Dagger Collection (page 8)

Portrait of Ferdinand Alvarez de Toledo y Pimentel, 3rd Duke of Alba, or the Iron Duke
5913158 Portrait of Ferdinand Alvarez de Toledo y Pimentel, 3rd Duke of Alba, or the Iron Duke. In suit of armour with chain of the order of the Golden Fleece

A standing Moroccan (pencil & w/c on paper)
7394757 A standing Moroccan (pencil & w/c on paper) by Delacroix, Ferdinand Victor Eugene (1798-1863); 32.4 x 24.3 cm; Private Collection; (add.info)

90858

Convair TF-102A Delta Dagger 56-2346 (msn 8-12-78), mounted on a plinth at the Pennsylvania National Guard Military Museum, Annville, PA 17003, United States. Date: circa 2000

Convair TF-102A Delta Dagger 56-2353
Convair TF-102A-41-CO Delta Dagger 56-2353 (MSN 8-12-85), display at Wisconsin ANG, Volk Field, Camp Douglas, Wisconsin. Date: circa 2000

Convair F-102A Delta Dagger 56-1273
Convair F-102A-70-CO Delta Dagger 56-1273 (MSN 8-10-490), display at Wisconsin ANG, Volk Field, Camp Douglas, Wisconsin. Date: circa 2000

Convair F-102A Delta Dagger 56-1052 - 56-1032
Convair F-102A-60-CO Delta Dagger 56-1052 / 56-1032 (msn 8-10-269), falsely marked as 56-1032, commemorating the 32 TFS based at Soesterburg

Convair TF-102A Delta Dagger 55-4035
Convair TF-102A-30-CO Delta Dagger 55-4035, on display at the Hellenic Air Force Museum, on Tatoi AB, Dekeleia, Greece Date: circa 2000

Costume for La Haine for the tragedy Armida, 1764 (watercolour)
GIA4786601 Costume for La Haine for the tragedy Armida, 1764 (watercolour) by French School, (18th century); Bibliotheque de l'Opera Garnier, Paris

Dagger with Scabbard, 1605-27 (steel, iron, gold, rubies, emeralds, glass, wood & textile)
7335577 Dagger with Scabbard, 1605-27 (steel, iron, gold, rubies, emeralds, glass, wood & textile) by Mughal School, (17th century); Metropolitan Museum of Art, New York, USA

An assortment of tools and spearheads (wood and metal)
KND176627 An assortment of tools and spearheads (wood and metal) by Viking, (6th century); Viking Ship Museum, Oslo, Norway; (add.info.: outils et pointes de lance;)

Wallachian Postilion; A Visit to the Danubian Principalities, 1875. Creator: Nelson Boyd
Wallachian Postilion; A Visit to the Danubian Principalities, 1875. [Wallachia can refer to a region of Romania, or (Moravian Wallachia), a region in what is now the Czech Republic]

Moorish Caid; Visit to the Sultan of Morocco, at Fez, in the spring of 1871, 1871. Creator: T. Blackmore
Moorish Caid; Visit to the Sultan of Morocco, at Fez, in the spring of 1871, 1871. [North African leader]. From, Illustrated Travels by H.W. Bates. [Cassell, Petter, and Galpin, c1880, London]

Dido holding a dagger in her right hand, left arm outstreched, ca. 1510. Creator: Marcantonio Raimondi
Dido holding a dagger in her right hand, left arm outstreched, ca. 1510

Saint Catherine, within a niche, 1615-75. Creator: Lucas Vorsterman
Saint Catherine, within a niche, 1615-75

William Shakespeare, 1747. Creator: Jacobus Houbraken
William Shakespeare, 1747

The marechal of Vieilleville planting his dagger in a patent by which the King of France Henry II (1519-1559)
XEE4407467 The marechal of Vieilleville planting his dagger in a patent by which the King of France Henry II (1519-1559) gave him

Bluebeard (Bluebeard), Conte by Charles Perrault (1628-1703). Illustration of Vaccari
XEE4181511 Bluebeard (Bluebeard), Conte by Charles Perrault (1628-1703). Illustration of Vaccari and Carrey in " Les beaux tales" collection " Nos loisirs" around 1910

