Conversing Collection (page 7)

The Cooks (oil on canvas)
FIT282924 The Cooks (oil on canvas) by Ribot, Auguste Theodule (1823-91); 46.4x38.4 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright

Ms 36 Historiated initial D depicting a man with the devil
BMR173721 Ms 36 Historiated initial D depicting a man with the devil, from a Latin bible (vellum) by French School, (13th century); Bibliotheque Mazarine, Paris

A cafe on the banks of the Tigris, Baghdad (engraving)
GIA829555 A cafe on the banks of the Tigris, Baghdad (engraving) by French School, (19th century); Private Collection; eGiancarlo Costa; French, out of copyright

On Leave, (watercolour and pencil on board)
985341 On Leave, (watercolour and pencil on board) by Demuth, Charles (1883-1935); 27x19 cm; Private Collection; (add.info.: On Leave. Charles Demuth (1883-1935). Watercolour and pencil on board

Three Caucasian Men in Conversation, (pencil and charcoal on paper)
1195723 Three Caucasian Men in Conversation, (pencil and charcoal on paper) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832)

Illustration to the Bhagvata Purana depicting Balarama taking Akrura by the hand with his
1196866 Illustration to the Bhagvata Purana depicting Balarama taking Akrura by the hand with his younger brother Krishna, c.1700 () by Indian School

Shah Isma il Holding the First Private Audience After his Accession in Tabriz, c
1196778 Shah Isma il Holding the First Private Audience After his Accession in Tabriz, c.1590-1600 (gouache on paper) by Persian School

Sufis Visiting their Pir, c. 1650 (w / c & gilt on paper)
1196761 Sufis Visiting their Pir, c.1650 (w/c & gilt on paper) by Indian School, (17th century); 19x13.5 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Penelope, (oil on canvas)
657247 Penelope, (oil on canvas) by Philpot, Glyn Warren (1884-1937); 136x91.8 cm; Private Collection; (add.info.: Penelope. Glyn Warren Philpot (1884-1937). Oil on canvas. 136 x 91.8cm

Seaside Gossips, (watercolour)
828431 Seaside Gossips, (watercolour) by Smetham, James (1821-89); 26x35.2 cm; Private Collection; (add.info.: Seaside Gossips. James Smetham (1821-1889). Watercolour

Discovering the Telescope, 1855 (oil on canvas)
989417 Discovering the Telescope, 1855 (oil on canvas) by Ender, Edouard (1822-63); 132.7x154 cm; Private Collection; (add.info.: Discovering the Telescope. Eduard Ender (1822-1883). Oil on canvas

Scene of Figures (watercolour over pencil on paper)
1769148 Scene of Figures (watercolour over pencil on paper) by Pascin, Jules (1885-1930); 19.7x28.9 cm; Private Collection; (add.info.: Scene of Figures. Jules Pascin (1885-1930)

Figures in an Interior (oil on canvas)
615836 Figures in an Interior (oil on canvas) by Gruen or Grun, Jules Alexandre (1868-1934); 60.3x81.2 cm; Private Collection; Photo eChristies Images; French, out of copyright

In Monceau Park, 1878 (oil on canvas)
1196577 In Monceau Park, 1878 (oil on canvas) by Monet, Claude (1840-1926); 65.3x54.2 cm; Private Collection; Photo eChristies Images; French, out of copyright

Noa Noa (Embaume Embaume), circa 1894-5 (woodcut printed in colours)
659476 Noa Noa (Embaume Embaume), circa 1894-5 (woodcut printed in colours) by Gauguin, Paul (1848-1903); 35.7x20.5 cm; Private Collection; (add.info.: Noa Noa (Embaume Embaume)

Street Scene, Moret, 1906 (oil on canvas)
650824 Street Scene, Moret, 1906 (oil on canvas) by Mulhaupt, Frederick John (1871-1938); 65.4x53.3 cm; Private Collection; (add.info.: Street Scene, Moret. Frederick John Mulhaupt (1871-1938)

Discussing the News: The Argument, 1891 (oil on canvas)
650685 Discussing the News: The Argument, 1891 (oil on canvas) by Moeller, Louis Charles (1855-1930); 25.3x20.4 cm; Private Collection; (add.info.: Discussing the News: The Argument)

An Unexpected Question, 1922 (oil on canvas)
659921 An Unexpected Question, 1922 (oil on canvas) by Lucas, John Seymour (1849-1923); 48.5x66.3 cm; Private Collection; (add.info.: An Unexpected Question. John Seymour Lucas (1849-1923)

