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Dancer Collection (page 100)

"Dancer

Background imageDancer Collection: The Singer Rosita Mauri; La Chanteuse Rosita Mauri, (soft pencil on paper)

The Singer Rosita Mauri; La Chanteuse Rosita Mauri, (soft pencil on paper)
653022 The Singer Rosita Mauri; La Chanteuse Rosita Mauri, (soft pencil on paper) by Renoir, Pierre Auguste (1841-1919); 43.8x29.9 cm; Private Collection; (add.info)

Background imageDancer Collection: Study of Dancers; Etude de Danseuses, (charcoal and pastel on paper)

Study of Dancers; Etude de Danseuses, (charcoal and pastel on paper)
652504 Study of Dancers; Etude de Danseuses, (charcoal and pastel on paper) by Degas, Edgar (1834-1917); 47.5x62.1 cm; Private Collection; (add.info.: Study of Dancers; Etude de Danseuses)

Background imageDancer Collection: Spanish Cabaret (oil on panel)

Spanish Cabaret (oil on panel)
827220 Spanish Cabaret (oil on panel) by GarcAia Ramos, Jose(1852-1912); 27.3x16.5 cm; Private Collection; (add.info.: Spanish Cabaret. Jose Garcia Ramos (1852-1912). Oil on panel

Background imageDancer Collection: Dancer; Danseuse, 1897-1900 (pastel on paper)

Dancer; Danseuse, 1897-1900 (pastel on paper)
825767 Dancer; Danseuse, 1897-1900 (pastel on paper) by Degas, Edgar (1834-1917); 52.6x35 cm; Private Collection; (add.info.: Dancer; Danseuse. Edgar Degas (1834-1917). Pastel on paper

Background imageDancer Collection: Illustration for 'Notre-Dame de Paris'by Victor Hugo

Illustration for "Notre-Dame de Paris"by Victor Hugo
PCT4267493 Illustration for " Notre-Dame de Paris" by Victor Hugo: Esmeralda dances playing tambourine next to her goat, beginning 20th century (litho) by French School

Background imageDancer Collection: Pirate costume design for Daphnis and Chloe, 1913 (watercolour on board)

Pirate costume design for Daphnis and Chloe, 1913 (watercolour on board)
3928621 Pirate costume design for Daphnis and Chloe, 1913 (watercolour on board) by Bakst, Leon (1866-1924); 26.8x39.5 cm; Cooper-Hewitt, National Design Museum, Smithsonian Institution, NY

Background imageDancer Collection: Plate 188. Dancing (fancy), 1872-85 (collotype on paper)

Plate 188. Dancing (fancy), 1872-85 (collotype on paper)
3950382 Plate 188. Dancing (fancy), 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.4x41 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageDancer Collection: Plate 195. Dancing Waltz, 1872-85 (collotype on paper)

Plate 195. Dancing Waltz, 1872-85 (collotype on paper)
3950194 Plate 195. Dancing Waltz, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.3x40.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageDancer Collection: Can you do this? (b / w photo)

Can you do this? (b / w photo)
3651756 Can you do this? (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Can you do this)

Background imageDancer Collection: Portrait of Lydia Thompson, c. 1865 (photo)

Portrait of Lydia Thompson, c. 1865 (photo)
3666801 Portrait of Lydia Thompson, c.1865 (photo) by Sarony, Napoleon (1821-96); Private Collection; (add.info.: Lydia Thompson (1838 - 1908), was an English dancer, comedian, actress

Background imageDancer Collection: At the age of 15 in her school dress (b / w photo)

At the age of 15 in her school dress (b / w photo)
3630769 At the age of 15 in her school dress (b/w photo) by Russian Photographer (19th century) (after); Private Collection; (add.info.: At the age of 15 in her school dress)

Background imageDancer Collection: Victorian New Year card of a harlequin and a dancer presiding over a rather startled

Victorian New Year card of a harlequin and a dancer presiding over a rather startled
3604014 Victorian New Year card of a harlequin and a dancer presiding over a rather startled looking clown, c.1880 (colour litho) by English School

Background imageDancer Collection: Dance of the Sons of Alcynous, 1790-92 (plaster)

Dance of the Sons of Alcynous, 1790-92 (plaster)
3497489 Dance of the Sons of Alcynous, 1790-92 (plaster) by Canova, Antonio (1757-1822); 141x281 cm; Fondazione Cariplo, Milan, Lombardy