Russian solider with his horse, 1885 (engraving)
IND388214 Russian solider with his horse, 1885 (engraving) by Russian School (19th century); Private Collection; Image/Index

Nebuchadnezzar orders the sons of the rebel Zedekiah to be killed - engraving in "The Bible illustree"by
XEE4161135 Nebuchadnezzar orders the sons of the rebel Zedekiah to be killed - engraving in " The Bible illustree" by Gustave Dore (1832-1883)

Edward I, while Prince of Wales killing the Assassin who wounded him with a poisoned Dagger
3630920 Edward I, while Prince of Wales killing the Assassin who wounded him with a poisoned Dagger, in the Holy Land (engraving) by Wale

Esta es la vide (its life) (painting)
AIS5373281 Esta es la vide (its life) (painting) by Anonymous; (add.info.: Men and women drink alcohol, entertained by a guitar player)

Naked men fight. Engraved by Antonio Pollaiuolo (Pollaiolo) (1432-1498), 15th century Paris, Musee Du Petite Palais
JLJ4687540 Naked men fight. Engraved by Antonio Pollaiuolo (Pollaiolo) (1432-1498), 15th century Paris, Musee Du Petite Palais by Pollaiuolo, Antonio (1432/3-98); Musee du Petit Palais, Paris

Allegory of cruelty. The tigers head on which it is capped and the diamond on the heart mean the hardness of the heart
XEE4135619 Allegory of cruelty. The tigers head on which it is capped and the diamond on the heart mean the hardness of the heart

The Suicide of Caton the Young, 1524-1530 (fresco)
LRI4601839 The Suicide of Caton the Young, 1524-1530 (fresco) by Beccafumi, Domenico (1486-1551); Palazzo Casini Casuccini, Siena

Ceres protecting Triptoleme from King Lyncus The king of Thrace Lyncus tries to kill Triptoleme
JLJ4603720 Ceres protecting Triptoleme from King Lyncus The king of Thrace Lyncus tries to kill Triptoleme, charged by Ceres with the mission of repanding seeds, in his sleep

Apollo and Marsyas (oil on canvas, 1618. )
LRI4607208 Apollo and Marsyas (oil on canvas, 1618.) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Palatine Gallery, Pitti Palace, Florence; (add.info.: Apollo and Marsyas)

The bad effects of the game, the theft and the fight. Two players threatened with their weapons Miniature
LRI4665139 The bad effects of the game, the theft and the fight. Two players threatened with their weapons Miniature from " The Book of Good Moors" by Jacques the Great (1360-1415/1418)

Dutch peasant with two daggers attacks another card player in a, 1803 (engraving)
7233026 Dutch peasant with two daggers attacks another card player in a, 1803 (engraving) by Deuchar, David (1743-1808); Private Collection; (add.info)

French Revolution: "Charlotte Corday (1768-1793) at the time of the assassination Jean Paul Marat"Painting by
JLJ4588073 French Revolution: " Charlotte Corday (1768-1793) at the time of the assassination Jean Paul Marat" Painting by Paul Baudry (1828-1885), 1860, 203 x 154 cm

The sacrifice of Isaac
3567374 The sacrifice of Isaac by Cardi Cigoli, Ludovico (1559-1613); Palatine Gallery, Pitti Palace, Florence; (add.info.: ARTIST: Cigoli, Ludovico Cardi)

The Death of Virginia, lunette, 1531-32 (fresco)
ALI79363 The Death of Virginia, lunette, 1531-32 (fresco) by Romanino, Girolamo (c.1485-c.1566); Castello del Buonconsiglio, Trento, Italy; Alinari

A Gaul Killing Himself having Killed his Wife before the Enemy, also known as Paetus and Arria
ALI169437 A Gaul Killing Himself having Killed his Wife before the Enemy, also known as Paetus and Arria, Roman copy of a Greek original (marble) (b/w photo) by Roman; Museo Nazionale Romano, Rome

Battle between Gladiators, detail of a gladiator pinning another to the ground, 320 AD (mosaic)
ALI177909 Battle between Gladiators, detail of a gladiator pinning another to the ground, 320 AD (mosaic) by Roman, (4th century AD); Galleria Borghese, Rome, Lazio