On the Tram, (oil on panel)
659630 On the Tram, (oil on panel) by Fischer, Paul (1860-1934); 38.8x32 cm; Private Collection; (add.info.: On the Tram. Paul Fischer (1860-1934). Oil on panel

Heralds College: The Hall, from The Microcosm of London
986113 Heralds College: The Hall, from The Microcosm of London, 1808-1810 (hand-coloured aquatint) by Rowlandson, T.(1756-1827) & Pugin

A Conversation Overheard, (oil on canvas)
989902 A Conversation Overheard, (oil on canvas) by Chaplin, Charles Joshua (1825-91); 59.6x35.5 cm; Private Collection; (add.info.: A Conversation Overheard. Charles Chaplin (1825-1891)

Jesus Conversing with Nicodemus (engraving)
5200606 Jesus Conversing with Nicodemus (engraving) by Schnorr von Carolsfeld, Julius (1794-1872) (after); Private Collection; (add.info.: Jesus Conversing with Nicodemus)

The interior of the Grote Kerk in Dordrecht, with figures conversing
5196804 The interior of the Grote Kerk in Dordrecht, with figures conversing and children playing (oil on panel) by Blieck

Conversation with the Gardener, c. 1870 (oil on canvas)
5037516 Conversation with the Gardener, c.1870 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 45x38 cm; National Museum, Stockholm

A Curious Junto of Slandering Elves or Listeners Seldom Hear Good of Themselves
BAL42838 A Curious Junto of Slandering Elves or Listeners Seldom Hear Good of Themselves, 1835 (coloured engraving) by Cruikshank, George (1792-1878); O Shea Gallery, London, UK; (add.info.: E.H.L)

Library window depicting foreigners (wood)
LIT389773 Library window depicting foreigners (wood) by Siamese School, (17th Century); Wat Sakhet, Bangkok, Thailand; (add.info)

Chinese altar cloth (textile)
LIT389561 Chinese altar cloth (textile) by Chinese School; Photo eLuca Tettoni; Chinese, out of copyright

Principal monuments of Ancient Rome: Arch of Titus (oil on canvas)
XIR418367 Principal monuments of Ancient Rome: Arch of Titus (oil on canvas) by Codazzi, Viviano (1603-72); 76x98 cm; Musee des Beaux-Arts, Dunkirk

Council of the State, Uniforms of the Vice President, Adviser and the Master of Requests
XIR418301 Council of the State, Uniforms of the Vice President, Adviser and the Master of Requests, 1853 (litho) by Lejeune, Eugene-Joseph (1818-97); Palais Royal, Paris

Uniform of the Artillery Squadron, 1823 (colour litho)
STC414268 Uniform of the Artillery Squadron, 1823 (colour litho) by Aubry, Charles (1811-1877); Private Collection; (add.info)

Arm in Arm (w / c on paper)
NOO367871 Arm in Arm (w/c on paper) by French School, (18th century); Private Collection; Photo eJohn Noott Galleries, Broadway, Worcestershire, UK; French, out of copyright

Three Lawyers Conversing, c. 1862-65 (w / c, pen & ink, charcoal, chalk
877062 Three Lawyers Conversing, c.1862-65 (w/c, pen & ink, charcoal, chalk, & gouache on cream wove paper) by Daumier, Honore (1808-79); 32.9x24.8 cm; Sterling and Francine Clark Art Institute

Voltaire seated next to King Frederick II at the Chateau de Sans Souci, Potsdam, Germany
884632 Voltaire seated next to King Frederick II at the ChAteau de Sans Souci, Potsdam, Germany, 1878 (engraving) by Menzel

Jean le Rond d Alembert at the salon of Mme du Deffant and Mlle de Lespinasse
884634 Jean le Rond d Alembert at the salon of Mme du Deffant and Mlle de Lespinasse, from Vies des Savants Illustres, by Louis Figuier (engraving) by French School

Young man conversing with young girl (coloured engraving)
609787 Young man conversing with young girl (coloured engraving) by English School, (19th century); Private Collection; (add.info)

The Drovers Halt, 1846 (oil on canvas)
621472 The Drovers Halt, 1846 (oil on canvas) by Ansdell, Richard (1815-85); 94.6 x 185 cm; Atkinson Art Gallery, Southport, Lancashire, UK; eThe Atkinson; English, out of copyright

Landscape with Cattle and Figures, 1664 (oil on canvas)
FIT88880 Landscape with Cattle and Figures, 1664 (oil on canvas) by Velde, Adriaen van de (1636-72); 125.7x167 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Dutch