Background imageDancer Collection: Arab Dancers from the series Voyage to the Levant 1819 (engraving)

Arab Dancers from the series Voyage to the Levant 1819 (engraving)
3480392 Arab Dancers from the series Voyage to the Levant 1819 (engraving) by Fragonard, Alexandre Evariste (1780-1850); (add.info.: Arab Dancers from the series Voyage to the Levant 1819)

Background imageDancer Collection: Tamara Karsavina caricature by

Tamara Karsavina caricature by
3771447 Tamara Karsavina caricature by by Legat, Nicolas (1869-1937); (add.info.: Tamara Karsavina, caricature by Nicolas Legat. Russian dancer1885-1978. Legat 1869-1937); Lebrecht Authors

Background imageDancer Collection: Anna Pavlova caricature by

Anna Pavlova caricature by
3771446 Anna Pavlova caricature by by Legat, Nicolas (1869-1937); (add.info.: Anna Pavlova, caricature by Nicolas Legat. Russian dancer 31 January 1881-22 January 1931)

Background imageDancer Collection: 'Dancing Dervishes', Folio from a Divan of Hafiz, c

"Dancing Dervishes", Folio from a Divan of Hafiz, c
6366292 " Dancing Dervishes", Folio from a Divan of Hafiz, c.1480 (opaque w/c & gold on paper) by Persian School, (15th century); 29.9x18.9 cm; Metropolitan Museum of Art, New York

Background imageDancer Collection: Midsummer Dance at Rattvik, 1852 (oil on canvas)

Midsummer Dance at Rattvik, 1852 (oil on canvas)
6041616 Midsummer Dance at Rattvik, 1852 (oil on canvas) by Zoll, Kilian Christoffer (1818-60); 31.5x41 cm; National Museum, Stockholm, Sweden; Swedish, out of copyright

Background imageDancer Collection: Caricatures (colour litho)

Caricatures (colour litho)
5999660 Caricatures (colour litho) by Sirat, Joseph (1869-1937); Private Collection; (add.info.: Caricatures. Illustration from Nos Celebrites Contemporaines)

Background imageDancer Collection: Danseuse, 1888 (oil on canvas)

Danseuse, 1888 (oil on canvas)
5673811 Danseuse, 1888 (oil on canvas) by Toulouse-Lautrec, Henri de (1864-1901); Private Collection; Photo eChristies Images; French, out of copyright

Background imageDancer Collection: Dancer Putting on Her Stocking, 1890-1911 (pigmented beeswax, metal armature, cork

Dancer Putting on Her Stocking, 1890-1911 (pigmented beeswax, metal armature, cork
5667927 Dancer Putting on Her Stocking, 1890-1911 (pigmented beeswax, metal armature, cork, on wooden base) by Degas, Edgar (1834-1917); 48.2x19x31 cm; National Gallery of Art, Washington DC

Background imageDancer Collection: Spanish Dance, c. 1880 (pigmented beeswax, metal armature, on wooden base)

Spanish Dance, c. 1880 (pigmented beeswax, metal armature, on wooden base)
5667914 Spanish Dance, c.1880 (pigmented beeswax, metal armature, on wooden base) by Degas, Edgar (1834-1917); 44.6x12.2x22 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageDancer Collection: F. 13 A Dance in Otaheite, c. 1773-84 (w / c)

F. 13 A Dance in Otaheite, c. 1773-84 (w / c)
5671377 F.13 A Dance in Otaheite, c.1773-84 (w/c) by Webber, John (1750-93); Mitchell Library, State Library of New South Wales; (add.info.: Vol)

Background imageDancer Collection: Dancer Fastening the String of Her Tights, c. 1885-1890 (pigmented beeswax, plastiline

Dancer Fastening the String of Her Tights, c. 1885-1890 (pigmented beeswax, plastiline
5667932 Dancer Fastening the String of Her Tights, c.1885-1890 (pigmented beeswax, plastiline, metal armature, cork, on wooden base) by Degas

Background imageDancer Collection: Dancing: Sir Roger de Coverley, 1820 (litho)

Dancing: Sir Roger de Coverley, 1820 (litho)
6027886 Dancing: Sir Roger de Coverley, 1820 (litho) by Macquoid, Percy (1852-1925); Private Collection; (add.info.: Sir Roger de Coverley, 1820)

