
1000811 Mr. Micawber Takes David Home. " We walked to our house together, Mr. Micawber impressing the names of streets, and the shapes of corner houses upon me

Miss Haredale. Illustration by Harry Furniss for the Charles Dickens novel Barnaby Rudge, from The Testimonial Edition
1000800 Miss Haredale. Illustration by Harry Furniss for the Charles Dickens novel Barnaby Rudge, from The Testimonial Edition, published 1910. by Furniss, Harry (1854-1925); Private Collection

Tilly Slowboy. Illustration by Harry Furniss for the short story The Cricket on the Hearth from The Christmas Books by
1000765 Tilly Slowboy. Illustration by Harry Furniss for the short story The Cricket on the Hearth from The Christmas Books by Charles Dickens, published in The Testimonial Edition of 1910

Magwitch under sentence of death. "A broad shaft of light came in through the great windows of the court
1000756 Magwitch under sentence of death. "A broad shaft of light came in through the great windows of the court. Rising for a moment, a distinct speck of face in this ray of light

Provis. Illustration by Harry Furniss for the Charles Dickens novel Great Expectations
1000755 Provis. Illustration by Harry Furniss for the Charles Dickens novel Great Expectations, from The Testimonial Edition published 1910. by Furniss, Harry (1854-1925); Private Collection

David Copperfield. Illustration by Harry Furniss for the Charles Dickens novel David Copperfield
1000810 David Copperfield. Illustration by Harry Furniss for the Charles Dickens novel David Copperfield, from The Testimonial Edition, published 1910

The Smallweed Family. "What work are you about now?" says Judy Smallweed, like a very sharp old beldame
1000809 The Smallweed Family. "What work are you about now?" says Judy Smallweed, like a very sharp old beldame

Illustration for Charles Dickens novel Barnaby Rudge, 1910 (engraving)
1000799 Illustration for Charles Dickens novel Barnaby Rudge, 1910 (engraving) by Furniss, Harry (1854-1925); Private Collection; (add.info.: Dolly Varden)

Illustration for Charles Dickens Novel A Tale of two cities, 1910 (engraving)
1000790 Illustration for Charles Dickens Novel A Tale of two cities, 1910 (engraving) by Furniss, Harry (1854-1925); Private Collection; (add.info.: Madame Defarge)

Illustration for Charles Dickens The Old Curiosity Shop, 1910 (engraving)
1000780 Illustration for Charles Dickens The Old Curiosity Shop, 1910 (engraving) by Furniss, Harry (1854-1925); Private Collection; (add.info.: The Schoolmaster)

The Begging Letter Writer. Illustration by Harry Furniss for the Charles Dickens novel Great Expectations
1000758 The Begging Letter Writer. Illustration by Harry Furniss for the Charles Dickens novel Great Expectations, from The Testimonial Edition published 1910

Mr. F.s Aunt. Illustration by Harry Furniss for the Charles Dickens novel Little Dorrit, from The Testimonial Edition
1000839 Mr. F.'s Aunt. Illustration by Harry Furniss for the Charles Dickens novel Little Dorrit, from The Testimonial Edition, published 1910. by Furniss, Harry (1854-1925); Private Collection

Joey B. Illustration by Harry Furniss for the Charles Dickens novel Dombey and Son, from The Testimonial Edition
1000833 Joey B. Illustration by Harry Furniss for the Charles Dickens novel Dombey and Son, from The Testimonial Edition, published 1910. by Furniss, Harry (1854-1925); Private Collection

Major Tpschoffki. Illustration by Harry Furniss for a Charles Dickens Christmas story, Going Into Society
1000831 Major Tpschoffki. Illustration by Harry Furniss for a Charles Dickens Christmas story, Going Into Society, from The Testimonial Edition, published 1910

Oliver Falls in with The Artful Dodger. " Hullo, my covey, what's the row
1000818 Oliver Falls in with The Artful Dodger. " Hullo, my covey, what's the row?" said this strange young gentleman to Oliver