The trees and the axe, from Aesops Fables, c
FIT282867 The trees and the axe, from Aesops Fables, c.1912 (pen & ink with w/c on paper) by Rackham, Arthur (1867-1939); 31.2x26.8 cm; Fitzwilliam Museum, University of Cambridge

Hussars and Infantry of the Duke of Brunswick Oelss Corps
NAM254145 Hussars and Infantry of the Duke of Brunswick Oelss Corps, from Costumes of the Army of the British Empire, according to the last regulations 1812, engraved by J.C

Called on Squire Water Rat, old friend of the family
IL274551 Called on Squire Water Rat, old friend of the family, illustration from The Mischievious Mousie Book, published by Thomas Nelson & Sons, 1920s (colour litho) by Anderson

Tahitian Women, from Noa Noa, Voyage a Tahiti, published 1926 (colour litho)
STC255163 Tahitian Women, from Noa Noa, Voyage a Tahiti, published 1926 (colour litho) by Gauguin, Paul (1848-1903); Private Collection; The Stapleton Collection; French, out of copyright

Ulysses conversing with Eumaeus
LLM455870 Ulysses conversing with Eumaeus by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Ulysses conversing with Eumaeus)

The Signing of the Marriage Attestation Deed, 1863 (colour litho)
451629 The Signing of the Marriage Attestation Deed, 1863 (colour litho) by Dudley, Robert Charles (1826-1909); Wolverhampton Art Gallery, West Midlands

The Temple of Jupiter, from Ruins of the Palace of Emperor Diocletian at Spalatro in
STC425572 The Temple of Jupiter, from Ruins of the Palace of Emperor Diocletian at Spalatro in Dalmatia, published 1764 (engraving) by Adam

One of the Boers they had spoken to sauntered in, an illustration from
STC311016 One of the Boers they had spoken to sauntered in, an illustration from With Roberts to Pretoria: A Tale of the South African War by G.A. Henty, pub

The Corner of the Table, 1904 (oil on canvas)
XCG26299 The Corner of the Table, 1904 (oil on canvas) by Chabas, Paul (1869-1937); 103x124 cm; Musee des Beaux-Arts, Tourcoing, France; French, out of copyright

Manet (second from right) with his political friends (b / w photo)
CHT468180 Manet (second from right) with his political friends (b/w photo) by French Photographer, (19th century); Private Collection; (add.info)

Roman Ruins (oil on canvas)
XIR417064 Roman Ruins (oil on canvas) by Marieschi, Michele (1696-1743); Musee des Beaux-Arts, Nimes, France; (add.info.: Roman ruins; ); Italian, out of copyright

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"Capturing Conversations: A Glimpse into Timeless Interactions" Step back in time and immerse yourself in the art of conversing, as depicted by renowned artists throughout history. From the elegant parlors of the 19th century to bustling coffee houses and even mythical gatherings, these captivating artworks offer a window into human connection and communication. In Henry Stacy Marks' "A Select Committee, " painted in 1891, we witness a group engaged in animated discussion, their gestures conveying both passion and intellect. Similarly, Sir Ernest Albert Waterlow's "Galway Gossips" transports us to an Irish village where locals exchange news and stories with great enthusiasm. Raphael Morghen and Teodoro Matteini's rendition of "The Last Supper" takes us back to biblical times when Jesus shared his final moments with his disciples. The painting not only showcases conversation but also highlights its power to unite individuals towards a common purpose. Traveling further back in time, an advertisement for Wills Coffee House from around 1700 reveals how social spaces have long served as catalysts for conversations among diverse groups. Meanwhile, "Cognoscenti in a Room hung with Pictures, " dating back to the early 17th century, presents intellectuals engrossed in deep discussions while surrounded by art. Diego Velasquez's masterpiece "Christ in the house of Mary and Martha" captures a momentous conversation between Jesus Christ and two sisters who embody contrasting approaches to life. This thought-provoking artwork invites contemplation on meaningful exchanges that transcend mere words. Venturing beyond Europe's borders, we encounter Limehouse's Chinese shop through an intriguing photograph from c1900. Here cultural exchange unfolds through dialogue between different communities—a testament to conversations fostering understanding across boundaries. Moving closer to our own era, Sidney E Paget's illustration titled "Nothing could be Better said Holmes" depicts Sherlock Holmes engaged in an intense conversation, showcasing the power of dialogue in solving mysteries.