Background imageDancer Collection: French ballet dancer Louise Fitzjames dancing at the Paris Opera, 1844 (colour litho)

French ballet dancer Louise Fitzjames dancing at the Paris Opera, 1844 (colour litho)
6032442 French ballet dancer Louise Fitzjames dancing at the Paris Opera, 1844 (colour litho) by European School, (19th century); Private Collection; (add.info)

Background imageDancer Collection: Angelina Fioretti, Italian ballerina of the Paris Opera (b / w photo)

Angelina Fioretti, Italian ballerina of the Paris Opera (b / w photo)
6032058 Angelina Fioretti, Italian ballerina of the Paris Opera (b/w photo) by Reutlinger Studio (1850-1937) (after); Private Collection; (add.info.: Angelina Fioretti (1846-1879)

Background imageDancer Collection: Kitty Mason, English dancer and actress (b / w photo)

Kitty Mason, English dancer and actress (b / w photo)
6032642 Kitty Mason, English dancer and actress (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Kitty Mason (born 1882), English dancer and actress

Background imageDancer Collection: Italian ballet dancer Marie Taglioni in her father Filippo Taglionis ballet Le Sylphide at

Italian ballet dancer Marie Taglioni in her father Filippo Taglionis ballet Le Sylphide at the Paris Opera
6032461 Italian ballet dancer Marie Taglioni in her father Filippo Taglionis ballet Le Sylphide at the Paris Opera, 1832 (colour litho) by Alophe

Background imageDancer Collection: Italian ballet dancer Carolina Rosati in Adolphe Adams ballet Le Corsaire at the Paris Opera

Italian ballet dancer Carolina Rosati in Adolphe Adams ballet Le Corsaire at the Paris Opera, 1856 (colour litho)
6032438 Italian ballet dancer Carolina Rosati in Adolphe Adams ballet Le Corsaire at the Paris Opera, 1856 (colour litho) by Alophe

Background imageDancer Collection: Enrica Varasi, prima ballerina in L Amour at the Alhambra Ballet, London (b / w photo)

Enrica Varasi, prima ballerina in L Amour at the Alhambra Ballet, London (b / w photo)
6032155 Enrica Varasi, prima ballerina in L Amour at the Alhambra Ballet, London (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Enrica Varasi)

Background imageDancer Collection: Tamara Karsavina, Russian prima ballerina, in a Ballets Russes production of Igor Stravinskys

Tamara Karsavina, Russian prima ballerina, in a Ballets Russes production of Igor Stravinskys ballet Petrushka
6031028 Tamara Karsavina, Russian prima ballerina, in a Ballets Russes production of Igor Stravinskys ballet Petrushka (b/w photo) by English Photographer

Background imageDancer Collection: Les Graces, Inconveniences in Quadrille Dancing, 1817 (etching

Les Graces, Inconveniences in Quadrille Dancing, 1817 (etching
4969080 Les Graces, Inconveniences in Quadrille Dancing, 1817 (etching, hand-coloured on wove paper) by Cruikshank, George (1792-1878); 20.7x31 cm; New York Public Library

Background imageDancer Collection: Cabaret, 1904 (colour litho)

Cabaret, 1904 (colour litho)
5208536 Cabaret, 1904 (colour litho) by Reznicek, Ferdinand von (1868-1909); Private Collection; (add.info.: Cabaret, 1904. Cartoon for the German satirical magazine Simplicissimus)

Background imageDancer Collection: English cartoon depicting male members of the audience captivated by a performance by

English cartoon depicting male members of the audience captivated by a performance by controversial French ballerina
5208534 English cartoon depicting male members of the audience captivated by a performance by controversial French ballerina Mademoiselle Parisot, 1802 (colour litho) by Newton

Background imageDancer Collection: The Little Dancer (oil on canvas)

The Little Dancer (oil on canvas)
5889214 The Little Dancer (oil on canvas) by Philpot, Glyn Warren (1884-1937); 143x115.1 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageDancer Collection: Design for Anna Pavlovas Costume of Columbine in Arlequinade

Design for Anna Pavlovas Costume of Columbine in Arlequinade
1217766 Design for Anna Pavlovas Costume of Columbine in Arlequinade, 1909 (graphite and watercolour on off-white paper) by Somov, Konstantin Andreevic (1869-1939); 30.6x21.8 cm; Ashmolean Museum

