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Cubist Collection

"Cubist: A Revolutionary Art Movement Capturing the Essence of Modernity" The Cubist movement, which emerged in the early 20th century

Background imageCubist Collection: DUCHAMP: NUDE DESC. 1912. Marcel Duchamp: Nu descendant un escalier, no. 2. Oil on canvas, 1912

DUCHAMP: NUDE DESC. 1912. Marcel Duchamp: Nu descendant un escalier, no. 2. Oil on canvas, 1912

Background imageCubist Collection: ANNA AKHMATOVA (1889-1967). Russian poet. Oil on canvas, 1914, by N. I. Altman

ANNA AKHMATOVA (1889-1967). Russian poet. Oil on canvas, 1914, by N. I. Altman
ANNA AKHMATOVA (1889-1967). Russian poet. Oil on canvas, 1914, by N.I. Altman

Background imageCubist Collection: Advertisement for Provence, France

Advertisement for Provence, France
French railways advertisement for Provence, France. 1946

Background imageCubist Collection: L Equipe de Cardiff, (The Cardiff Team), 1913. Artist: Robert Delaunay

L Equipe de Cardiff, (The Cardiff Team), 1913. Artist: Robert Delaunay
L Equipe de Cardiff, (The Cardiff Team), 1913

Background imageCubist Collection: Poster, Provence, France

Poster, Provence, France. Date: circa 1940s

Background imageCubist Collection: Eve Adamised 1927

Eve Adamised 1927
Eve Adamised : new woman in a liberated age dons male attire of suit & tie with hair in an Eton crop, but signals her gender with make-up, earings & a cigarette holder

Background imageCubist Collection: Filled silhouette illustration of a man in vivid blue and purple

Filled silhouette illustration of a man in vivid blue and purple
Modern abstract man in geometric style with blue, turquoise and lavender colors. It is the strength of a muscular man, his silhouette filled with circles, lines and curves

Background imageCubist Collection: The Sideboard, 1917 (oil on plywood)

The Sideboard, 1917 (oil on plywood)
XBP390285 The Sideboard, 1917 (oil on plywood) by Gris, Juan (1887-1927); 116.5x73 cm; Museum of Modern Art, New York, USA; Photo eBoltin Picture Library; Spanish, out of copyright

Background imageCubist Collection: Samovar, 1913 (oil on canvas)

Samovar, 1913 (oil on canvas)
XMV2639920 Samovar, 1913 (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); 88.5x62.2 cm; Museum of Modern Art, New York, USA; Russian, out of copyright

Background imageCubist Collection: Sir Henry Joseph Wood - English Conductor

Sir Henry Joseph Wood - English Conductor
Sir Henry Joseph Wood (1869 - 1944) - English conductor and composer, associated with the Promenade Concerts (Proms). 1926

Background imageCubist Collection: Composition on a Table, 1916 (oil on canvas)

Composition on a Table, 1916 (oil on canvas)
XIR227222 Composition on a Table, 1916 (oil on canvas) by Gris, Juan (1887-1927); 50x61 cm; Private Collection; Spanish, out of copyright

Background imageCubist Collection: GONCHAROVA: CATS, 1913. Cats, by Natalya Goncharova. Oil on canvas, 1913

GONCHAROVA: CATS, 1913. Cats, by Natalya Goncharova. Oil on canvas, 1913

Background imageCubist Collection: Roundism - 07-04-18

Roundism - 07-04-18
Corné Akkers

Background imageCubist Collection: Puiflijk 27–11 20 (2020)

Puiflijk 27–11 20 (2020)
Corné Akkers

Background imageCubist Collection: Surreal Identity

Surreal Identity
Miguel Bruzual

Background imageCubist Collection: Geesje Kwak - 29-08-21

Geesje Kwak - 29-08-21
Corné Akkers

Background imageCubist Collection: Nina - 13-09-23

Nina - 13-09-23
Corné Akkers

Background imageCubist Collection: Nina - 12-10-23

Nina - 12-10-23
Corné Akkers

Background imageCubist Collection: Risque - 05-05-22

Risque - 05-05-22
Corné Akkers

Background imageCubist Collection: Solarized Roundism - 01-07-22

Solarized Roundism - 01-07-22
Corné Akkers

Background imageCubist Collection: Still Life with Lute, 1946 (oil on canvas)