Battle between Gladiators, detail of a gladiator fighting and a victorious gladiator, 320 AD (mosaic)
ALI177910 Battle between Gladiators, detail of a gladiator fighting and a victorious gladiator, 320 AD (mosaic) by Roman, (4th century AD); Galleria Borghese, Rome, Lazio

Miracle of the Jealous Husband, 1511 (fresco) (detail of 2197180)
2197232 Miracle of the Jealous Husband, 1511 (fresco) (detail of 2197180) by Titian (Tiziano Vecellio) (c.1488-1576); 340x207 cm; Basilica of Saint Anthony, Padua, Italy; (add.info.: Padova)

Miracle of the Jealous Husband, 1511 (fresco)
2197180 Miracle of the Jealous Husband, 1511 (fresco) by Titian (Tiziano Vecellio) (c.1488-1576); 340x207 cm; Basilica of Saint Anthony, Padua, Italy; (add.info.: Padova)

The Second of May, 1808 or The Charge of the Mamelukes, 1814 (oil on canvas) (post-restoration)
2920870 The Second of May, 1808 or The Charge of the Mamelukes, 1814 (oil on canvas) (post-restoration) by Goya y Lucientes, Francisco Jose de (1746-1828); 266x345 cm; Prado, Madrid

A Judicial Duel in Merovingian Times, 1888 (colour litho)
CHT178732 A Judicial Duel in Merovingian Times, 1888 (colour litho) by Grasset, Eugene (1841-1917); Bibliotheque des Arts Decoratifs, Paris, France; © Archives Charmet

King Harald fighting a dragon, illustration from Historia de Gentibus Septentrionalibus by Olaus Magnus (1490-1558)
CHT224868 King Harald fighting a dragon, illustration from Historia de Gentibus Septentrionalibus by Olaus Magnus (1490-1558), published in Rome, 1555 (woodcut) (b/w photo) by Italian School

The Merchant of Venice, 1890 (litho)
KW428137 The Merchant of Venice, 1890 (litho) by Gilbert, John (1817-97); Private Collection; (add.info.: The Merchant of Venice by William Shakespeare (c.1564-1616)

A Roman Holiday, combat of gladiators, illustration from The Illustrated History of the World, published c
LLM438553 A Roman Holiday, combat of gladiators, illustration from The Illustrated History of the World, published c.1880 (digitally enhanced image) by English School

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"Dagger: A Symbol of Power, Betrayal, and Romance" From Lawrence of Arabia's iconic dagger to Lady Macbeth's haunting soliloquy about daggers, this weapon has left an indelible mark on history and literature. Clan Macpherson proudly displays their ancestral daggers as a testament to their heritage and bravery. Just like Romeo declaring his love for Juliet from beneath her balcony, the dagger represents passion and sacrifice in the name of love. Intriguingly, there are two famous daggers that captivate our imagination – one with a blade of gold symbolizing wealth and opulence while the other crafted from iron embodies strength and resilience. Anny Ondra's thrilling performance in Alfred Hitchcock's "Blackmail" showcases how a simple they are evoke fear and suspense. Venturing into uncharted depths, deep-sea divers wield daggers as tools to navigate treacherous waters with precision. Meanwhile, gladiators donning elaborate costumes brandish their deadly blades in epic battles that capture our fascination. Even cartoons have immortalized the dagger; Cinque-Tetes or the Paris Monster depicts France's ruling Directory demanding money at daggers point during the XYZ Affair in 1798. The Royal Treasure boasts exquisite swords adorned with gold, silver, lapis lazuli, and obsidian – each telling its own story throughout history. Traveling back to ancient times during the Bronze Age when civilizations flourished, warriors relied on these sharp weapons for protection. On Flag Day in 1916 Lemon Street Truro Cornwall witnessed a poignant moment between a lady and soldier where patriotism was displayed alongside a symbolic dagger. Whether it signifies power dynamics or serves as an instrument of betrayal or romance -the dagger continues to hold sway over our collective imagination across cultures and centuries.