Background imageDancer Collection: Portrait of Isadora Duncan dancing (brush and Indian ink over traces of graphite

Portrait of Isadora Duncan dancing (brush and Indian ink over traces of graphite
1217595 Portrait of Isadora Duncan dancing (brush and Indian ink over traces of graphite, corrected in white bodycolour on fine-textured off-white paper) by Bakst

Background imageDancer Collection: Dancer Looking at the Sole of her Right Foot, 1896-1897 (bronze)

Dancer Looking at the Sole of her Right Foot, 1896-1897 (bronze)
500447 Dancer Looking at the Sole of her Right Foot, 1896-1897 (bronze) by Degas, Edgar (1834-1917); h:46.35 w:21.59 d:20.32 cm; Cleveland Museum of Art, OH

Background imageDancer Collection: Kashmiri Nautch Girls, c. 1860s (b / w photo)

Kashmiri Nautch Girls, c. 1860s (b / w photo)
498658 Kashmiri Nautch Girls, c.1860s (b/w photo) by British Photographer, (19th century); Private Collection; (add.info.: Performers of the traditional Indian Nautch dances.); British

Background imageDancer Collection: Portrait of a Nautch Girl, c. 1860s (b / w photo)

Portrait of a Nautch Girl, c. 1860s (b / w photo)
498630 Portrait of a Nautch Girl, c.1860s (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Dancer of the popular Indian Nautch dances.); out of copyright

Background imageDancer Collection: Self-portrait, imposed on preliminary studies for two canephori of the Steccata

Self-portrait, imposed on preliminary studies for two canephori of the Steccata
615254 Self-portrait, imposed on preliminary studies for two canephori of the Steccata (pen & brown ink on white paper) by Parmigianino (Francesco Mazzola) (1503-40)

Background imageDancer Collection: A girl dancing the Kuharwa, from The Costume, Character, Manners

A girl dancing the Kuharwa, from The Costume, Character, Manners
619397 A girl dancing the Kuharwa, from The Costume, Character, Manners, Domestic Habits and Religious Ceremonies of the Mahrattas by T. D. Broughton, etching by J. A

Background imageDancer Collection: Dancer with finger on chin (plaster) (detail) (see also 698750)

Dancer with finger on chin (plaster) (detail) (see also 698750)
698751 Dancer with finger on chin (plaster) (detail) (see also 698750) by Canova, Antonio (1757-1822) (after); BibliothAque Paul-Marmottan, Ville de Boulogne-Billancourt, Academie des Beaux-Arts



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"Dancer: The Art of Movement and Expression" From the elegant grace of Ginger Rogers dancing with her partner Fred Astaire to the ethereal beauty of Anna Pavlova performing Swan Lake, the world of dance is a mesmerizing realm where emotions are conveyed through every step. Witnessing an Arab girl effortlessly gliding across the floor, captivating audiences with her fluid movements, reminds us that dance transcends borders and cultures. Similarly, Rudolf Nureyev and Margot Fonteyn's enchanting rendition of Swan Lake showcases their unparalleled chemistry and skill. The dynamic duo Margot Fonteyn and Rudolph Nureyev leave spectators in awe as they flawlessly execute intricate routines that seem to defy gravity. Their partnership epitomizes the magic created when two dancers connect on a profound level. Ginger Rogers and Fred Astaire's iconic collaboration has left an indelible mark on dance history. With their impeccable synchronization and undeniable charm, they set new standards for elegance in motion. Traveling to Algeria unveils the captivating allure of Moorish belly dancers who bewitch with every twist and turn. Their rhythmic undulations evoke a sense of mystery while celebrating centuries-old traditions. Kay Nielsen's illustration "The Chariot" captures the essence of movement frozen in time - a testament to how art can encapsulate both power and grace simultaneously. Fred Astaire's timeless performance in Mark Sandrichs' Top Hat (1935) showcases his unmatched talent for seamlessly fusing music, rhythm, and style into one unforgettable experience. On Dance magazine's January 1929 cover lies a glimpse into an era where dance was at its zenith; it serves as a reminder that this art form has always been cherished throughout history. Originating from Argentina in 1912, Tango embodies passion like no other dance genre. Its sensual embrace between partners tells stories without uttering any words – only through movement do emotions come alive.