Still Life with Lute, 1946 (oil on canvas)
656412 Still Life with Lute, 1946 (oil on canvas) by Filla, Emil (1882-1953); 97x130 cm; Private Collection; (add.info.: Still Life with Lute. Emil Filla (1882-1953). Oil on canvas

Background imageCubist Collection: Still Life Cello; Nature Morte au Violoncelle, 1926 (oil and sand on canvas)

Still Life Cello; Nature Morte au Violoncelle, 1926 (oil and sand on canvas)
655964 Still Life Cello; Nature Morte au Violoncelle, 1926 (oil and sand on canvas) by Filla, Emil (1882-1953); 68x82 cm; Private Collection; (add.info)

Background imageCubist Collection: The Snail; L'Escargot, 1942 (oil on canvas)

The Snail; L'Escargot, 1942 (oil on canvas)
656028 The Snail; L'Escargot, 1942 (oil on canvas) by Filla, Emil (1882-1953); 35.5x45.7 cm; Private Collection; (add.info.: The Snail; L'Escargot. Emil Filla (1882-1953). Oil on canvas

Background imageCubist Collection: Self-portrait at the telephone, 1920 (gouache & ink on paper)

Self-portrait at the telephone, 1920 (gouache & ink on paper)
BAL231459 Self-portrait at the telephone, 1920 (gouache & ink on paper) by Popov, Nikolai Nikolaevich (1890-1953); 32.5x24 cm; State Art Museum, Samara.

Background imageCubist Collection: Still Life with a Poem, 1915 (oil on canvas)

Still Life with a Poem, 1915 (oil on canvas)
8682926 Still Life with a Poem, 1915 (oil on canvas) by Gris, Juan (1887-1927); 80.6 x 64.8 cm; Norton Simon Museum, Pasadena, CA, USA; (add.info.: By Juan Gris).

Background imageCubist Collection: Abstract Composition 1940 (Oil on cardboard)

Abstract Composition 1940 (Oil on cardboard)
8766559 Abstract Composition 1940 (Oil on cardboard) by Gallatin, Albert Eugene (1881-1952); 40--29.8 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Background imageCubist Collection: Cubist Still Life, c.1920 (oil on canvas)

Cubist Still Life, c.1920 (oil on canvas)
656016 Cubist Still Life, c.1920 (oil on canvas) by Filla, Emil (1882-1953); Private Collection; (add.info.: Cubist Still Life. Emil Filla (1882-1953). Oil on canvas. Painted circa 1920

Background imageCubist Collection: Roundism - 14-09-19

Roundism - 14-09-19
Corné Akkers

Background imageCubist Collection: Roundism - 03-09-19

Roundism - 03-09-19
Corné Akkers

Background imageCubist Collection: Board Number 1 (Staro-Basmannaya Street) 1916 (oil on canvas)

Board Number 1 (Staro-Basmannaya Street) 1916 (oil on canvas)
BAL194923 Board Number 1 (Staro-Basmannaya Street) 1916 (oil on canvas) by Tatlin, Vladimir Evgrafovich (1885-1953); 100x57 cm; Tretyakov Gallery, Moscow, Russia.

Background imageCubist Collection: Roundism - 10-06-19

Roundism - 10-06-19
Corné Akkers

Background imageCubist Collection: The Nude Portal - 03-07-19

The Nude Portal - 03-07-19
Corné Akkers

Background imageCubist Collection: Roundism - 12-06-18

Roundism - 12-06-18
Corné Akkers

Background imageCubist Collection: Neo Deco - 05-01-23

Neo Deco - 05-01-23
Corné Akkers

Background imageCubist Collection: Venus Lamenting - 13-01-23

Venus Lamenting - 13-01-23
Corné Akkers

Background imageCubist Collection: Roundism - 30-12-22

Roundism - 30-12-22
Corné Akkers

Background imageCubist Collection: Solarized Roundism - 02-03-23

Solarized Roundism - 02-03-23
Corné Akkers

Background imageCubist Collection: Neo Deco 04 07 23

Neo Deco 04 07 23
Corné Akkers

Background imageCubist Collection: Death of Freedom; Tod der Freiheit, 1929 (oil on canvas)

Death of Freedom; Tod der Freiheit, 1929 (oil on canvas)
653502 Death of Freedom; Tod der Freiheit, 1929 (oil on canvas) by Filla, Emil (1882-1953); 89x116 cm; Private Collection; (add.info.: Death of Freedom; Tod der Freiheit. Emil Filla (1882-1953)