Martha the Wanderer. Illustration by Harry Furniss for the Charles Dickens novel David Copperfield
1000814 Martha the Wanderer. Illustration by Harry Furniss for the Charles Dickens novel David Copperfield, from The Testimonial Edition, published 1910

She came out of my room, comparitively speaking, lovely
1192273 She came out of my room, comparitively speaking, lovely by Hammond, Gertrude E. Demain (1862-1952); Private Collection; (add.info.: David Copperfield published by George G Harrap & Co Ltd)

I saw her turn round, in the grave light of the old staircase, and wait for us
1192270 I saw her turn round, in the grave light of the old staircase, and wait for us by Hammond, Gertrude E. Demain (1862-1952); Private Collection; (add.info)

Little Em'ly had stopped and looked up at the sky
1192267 Little Em'ly had stopped and looked up at the sky by Hammond, Gertrude E. Demain (1862-1952); Private Collection; (add.info.: David Copperfield published by George G Harrap & Co Ltd)

Illustration for A Christmas Carol from The Christmas Books by Charles Dickens, 1910 (engraving)
1000761 Illustration for A Christmas Carol from The Christmas Books by Charles Dickens, 1910 (engraving) by Furniss, Harry (1854-1925); Private Collection; (add.info.: The Ghostly Knocker)

Illustration for A Christmas Carol from The Christmas Books by Charles Dickens, 1910 (engraving)
1000760 Illustration for A Christmas Carol from The Christmas Books by Charles Dickens, 1910 (engraving) by Furniss, Harry (1854-1925); Private Collection; (add.info.: Scrooge Objects to Christmas)

Fagin in the Condemned Cell. " He sat down on a stone bench opposite the door
1000821 Fagin in the Condemned Cell. " He sat down on a stone bench opposite the door, which served for a seat and bedstead, and casting his bloodshot eyes upon the grond

Illustration for A Christmas Carol from The Christmas Books by Charles Dickens, 1910 (engraving)
1000763 Illustration for A Christmas Carol from The Christmas Books by Charles Dickens, 1910 (engraving), by Furniss, Harry (1854-1925); Private Collection; (add.info.: The Last of the Spirits)

Illustration for A Christmas Carol from The Christmas Books by Charles Dickens, 1910 (engraving)
1000762 Illustration for A Christmas Carol from The Christmas Books by Charles Dickens, 1910 (engraving), by Furniss, Harry (1854-1925); Private Collection; (add.info.: Marley's Ghost)

Sunlit Square, Victoria Station
ATK28824 Sunlit Square, Victoria Station by Ginner, Charles (1878-1952); Atkinson Art Gallery, Southport, Lancashire, UK; (add.info.: by Charles Ginner); © The Atkinson

Trotty's Dream. "Had Trotty dreamed? Or are his joys and sorrows, and the actors in them
1000764 Trotty's Dream. "Had Trotty dreamed? Or are his joys and sorrows, and the actors in them, but a dream; himself a dream; the teller of this tale a dreamer, waking but now

Mrs. Skewton (engraving)
1000835 Mrs. Skewton (engraving) by Furniss, Harry (1854-1925); Private Collection; (add.info.: Illustration by Harry Furniss for the Charles Dickens novel Dombey and Son)

Mr. Boffin Among the Mounds. "He measured a shovel's length from the pole before digging
1000774 Mr. Boffin Among the Mounds. "He measured a shovel's length from the pole before digging. Then from the cavity he made he took out what appeared to be an ordinary case-bottle; one of

The Death Struggle in the Lock. " Aint I told you. " "I'll hold you living
1000776 The Death Struggle in the Lock. " Aint I told you." "I'll hold you living, and I'll hold you dead." cried Bradley, as Riderhood went over the smooth pit backward