Background imageCubist Collection: A Group of Gallant Soldiers around a Fire, 1949 (oil on canvas)

A Group of Gallant Soldiers around a Fire, 1949 (oil on canvas)
989136 A Group of Gallant Soldiers around a Fire, 1949 (oil on canvas) by Filla, Emil (1882-1953); 195.3x154.6 cm; Private Collection; (add.info.: A Group of Gallant Soldiers around a Fire)

Background imageCubist Collection: 'Some recipes to make our own paintings of Marie Laurencin, Picasso, Utrillo'

'Some recipes to make our own paintings of Marie Laurencin, Picasso, Utrillo'
CHT382432 'Some recipes to make our own paintings of Marie Laurencin, Picasso, Utrillo', caricature on Modern Art from 'L'Amour de l'art', Paris, 1925 (engraving) by Guilac

Background imageCubist Collection: Landscape, 1917 (oil on canvas)

Landscape, 1917 (oil on canvas)
BAL152040 Landscape, 1917 (oil on canvas) by Osmerkin, Aleksandr Aleksandrovich (1892-1953); Rostov Museum of Fine Art, Russia.

Background imageCubist Collection: A magic lamp, 1920 (gouache & tempera on cardboard)

A magic lamp, 1920 (gouache & tempera on cardboard)
BAL231458 A magic lamp, 1920 (gouache & tempera on cardboard) by Popov, Nikolai Nikolaevich (1890-1953); 31x24 cm; State Art Museum, Samara.

Background imageCubist Collection: Neo Deco - 09-04-24

Neo Deco - 09-04-24
Corné Akkers

Background imageCubist Collection: 'Woman with Animals', 1914. Creator: Albert Gleizes

'Woman with Animals', 1914. Creator: Albert Gleizes
'Woman with Animals', 1914. The seated woman is the wife of Raymond Duchamp-Villon, sculptor who took part in the discussions of the Cubist group at Puteaux.

Background imageCubist Collection: 'May without the City', 1917. Creator: Alexander Osmiorkin

'May without the City', 1917. Creator: Alexander Osmiorkin
'May without the City', 1917.

Background imageCubist Collection: 'Woman Lying On Her Belly', c1920. Creator: Francis Picabia

'Woman Lying On Her Belly', c1920. Creator: Francis Picabia
'Woman Lying On Her Belly', c1920. Francis Picabia's early works were in the Impressionist style. After 1912 he developed a style of abstract cubism with orphic elements contibuting to

Background imageCubist Collection: 'Naked Masculine', c1920. Creator: Francis Picabia

'Naked Masculine', c1920. Creator: Francis Picabia
Naked Masculine', c1920. Francis Picabia's early works were in the Impressionist style. After 1912 he developed a style of abstract cubism with orphic elements contibuting to Dadaism.



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"Cubist: A Revolutionary Art Movement Capturing the Essence of Modernity" The Cubist movement, which emerged in the early 20th century, revolutionized the art world with its innovative approach to representation. Inspired by various sources such as Marcel Duchamp's "Nu descendant un escalier" and N. I. Altman's portrait of Anna Akhmatova, Cubism sought to break away from traditional artistic conventions. One cannot discuss Cubism without mentioning Robert Delaunay's vibrant masterpiece "L'Equipe de Cardiff, " a testament to the movement's exploration of color and form. Similarly, Provence served as an inspiration for many artists during this time, evident in both advertisements and posters that captured the region's beauty. Cubism was not limited to visual arts alone; it also found expression in other mediums. For instance, Eve Adamised portrayed a unique interpretation of femininity through abstract shapes and lines. Meanwhile, Sir Henry Joseph Wood immortalized his musical genius through portraiture. Intriguingly, everyday objects like "The Sideboard" and "Samovar" became subjects for cubist experimentation. Through these works, artists challenged conventional notions of reality by fragmenting objects into geometric forms. Natalya Goncharova further expanded on this theme with her painting "Cats, " showcasing how even animals could be reimagined within the cubist framework. Additionally, filled silhouette illustrations added depth and dimensionality to human figures using vivid blue and purple hues. Lastly, compositions like "Composition on a Table" exemplified how cubists transformed ordinary scenes into complex arrangements of shapes and colors that defied traditional perspective.