Fledgeby and Mr. Riah in the Counting House. "Perched on the stool with his hat cocked on his head
1000772 Fledgeby and Mr. Riah in the Counting House. "Perched on the stool with his hat cocked on his head and one of his legs dangling

Title page to manuscript of Dombey and Son in Charles DIckens own hand writing
709568 Title page to manuscript of Dombey and Son in Charles DIckens own hand writing. Charles John Huffam Dickens, 1812 -1870. English writer and social critic

From the manuscript of Oliver Twist by Charles Dickens, showing that Mr. Bill Sikes first had his name spelled with a
709562 From the manuscript of Oliver Twist by Charles Dickens, showing that Mr. Bill Sikes first had his name spelled with a y, and including passages not in the published book

Mr. Wrayburn's Method of Ejection. "The fact that Mr. Dolls exhibited a tendency to fall asleep
1000775 Mr. Wrayburn's Method of Ejection. "The fact that Mr. Dolls exhibited a tendency to fall asleep, thereby threatening a prolonged stay on the premises, necessitated vigorous measures

Mr. Riah and Miss Wren at the Six Jolly Fellowship Porters. "Stop a bit, " interposed Miss Wren
1000773 Mr. Riah and Miss Wren at the Six Jolly Fellowship Porters. "Stop a bit, " interposed Miss Wren. "I'll give the lady my card." She produced it from her pocket after

One of the title pages written by Charles Dickens when he was working on his novel Martin Chuzzlewit
709566 One of the title pages written by Charles Dickens when he was working on his novel Martin Chuzzlewit. Charles John Huffam Dickens, 1812 -1870. English writer and social critic

Part of Charles Dicken's manuscript notes re the plot of The Old Curiosity Shop
709564 Part of Charles Dicken's manuscript notes re the plot of The Old Curiosity Shop. Charles John Huffam Dickens, 1812 -1870. English writer and social critic

Silas Wegg on his Way to the Bower, 1910 (engraving)
1000771 Silas Wegg on his Way to the Bower, 1910 (engraving) by Furniss, Harry (1854-1925); Private Collection; (add.info.: "Mr)

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"Dickens: A Tale of Literary Brilliance and Enduring Legacy" Charles Dickens, the renowned English novelist, left an indelible mark on literature with his captivating storytelling. In the 1870s, artist Robert William Buss attempted to capture the essence of "Dickens Dream" in an unfinished oil painting. This artwork serves as a testament to Dickens' imaginative genius that continues to inspire readers even today. Another poignant image associated with the iconic "Empty Chair. " Symbolizing his absence after his passing in 1870, this chair represents a void left behind by a literary giant whose words still resonate across generations. One cannot discuss Charles Dickens without mentioning some of his unforgettable characters. From Oliver Twist meeting the mischievous Artful Dodger to Bill Sykes portrayed chillingly by Barnard, these figures have become ingrained in our cultural consciousness. A notable work that showcases both Dickens' social commentary and heartwarming themes is "A Christmas Carol. " Illustrated by Harold Cropping in a 1920 edition, it depicts Bob Cratchit and Tiny Tim embodying compassion and redemption amidst Victorian London's harsh realities. Exploring darker corners of society was also characteristic of Dickens' writing. The mysterious Folly Ditch at Jacobs Island provides insight into the author's fascination with hidden worlds and societal injustices prevalent during his time. In addition to immortalizing memorable characters and settings, Charles Dickens himself became synonymous with his creations. His influence extended beyond literature; he became an icon representing resilience against adversity and championing social reform. Even today, we can witness how deeply embedded Dickens remains within popular culture. Whether through Bibby's depiction or Cecil Aldin's evocative illustrations in "In the Days of Dickens, " these artistic interpretations continue to bring life to his timeless stories. Finally, one cannot forget Scrooge's transformative encounter when he sees Marley's ghostly face—a pivotal moment illustrating redemption and the power of self-reflection.